person Daniel Völzke

Miró-Gemälde aus Monaco wird in München versteigert

Munich auction house Karl & Faber will auction a Joan Miró painting from a private collection in Monaco on June 11, as part of its 'Modern Art, Post War & Contemporary Art' sale. The work, titled 'Peinture' (1936), is estimated at €2–2.5 million and is described as one of the most significant Miró pieces offered on the German auction market in over 25 years. The auction also features around 310 lots, including a tempera by Paula Modersohn-Becker valued at €300,000–400,000.

"Ohne die Künstler sind wir als Galeristen alle nichts"

A recent art news roundup from Monopol covers several stories: a debate in 'Frieze' criticizes contemporary art for ignoring digital misogyny and the 'manosphere'; the AfD's cultural policy in German states promotes a 'patriotic turn' and rejects modern art like Bauhaus; a possible lead in the Louvre jewel heist points to Belgium, with photos of the Galerie d'Apollon found on suspects' phones; and Marion Ackermann discusses cultural polarization and defending artistic freedom.

Promptography as the Art of Decision – with Boris Eldagsen

Promptografieren als Entscheidungskunst – mit Boris Eldagsen

Boris Eldagsen, a prominent voice in the debate on AI and visual culture, discusses his artistic journey and the concept of 'promptography' in the Monopol podcast 'Fantasiemuskel'. Eldagsen, who began with drawing and later moved to staged photography, now works with AI to create images directly from imagination. He distinguishes between photographed and generated images, coining the term 'promptography' for AI-generated works. In 2023, he won but then rejected the Sony World Photography Award after revealing his entry was a promptography, not a photograph, sparking global debate.

In the Fight Against the Culture War

Im Kampf gegen den Kulturkampf

Bazon Brock, the German art theorist and self-described "artist without a work," turns 90 on June 2. Known for his explosive rhetoric and "Action Teaching" method, Brock studied under Theodor W. Adorno, performed with Joseph Beuys and Nam June Paik, and taught aesthetics at the University of Wuppertal. He founded the "Denkerei" in Berlin, a salon he calls an institute for theoretical art, universal poetry, and prognostics, and ran a famous "Besucherschule" (visitor school) at multiple editions of Documenta.

Kölner Dom kostet bald 12 Euro Eintritt - aber nicht immer

Cologne Cathedral, one of Germany's most famous churches and a UNESCO World Heritage site, will charge a €12 entry fee starting July 1. The decision, announced by the cathedral chapter after years of debate, aims to cover rising costs for maintenance, protection, and operations. Exceptions include free entry on certain religious and national holidays, and for worshippers, children under 13, and people with disabilities. Two separate entrances will be used: a free north entrance for prayer and a paid west entrance for full sightseeing, though the chapter says it will trust visitors rather than enforce a 'belief check'.

Erster LVM-Kunstpreis geht an Natascha Sadr Haghighian

Natascha Sadr Haghighian has been awarded the first LVM Art Prize for Art in Public Space for her work "86° WALTER HALİT (2025)", a light installation on the roof of the Kassel Regional Council building. The piece memorializes Walter Lübcke, a politician murdered by a right-wing extremist in 2019, and Halit Yozgat, a businessman shot in his internet café in 2006 in the last murder committed by the far-right NSU group. The jury praised the work as an artistically sophisticated symbol for democracy, vigilance, and social responsibility.

Hilde Lynn Helphenstein alias Jerry Gogosian dies at 40

Hilde Lynn Helphenstein alias Jerry Gogosian mit 40 Jahren gestorben

Hilde Lynn Helphenstein, the artist and satirist known online as Jerry Gogosian, has died at age 40. She was found in a hotel room in São Paulo, Brazil, on Sunday; Brazilian police are treating the case as a suspicious death and have launched an investigation into the cause. Since 2018, Helphenstein built one of the art world's most influential and biting Instagram accounts, using memes and insider knowledge to skewer the excesses of the international art market, amassing around 145,000 followers.

