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person Jori Finkel

newspaper New York Times Art article 2 articles

Los Angeles’s new Hospital of Emotions pop-up gives artists keys to the asylum

The Hospital of Emotions, a new pop-up exhibition in Los Angeles, has transformed the defunct St Vincent Medical Center into a sprawling art experience. Curator Yaara Sachs, founder of House of Art and Dreams, selected around 70 artists through an open call to take over 80 spaces—including examination rooms and operating chambers—in the building, which is slated for renovation into a behavioral health center. Each artist received $4,000 for their project and up to $10,000 for materials. The exhibition is organized into thematic "departments" dedicated to emotional states such as joy, fear, anger, and sadness, aiming to guide visitors toward catharsis. Featured artists include Kamil Cazpiga (Cosmodernism), Guy "Dioz" Bloom, Pablo Thomas, and Napo, among others.

The Big Review | Lacma's David Geffen Galleries ★★★★

The Swiss architect Peter Zumthor's new $724 million building for the Los Angeles County Museum of Art (Lacma), now called the David Geffen Galleries, has opened after nearly two decades of anticipation. The swooping concrete-and-glass structure is praised for its harnessing of natural light and horizontality, creating a stunning showcase for antiquities and inviting the city inside with floor-to-ceiling windows offering views of the La Brea Tar Pits and Wilshire Boulevard. The building performs best with sculpture and decorative objects, with standout works including Liz Glynn's "The Futility of Conquest" (2023) and Manjunath Kamath's "Vikatonarva" (2024).

Heirs of Dave the Potter, the Enslaved Artist, Are Battling to Recover His Legacy

The heirs of David Drake, an enslaved 19th-century potter known as Dave the Potter, are engaged in a legal and ethical struggle to recover his legacy and his works. They argue that his pottery, which includes jars inscribed with his name and poetry, represents their family's artistic and spiritual inheritance, and they are seeking recognition and a role in the stewardship of these artifacts.