Emmanuel Etienne, an architect and urban planner for the French state who has led the heritage department of the Directorate General of Heritage and Architecture for nearly five years, has been appointed director of the museums and estates of Compiègne and Blérancourt. He took up the post at the end of March 2026, succeeding Rodolphe Rapetti, who retired after eight years in the role.
Ouvrages reçus du 7 novembre 2025 au 27 mai 2026
La Tribune de l'Art has published a roundup of art books received between November 7, 2025, and May 27, 2026, covering medieval to 17th-century art. Highlights include exhibition catalogues for Martin Schongauer at the Musée du Louvre, a unicorn-themed show at the Musée de Cluny, and a display of Renaissance Limoges enamels at Galerie Kugel. Scholarly works on Michelangelo's sculptures, Caravaggio's early career, and Georges de La Tour are also featured, alongside a volume on Romanesque and Gothic architecture in the Creuse region.
Une grande jardinière de Dalpayrat acquise par Orsay
The Musée d'Orsay in Paris has acquired a large jardinière (planter) by French ceramicist Adrien Dalpayrat, along with a jewelry coffer by Henri-Auguste Fourdinois. The purchases were made from a sale at Hôtel Drouot by the Thierry de Maigret auction house, where the museum notably did not exercise preemption rights on other works by Jean-Marie Pointu, Eugène Lion, and Paul Jeanneney. The museum justified its inaction by citing the cost of these two acquisitions.
The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.
The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.
Deux natures mortes hollandaises du XVIIe siècle acquises par le Getty
The J. Paul Getty Museum in Los Angeles has acquired two 17th-century Dutch still-life paintings by Pieter Claesz and Jan Davidsz. de Heem, masters of the genre. The works, including de Heem's "Vase en verre avec fleurs et fruits," were purchased on the New York art market and fill a gap in the museum's Dutch still-life collection, which previously lacked examples by these two artists.
Une nouvelle aquarelle de Marie-Désiré Bourgoin acquise par Orsay
The Musée d’Orsay has expanded its collection with the acquisition of a watercolor by Marie-Désiré Bourgoin. The work depicts a somber interior scene featuring an elderly woman in black seated before a commemorative display of the late painter Ernest Meissonier’s personal effects, including his Academician's sword, Legion of Honor insignia, and his final self-portrait on an easel.
Un nouveau Luis Paret pour le Prado
The Museo del Prado in Madrid has expanded its 18th-century Spanish collection with the acquisition of a painting by Luis Paret y Alcázar titled 'María and Ludovica, the Painter’s Daughters'. The oil-on-copper work, dated 1783, depicts the artist's young daughters in a style reminiscent of nymphs. This acquisition was made possible through the significant bequest of Juan José Luna, which also recently funded the purchase of works by François Boucher.
Un important bassin en majolique d'Urbino pour le Clark
The Clark Art Institute in Williamstown has acquired a significant 16th-century Urbino maiolica basin from the gallery Camille Leprince following its display at TEFAF. Attributed to the workshop of Orazio or Flaminio Fontana, the trilobed basin features intricate historiated scenes from the life of Joseph and elaborate grotesque decorations. The piece was a highlight of the fair and is accompanied by extensive research regarding its complex provenance.
Deux Boucher pour le Prado
The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.
La cinquième édition de Paris Print Fair
The fifth edition of the Paris Print Fair has opened, solidifying its status as a key event during Drawing Week. The fair, held in the Gothic refectory of the Couvent des Cordeliers, features 25 international exhibitors with a strong focus on old masters and works predating the 1930s, continuing a trend where specialists in older prints take precedence over modern and contemporary galleries. New participants this year include the Swiss dealer August Laube and the Brussels gallery Le Tout-Venant.
Une paire de gourdes nivernaises pour Sèvres
The Musée national de Céramique in Sèvres has acquired a significant pair of 17th-century Nevers faïence pilgrim flasks, or 'gourdes nivernaises,' through the Parisian gallery Camille Leprince. The acquisition enhances the museum's already notable collection of Nevers ceramics from that period.
Un important relief italien pour Nüremberg
The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.