Banana from Cattelan artwork stolen

Banane aus Cattelan-Kunstwerk gestohlen

A banana from Maurizio Cattelan's artwork "Comedian" was stolen from the Centre Pompidou-Metz over the weekend. A security guard noticed the fruit was missing, and the museum has filed a police report against unknown persons. The banana has since been replaced. The work is part of the exhibition "Dimanche sans fin," running until June 27. This is not the first time the banana has been interfered with: it has been eaten multiple times since its debut in 2019, including by artist David Datuna at Art Basel Miami Beach, a Korean student at the Leeum Museum of Art in Seoul, and entrepreneur Justin Sun after he purchased the work for $5.2 million.

Playboy releases an edition for Marilyn Monroe's 100th birthday

"Playboy" bringt zum 100. Geburtstag von Marilyn Monroe eine Edition heraus

German Playboy has released a limited edition of 100 artworks by pop artist Michael Möbius to mark the 100th birthday of Marilyn Monroe. The pop-art pieces, featuring Möbius's signature bubblegum-blowing portraits, reference Monroe's iconic imagery. The edition coincides with the publication of previously unseen photographs and letters by Sam Shaw in the book "Dear Marilyn" by Schirmer/Mosel Verlag. Monroe famously appeared on the cover and centerfold of Playboy's very first issue in 1953, and Hugh Hefner, the magazine's founder, was a known admirer of Möbius's Monroe portrait, which hung in his private gallery for years.

Museums want to make collections more visible

Museen wollen Sammlungen stärker sichtbar machen

The German Museums Association (Deutscher Museumsbund) has announced that its 2027 annual conference in Leipzig will focus on how museums can make their collections more future-proof. Approximately 900 professionals from Germany and abroad will gather in May 2027 to discuss activating collections in light of current societal issues. The association notes that around 80 percent of museum holdings remain hidden in storage, with only 20 percent publicly accessible.

This country is unfortunately completely hysterical

"Dieses Land ist leider völlig hysterisiert"

The article covers several art-world stories in Germany. It reports on former Berlin Senator for Culture Sarah Wedl-Wilson's testimony before a parliamentary committee investigating a funding scandal, where she refused to answer many questions, drawing sharp criticism. It also covers writer Uwe Tellkamp's laudatory speech for artists Neo Rauch and Jonathan Meese at their exhibition opening in Aschersleben, where he lamented the hysterical state of public discourse. Additionally, the piece notes the happy relationship between actor Keanu Reeves and artist Alexandra Grant, which she says has positively influenced her painting.

Painter Paula Kamps dies at 36

Malerin Paula Kamps mit 36 Jahren gestorben

German painter Paula Kamps has died at the age of 36. Her Paris gallery, Sans titre, announced the news but did not disclose the cause of death. Born in Cologne in 1990, Kamps studied philosophy at the Free University of Berlin before transferring to the Kunstakademie Düsseldorf, where she became a master student of painters Tomma Abts and Elizabeth Peyton. Working between figuration and abstraction, she created fragile, dreamlike worlds using glazes, watercolor, and drawing techniques, often depicting ghostly figures, plants, and everyday scenes on the verge of disappearance. Painter André Butzer described her fluid color forms as "stains" spreading across the canvas. Kamps also published poetry and artist books. She had been represented by Galerie Sans titre since 2021 and showed in Chicago, Hong Kong, Milan, Berlin, and Zurich; an early-2025 solo exhibition at Galerie Christine Mayer was her most recent.

What is actually the goal of Yad Vashem in Germany?

"Was ist eigentlich das Ziel von Yad Vashem in Deutschland?"

Jens-Christian Wagner, director of the Buchenwald and Mittelbau-Dora memorials, has expressed skepticism about plans for a new branch of the Israeli Holocaust memorial Yad Vashem in Munich and Leipzig. In an interview with Bayerischer Rundfunk, he criticized the lack of transparency in the process and noted fundamental differences between Holocaust education in Germany and Israel, where the former addresses descendants of perpetrators and the latter focuses on victims' perspectives. Educator Meron Mendel also raised concerns, warning that Yad Vashem is not independent of the Israeli government and that current political tensions could influence educational content. The planned center, Yad Vashem's first overseas branch, aims to strengthen Jewish perspectives in German memory culture.

