Artist Auudi Dorsey's recent exhibition, 'What's Left, Never Left,' at the Jonathan Carver Moore gallery in San Francisco, focuses on Black leisure and collective joy through paintings of Lincoln Beach in New Orleans. The works, which depict Black families and community members, use a surrealist visual vernacular to archive and celebrate Southern Black experiences and the building of self-esteem.
An exhibition titled 'Origins of New Orleans Black Carnival Society: The Story of the Illinois Clubs' has opened at The Presbytère in New Orleans. It chronicles the history of The Original Illinois Club, the first Black Carnival club and the first to host a debutante cotillion, and coincides with the centennial of its offshoot, the Young Men Illinois Club. The show features regalia, gowns, photographs, and historical artifacts, including a segregated 'White Section' sign from the Municipal Auditorium.