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The Burlington Magazine - n°1478 vol CLXVIII - May 2026

The May 2026 issue of The Burlington Magazine (n°1478, vol. CLXVIII) presents a rich array of scholarly articles, exhibition reviews, and book reviews covering European art from the medieval period to the 20th century. Highlights include Laure Boyer's study of two photographs of Victorine Meurent linked to Manet's 'Le Déjeuner sur l'herbe' and 'Olympia', Axel Moulinier's analysis of Watteau's copies after old masters, and Richard Thomson's essay on a century of Monet in print. Exhibition reviews cover shows on Monet's Étretat coast, Orazio Gentileschi, Cornelius Jonson van Ceulen, Gainsborough, Seurat, Italian Symbolism, and Iliazd. Book reviews range from medieval art and Pietro Bellotti to Helene Schjerfbeck, Roberto Matta, and contemporary jewelry at the Dallas Museum of Art.

Annonce de chercheurs : Exposition Maurice Utrillo, de Montmartre à Angoulême

The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.

The Burlington Magazine - No. 1477 Vol. CLXVIII - April 2026

The Burlington Magazine - n°1477 vol CLXVIII - April 2026

The April 2026 issue of The Burlington Magazine presents a wealth of new scholarship, highlighted by significant discoveries regarding the 'Rainbow' portrait of Queen Elizabeth I and a previously unpublished portrait of Sarah Churchill by Godfrey Kneller. The edition spans centuries of art history, featuring research on 18th-century color theorist Mary Gartside, the pottery windows of William Bell Scott, and newly identified drawings by Marcellus Laroon the Younger.

Researcher Announcement: The Duke of Morny's Far Eastern Objects Collection

Annonce de chercheur : la collection d'objets extrême-orientaux du duc de Morny

A doctoral researcher at Sorbonne University, Anaïs Veyrac, is publicly seeking information to aid her thesis on the collection of Far Eastern objects assembled by the Duke of Morny (1811-1865). She is asking collectors, enthusiasts, or anyone with relevant correspondence, archives, or testimonies regarding Asian-origin objects that belonged to the Duke to come forward, as the collection was dispersed after his death and lacks comprehensive archival records.

Print Quarterly Volume XLIII - Number 1 - March 2026

The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.

Artibus et Historiae - An Art Anthology - No. 92, 2025

Artibus et Historiae - An art anthologie - n°92, 2025

The latest issue of the academic journal 'Artibus et Historiae' has been published, featuring a collection of scholarly articles focused on European art from the Renaissance to the early 19th century. The volume includes research on topics such as the translation of classical imagery in colonial Peru, investigations into women artists in Bologna, new attributions and provenance studies for works by artists like Ludovico Carracci and Caravaggio, and analyses of drawings and artistic education.

Researcher Announcement: 'Genre Palissy' Pottery in 19th-Century France

Annonce de chercheur : Les poteries « genre Palissy » au XIXe siècle en France

A doctoral candidate in art history, Mariette Boudgourd, has announced a public call for information to aid her research on 19th-century French ceramics in the 'genre Palissy' style. Her thesis aims to define the corpus of these works, analyzing their production techniques, market diffusion, and the construction of the myth surrounding the Renaissance potter Bernard Palissy.