HfBK-Studierendenrat äußert sich zu Protesten gegen Kunstausstellung

The student council of the Dresden University of Fine Arts (HfBK) has distanced itself from acts of vandalism against an exhibition by artist Holger John, but expressed understanding for the protests as a sign of frustration with opaque decisions by the university administration. The exhibition, which runs until Sunday, has been repeatedly targeted: bicycle locks blocked the entrance gate, a poster was damaged, and a protest sign was hung. The university filed a criminal complaint against unknown persons. The controversy stems from images shown at the vernissage depicting John with Rammstein singer Till Lindemann, who faced serious allegations in 2023 (later dropped).

Dubious Colonial Objects in the Possession of the Dutch King

Zweifelhafte Kolonial-Objekte im Besitz des niederländischen Königs

A commission appointed three years ago has presented a report on colonial objects in the collections of the Dutch royal house, finding that a small number of items were likely acquired unlawfully. Among the objects identified as probable spoils of war are a golden amulet chain from Indonesia, a historic Indonesian handgun known as a "thunder gun" seized from ruler Raden Intan during an 1856 expedition, and a shield taken from the Prince of Samalanga in 1877. The commission examined around 1,000 objects that entered the royal collection between 1840 and 1949, primarily from Indonesia, Suriname, and the Dutch Caribbean islands. Most items were gifts, but several dozen were obtained involuntarily or as war booty.

"Aua"

This article from Monopol surveys several art-world stories in a Thursday media roundup. It covers a Financial Times essay by Nadia Beard on censorship and dangerous art, drawing on Daisy Dixon's book "Depraved" and Ai Weiwei's "On Censorship"; a conflict at the Centro Galego de Arte Contemporánea (CGAC) in Santiago de Compostela, where over 1,400 professionals protest the politically appointed director; a review of Florentina Holzinger's performance "Pfingstspiel" at Schloss Prinzendorf, described as a spectacular, body-suspension-laden reinterpretation of biblical themes; the Berlin-based nomadic project "Trauma" blending club culture and visual art; and the release of the exhibitor list for Art Basel Paris 2025 at the Grand Palais.

Already 250,000 Visitors in Cologne Kusama Exhibition

Bereits 250.000 Besucher in Kölner Kusama-Ausstellung

The Yayoi Kusama exhibition at the Museum Ludwig in Cologne has attracted 250,000 visitors since its opening, with June weekends already sold out. The show, which runs until August 2, features 300 works from the 97-year-old Japanese artist, spanning from early childhood drawings to contemporary pieces, including a spectacular room filled with dotted octopus tentacles. Tickets are only available online, and the museum reports that the exhibition is among the most successful in its history.

Film and Documentary Planned About Louvre Art Heist

Film und Doku zum Kunstraub im Louvre geplant

A heist at the Louvre in October 2025, in which four masked thieves stole crown jewels worth an estimated €88 million, is being turned into a film and documentary series. The projects are based on the investigative book "Main basse sur le Louvre" by journalists Jean-Michel Décugis, Jérémie Pham-Lê, and Nicolas Torrent. The feature film will be directed by Romain Gavras, with production by Iconoclast, while a documentary series will be produced by Misfits of the Mediawan Group. The book was published on Wednesday by Flammarion, though no title, release date, or cast for the film has been announced yet.

The Pope Asks You to Write Music

"Der Papst bittet Sie, Musik zu schreiben"

This press roundup covers several art-world stories. Musician FKA Twigs discusses her contribution to the Vatican Pavilion at the Venice Biennale, describing how she was asked by the Pope to write music, blending her club and sacred practices. Artist Trevor Paglen speaks about the 'end of enlightenment' in an interview, arguing that AI-generated images and social media are destroying shared empirical reality. Critic Dean Kissick interviews documentary filmmaker Adam Curtis about the crisis of the self and the exhaustion of contemporary culture. Additionally, a review of the 61st Venice Biennale highlights political tensions, protests, and a carnivalesque trend in the artworks.

