Artist Mary Ann Rogers, based in Northumberland, is preparing for her upcoming summer exhibition titled "Untamed" at her home gallery in West Woodburn. The show will feature her latest watercolor paintings and prints, including studies of hares, flowers, and farm animals, inspired by the surrounding countryside and National Park. A preview weekend is scheduled for June 27–28, with the exhibition running until July 12.
An art exhibition celebrating the life and legacy of Louisa, Marchioness of Waterford, will be held at Etal Village Hall in Northumberland on May 24. The free event features 30 finalist works—ranging from film and paintings to textiles and sculpture—submitted by artists from across northern England and the Scottish Borders. The winner will receive the Louisa Waterford Prize, and visitors can vote for the People's Prize. The exhibition is organized by The Tin Shed, a collective that supports artists and makers through online studios and pop-up events.
Kathryn Williams, a Liverpool-born singer-songwriter and visual artist based in Newcastle, opens her first solo North East exhibition, "Striking Image," at The Biscuit Factory in Ouseburn on May 8. The show features tiny, expressive portraits painted on matchboxes, reimagining historical miniatures on humble household objects. Williams, who has released 17 albums, written a novel, and hosted a podcast, approaches this exhibition as another strand of her lifelong creative practice, emphasizing freedom and process over product.
A mystery portrait has prompted a public appeal in County Durham as a major new exhibition celebrating miner-artist Tom McGuinness opens at Bishop Auckland’s Mining Art Gallery. Visitors are being asked to help identify an unknown man depicted in a 1963 charcoal drawing, *Portrait of an Unknown Man*, now on display as part of *Tom McGuinness: Out of the Darkness*, which marks the centenary of the artist’s birth and runs throughout 2026. McGuinness, born in Witton Park, worked in the mines for nearly four decades, and his art captures the physical and emotional realities of mining life. The portrait was initially thought to depict the artist’s father-in-law, but his daughter Corinne Aspel has challenged that assumption, noting clear differences in facial features.