Protest gegen eine Kunstausstellung in Dresden

An exhibition by Dresden-based artist Holger John at the Hochschule für Bildende Künste (HfBK) in Dresden has been met with protests from students. Before the opening on April 30, the exhibition banner was cut and a gate was repeatedly blocked with locks. Students are calling for the show to be closed, not because of John's artwork, but because of his association with musician Till Lindemann, who faced serious allegations in 2023 (later dropped by prosecutors). John denies any wrongdoing and says the protests are damaging his reputation. The university has filed a criminal complaint against unknown persons and increased security, while also attempting to open a dialogue with the student council.

"Es ist nur die Frage: Bist du reich genug oder nicht?"

A Christie's auction in New York saw Jackson Pollock's "Number 7A" sell for approximately $181 million, contributing to a total of $1.1 billion in sales for the evening. The auction, covered by Vanity Fair and the New York Times, featured intense bidding between figures like Iwan Wirth and Alex Rotter, while names such as Jeff Bezos and Ken Griffin were speculated to be involved. Combined with sales from Sotheby's and Phillips, the week generated around $2.5 billion. Meanwhile, a separate controversy erupted in France over artist Claire Tabouret's new stained-glass windows for Notre-Dame Cathedral, with critics arguing they violate heritage protection laws. Additionally, the Fondation Beyeler faces allegations that a Cézanne watercolor in its current exhibition may be Nazi-looted art from the collection of Jewish paper wholesaler Gustav Schweitzer.

Moskaus Angriff auf Kiew beschädigt auch Museen und Gedenkstätten

A massive Russian attack on Kyiv over the weekend targeted historical buildings, museums, and memorial sites, causing widespread damage. Ukrainian President Volodymyr Zelenskyy reported 87 injuries and at least two deaths, with around 300 objects damaged, mostly residential buildings. Military administrator Tymur Tkachenko described it as the largest attack since the full-scale invasion began, noting that for the first time Russia deliberately struck historical architecture and memorials, including the Foreign Ministry building, the Chernobyl Museum, and the Art Museum. Russia used 600 drones and 90 missiles, including the new Oreshnik intermediate-range missile, in retaliation for a Ukrainian attack on a vocational school in occupied Starobilsk.

Hans Ulrich Obrist on the Vatican Pavilion

Hans Ulrich Obrist über den Vatikan-Pavillon

Hans Ulrich Obrist, the renowned curator, has dedicated the Vatican Pavilion at the 61st Venice Biennale to the medieval mystic Hildegard von Bingen. The exhibition, titled "The Ear Is the Eye of the Soul," features a walkable sound garden created with the Soundwalk Collective, designed as a space for listening, meditation, and inner reflection. In a Monopol podcast interview, Obrist discusses the project's origins, Hildegard's holistic thinking, and contributions from artists including Patti Smith, Jim Jarmusch, Brian Eno, Meredith Monk, FKA twigs, and Blood Orange. The episode also covers the final work of the recently deceased Alexander Kluge, shown in a former monastery complex in Venice.

The Mokka-Milch-Eisbar reopens on Karl-Marx-Allee

Die Mokka-Milch-Eisbar eröffnet wieder auf der Karl-Marx-Allee

The iconic Mokka-Milch-Eisbar, a legendary ice cream café from East Berlin's DDR era, is reopening on Karl-Marx-Allee after a heritage-sensitive renovation. The pavilion, built in the early 1960s as part of the second construction phase of the boulevard, was famously celebrated in a 1969 DDR pop song. New operators Natacha and Alexander Neumann are launching the venue under the name "Mokka Milch" as a restaurant, café, and bar, with an opening celebration on Wednesday. The building's distinctive yellow-tiled facade and large glass windows have been preserved under strict heritage guidelines, overseen by the state monument office.

The Holy Spirit in a Rapture of Pain

Der Heilige Geist im Schmerzrausch

Florentina Holzinger's "Pfingstspiel" (Pentecost Play) is a multi-hour performance staged across two locations in Austria—the Wiener Eislauf-Verein in Vienna and Schloss Prinzendorf—as a satellite event to her contribution to the Venice Biennale. The work features extreme physical stunts, including a performer rappelling down a hotel facade, a car drifting with Holzinger on its roof, and a crucifixion scene, all drenched in blood, pain, and religious imagery. The performance, presented only once before 700 guests as part of the Wiener Festwochen, is described as a brutal, uncompromising marathon that pushes the boundaries of live art.

The AfD Rehearses the Seizure of Power

Die AfD probt die Machtergreifung

The article reports that in the German state of Saxony-Anhalt, the far-right party AfD could achieve an absolute majority in the upcoming September election—a first in postwar German history. The state government has preemptively introduced a cultural funding law to protect the arts. The AfD's platform includes a "new patriotic cultural policy" under the slogan "#deutschdenken," which explicitly targets the Bauhaus and modernist art as symbols of an "identity disorder" they promise to "heal."

We are in danger of losing our sense of community

"Wir drohen das Gespür für die Gemeinschaft zu verlieren"

Christophe Cherix, the new director of the Museum of Modern Art in New York, discusses his first months in the role, emphasizing museums as "safe social places" in an era of anxiety and screen-induced isolation. He advocates for collective vision-building with staff and defends the MoMA's independence against political pressure in Trump-era America. Separately, critic Paco Barragán argues in The Observer that biennials are in a structural crisis of repetition, tracing their history from instruments of national soft power to a "Global Neo-Liberal Biennial" system that co-opts diversity without changing its core logic. He introduces the concept of the "vibe-ennial," where discourse is replaced by atmosphere and critique by affect. Meanwhile, longtime Bonn museum director Stephan Berg critiques the boom in immersive art experiences like "Van Gogh – The Immersive Experience," calling them a "surrogate reality" tailored to the Instagram age that destroys the integrity of original works. Artforum reconstructs late-1960s debates on art criticism, focusing on Barbara Rose's challenge to formalists like Clement Greenberg and Rosalind Krauss, arguing that art must engage with societal conflicts such as Black Power and war resistance.

A Water Lily is a Water Lily is a Water Lily

Eine Seerose ist eine Seerose ist eine Seerose

Anonymous internet artist SHL0MS posted an image of a Monet water lily painting on X, falsely claiming it was AI-generated. Thousands of users criticized the image's aesthetics, after which SHL0MS revealed it was actually a real Monet. He then minted the image as an NFT, sold it for around $40,000, and framed the entire episode as a conceptual artwork titled "Inferior Image," claiming it critiques online disinformation and debate culture.

"Geschichtspolitisch fatal und realitätsblind"

A German media roundup reports on a planned restructuring of the Stiftung Flucht, Vertreibung, Versöhnung (Foundation Flight, Expulsion, Reconciliation), which would shift its focus toward German expellees and reduce the influence of the Federal Government Commissioner for Culture and the Media. The reform, criticized by FAZ commentator Andreas Kilb as a fundamental cultural-political intervention, would detach the foundation from the German Historical Museum and give greater weight to the Federation of Expellees in its board. Separately, the roundup covers a review of a legal study on artistic freedom sparked by the antisemitism debate around Documenta Fifteen, and a speech by Culture Minister Wolfram Weimer warning of democratic backsliding and rising antisemitism.

Is the art market slump over?

Ist die Flaute im Kunstmarkt vorbei?

The New York spring auctions saw explosive top prices, with Jackson Pollock's drip painting "Number 7A" (1948) selling for $181.2 million at Christie's, making it the fourth most expensive artwork ever auctioned. Christie's evening sales alone generated $1.1 billion, including $630.8 million from 16 works from the S.I. Newhouse collection. Sotheby's opened the season with a Mark Rothko from the estate of dealer Robert Mnuchin, achieving $85.8 million, while Phillips sold all 40 lots for $115 million, double the previous year. Younger artists like Joseph Yaeger also saw prices far exceed estimates.

No Attitude, Nowhere: Conviction, Zero Meaning

Keine Haltung, nirgends Gesinnung, null Bedeutung

The article critiques the current state of the art world and broader culture, arguing that right-wing calls for depoliticized art are intensifying while the progressive art establishment silently tolerates a culture war that restricts free expression. It uses the 2025 Met Gala as a prime example, describing the event as a heartless display of wealth and power aligned with Trump-era capitalism, where celebrities and artists perform progressive values while participating in a spectacle sponsored by anti-union figures like Jeff Bezos. The author draws on Hannah Arendt's ethics lectures to suggest that moral norms have collapsed overnight, and that the commercial art world now legitimizes anti-democratic tendencies through its silence.

Sachsen-Anhalt schützt Kunst und Kultur per neuem Gesetz

Sachsen-Anhalt has enshrined support for art and culture as a state objective in a new law, passed by the state parliament in Magdeburg with the exception of the AfD faction, which abstained. Culture Minister Rainer Robra (CDU) framed the law as fulfilling a promise from 1989, defining what constitutes art and culture in the state, including their roles in education and as an economic factor, and aiming to make cultural structures resilient against future attacks on artistic freedom.

Werke von Pollock und Brancusi für Rekordsummen versteigert

At Christie's spring auctions in New York, Jackson Pollock's painting "Number 7A" sold for approximately $181 million and Constantin Brancusi's sculpture "Danaïde" fetched around $108 million, both setting records. The works came from the estate of publisher S. I. Newhouse, who died in 2017. Christie's total sales for the evening exceeded $1 billion, while rival Sotheby's had sold several hundred million dollars' worth of art the previous week. Christie's enlisted actress Nicole Kidman to promote the Brancusi piece.

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

Hamburg Culture Prize No Longer Named After Biermann-Ratjen

Hamburger Kulturpreis heißt nicht mehr nach Biermann-Ratjen

The Hamburg Senate has renamed the Senator-Biermann-Ratjen Medal, a prestigious cultural award, to the "Medaille für Kunst und Kultur in Hamburg" (Medal for Art and Culture in Hamburg). The decision follows a 2024 review of historical records revealing that Hans Harder Biermann-Ratjen (1901–1969), the former culture senator for whom the medal was named, was a member of the Nazi Party (NSDAP). Historian Helmut Stubbe da Luz presented evidence in June 2024 that Biermann-Ratjen had disclosed his NSDAP membership in a 1943 application to the Reich Literature Chamber when seeking to publish a novel.

Exhibition at Bellevue Palace: Rush causes server crash

Ausstellung im Schloss Bellevue: Ansturm legt Server lahm

Berlin's Schloss Bellevue, the official residence of German President Frank-Walter Steinmeier, is being transformed into a pop-up art gallery from June 13 to 28 before undergoing a multi-year renovation. The exhibition, titled "Freiraum Kunst," features works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini. However, the ticket booking system crashed due to overwhelming demand, causing delays and prompting the Akademie der Künste to work on resolving the technical issues, assuring the public that tickets are still available.

Künstler Harald Metzkes ist tot

German painter Harald Metzkes has died at the age of 97 in Wegendorf, Brandenburg, surrounded by his family. His son, sculptor Robert Metzkes, confirmed the news to the German Press Agency. Metzkes, who grew up in East Germany, was a leading figure of the Berlin School of painting and resisted the official doctrine of socialist realism, instead creating a personal "world theatre" of harlequins, circus scenes, and theatrical figures inspired by Rembrandt, Velázquez, and Paul Cézanne. His best-known work includes "Der Abtransport der sechsarmigen Göttin." After training as a stonemason and studying at the Dresden Academy of Fine Arts, he worked as a freelance artist in Berlin, supporting himself with book illustrations. His work gained international attention when one of his paintings was sent to the Venice Biennale in 1984, and after the fall of the Berlin Wall he built connections with Western collectors.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

Free tickets now available for temporary exhibition at Bellevue Palace

Ab sofort kostenlose Karten für temporäre Schau im Schloss Bellevue

Berlin's Bellevue Palace, the official residence of German President Frank-Walter Steinmeier, will transform into a pop-up gallery for two weeks from June 13 to 28. Free timed-entry tickets become available from 3:00 PM on the website of the Akademie der Künste. The exhibition will feature works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini, displayed in rooms emptied ahead of a multi-year renovation.

Watching the Great Form Shatter

Der großen Form beim Zerbrechen zuschauen

Marc Brandenburg, a Berlin-based artist born in 1965, is the subject of a comprehensive survey exhibition titled "20th Century Debris" at the Berlinische Galerie. The show presents his meticulous pencil drawings on paper, which invert light and dark and are viewed under blacklight to create ghostly, dissolving images. Brandenburg's works fragment urban spaces, faces, and everyday objects into shimmering, unstable forms, drawing on photography and photocopying to produce a sense of eerie stillness and motion. The exhibition also includes his first films, tracing his stylistic evolution from early 1990s fragmented portraits to large-scale panoramic works with metallic surfaces.

Prize commemorates Henrike Naumann – MMK takes over estate

Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass

A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.

What the renovation of the Pergamon Museum costs

Was die Sanierung des Pergamonmuseums kostet

The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.

Some cry censorship, others cry antisemitism

"Die einen schreien Zensur, die anderen Antisemitismus"

A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.

The Many Sheddings of Valie Export

Die vielen Häutungen der Valie Export

Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.

What the Met Gains from the Neue Galerie

Was das Met mit der Neuen Galerie gewinnt

The Neue Galerie, a private museum for German and Austrian art founded by billionaire collector Ronald S. Lauder, will be integrated into the Metropolitan Museum of Art (the Met) as an auxiliary branch under the new name "The Met Ronald S. Lauder Neue Galerie." The transition, announced by founding director Renée Price, is set to be completed by 2028, with the Met assuming full operational control after a planned renovation of the historic townhouse on Fifth Avenue. The merger follows years of Lauder's stewardship and ensures the long-term future of the collection, which includes masterpieces by Gustav Klimt, Egon Schiele, Wassily Kandinsky, and Max Beckmann.

Valie Export ist tot

Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.

Metropolitan Museum und Neue Galerie in New York fusionieren

The Metropolitan Museum of Art and the Neue Galerie in New York are merging. Starting in 2028, the Neue Galerie will operate as a satellite of the Met, renamed "The Met Ronald S. Lauder Neue Galerie." Founded in 2001 by cosmetics entrepreneur and art collector Ronald Lauder, the Neue Galerie houses a renowned collection of German and Austrian art, including Gustav Klimt's "Adele Bloch-Bauer I." Met director Max Hollein announced the merger, which also includes a donation of 13 works from Lauder and his daughter Aerin, plus an endowment for ongoing operations.

Delegitimation, Denunciation and Insecurity

"Delegitimation, Denunziation und Verunsicherung"

German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.

Venice in Crisis Mode

Venedig im Krisenmodus

The 61st Venice Biennale has opened under extraordinary circumstances, marked by political protests, a jury resignation, and canceled awards. The Biennale's jury resigned en masse after announcing they would exclude Israeli and Russian contributions from their decisions, leading to the cancellation of the Golden Lion awards and a crisis over the international competition's legitimacy. A newly introduced audience prize also faced boycotts from artists in solidarity. Protests, closed pavilions, and pro-Palestinian actions dominated the preview days, with artists pasting protest posters directly onto their works, reflecting heightened tensions.

"Gesundheitseffekt der Künste auf biologischer Ebene"

A roundup of art news covers multiple stories: Stefan Trinks criticizes Berlin's 'MuseumsMeileMitte' as a symptom of urban and cultural misdevelopment, where museums are co-opted by real estate marketing. At the Venice Biennale, the German Pavilion by Henrike Naumann and Sung Tieu explores East German identity and post-reunification trauma, while Patti Smith performed a 'sonic prayer' at the Vatican Pavilion curated by Hans Ulrich Obrist and Ben Vickers. A study from University College London suggests regular arts engagement may slow biological aging.