Shuzo Azuchi Gulliver will present his work "A.T.C.G. / Laundry (Regeneration)" at Rio Terà S. Isepo in Venice from May to 30 June 2026, coinciding with the 61st International Art Exhibition—La Biennale di Venezia. The project is conceived as an artistic inquiry into environmental issues and contemporary society, exploring how we perceive these conditions and how we should live within them.
Saikalis Bay Foundation presents "Shifting Crossroads | Beirut Contemporary" at CIRCOLO in Milan, opening March 23, 2026. The group exhibition explores Beirut as a living crossroads of the Mediterranean, focusing on encounters, cultural transmission, and layered histories reimagined through contemporary artistic practice.
The Stedelijk Museum in Amsterdam has opened an exhibition titled "Beyond the Manosphere – Masculinities Today," which critically examines the concept of the manosphere—a loose network of online communities centered on male identity and grievances. Rather than affirming this notion, the show uses it as a starting point to question how masculinity occupies space in contemporary culture, presenting artworks and perspectives that challenge traditional gender norms and explore alternative forms of male identity.
Marian Goodman Gallery in Paris is presenting a dual exhibition titled "Ettore Spalletti Dan Graham," running through June 20. The show brings together the work of Italian artist Ettore Spalletti and American artist Dan Graham, highlighting their shared interest in creating spatial experiences that engage the viewer's body and perception through form and color.
Asia Art Archive (AAA) in Hong Kong has announced its March 2026 programmes, headlined by the exhibition "At 25: Artists’ Early Worlds," presented as part of AAA’s 25th anniversary. The two-chapter exhibition brings together eight prominent contemporary artists to reflect on their early artistic development, emphasizing the importance of art archives in reinterpreting art history.
The article discusses the exhibition "Ageless, Ageless" at Shimmer gallery in Rotterdam, which draws on Aby Warburg's concept of *Pathosformel*—charged visual figures that recur across time as concentrated signals of suffering, fear, or ecstasy. The show explores how these motifs operate as sites where emotion and memory are embedded in visual culture.
The TBA21 Foundation and the Museo Nacional Thyssen-Bornemisza in Madrid present "Pedagogies of War," the first solo exhibition in Spain by Ukrainian artists Roman Khimei and Yarema Malashchuk. Curated by Chus Martínez, the show runs from March 3 to June 21 and features four audiovisual works.
Shao Fan's exhibition "The Nature of Things" is on view at Mirrored Gardens in Guangzhou, presented by Vitamin Creative Space. The show features a selection of the artist's three-dimensional works and two-dimensional paintings, exploring themes of time, reflection, and the interplay between past and future.
Annette Barcelo's exhibition "Bestie, Bellezze e altre Compagne" (Beasts, Beauties, and Other Companions) is on view at Haus für Kunst Uri in Altdorf, Switzerland. The show explores the creaturely as something emerging between bodies, images, and acts of imagination, where human, animal, mask, and ornament merge into hybrid figures that feel both familiar and elusive.
The 9th edition of Ekrani i Artit, an event dedicated to experimental cinema, video art, and contemporary visual culture, will take place in Shkodër from 27 to 31 May 2026. The five-day program brings together artists, filmmakers, curators, and audiences from Albania and abroad, organized for the second year through a collaborative effort.
The article reviews "Show 8. Tributary: Margherita Raso and Michael Ray-Von" at Autokomanda in Belgrade, a two-person exhibition that draws on the ecological and sensory experience of riverside environments. The text opens with a poetic description of gnats and fertile ecosystems near a river, using water as a central metaphor to frame the artists' work.
Chisenhale Gallery in London is hosting the first institutional solo exhibition by artist Racheal Crowther, titled "Liquid Trust." The show explores themes of governance, surveillance, and institutional power, examining how these systems intertwine with structures of care. Crowther repurposes technical apparatus and industrial objects that carry memories of their institutional past, highlighting the enduring influence of bureaucracy on everyday life.
Julius von Bismarck's first Australian solo exhibition, "This is not the storm," opens at the Australian Centre for Contemporary Art (ACCA) in Melbourne on Friday, 17 April. The Berlin-based artist blends art, science, and environmental themes to challenge conventional perceptions of nature as a social construct.
Museion in Bolzano presents "Mo num en ts" (2025), a film by Thai artist Som Supaparinya that combines historical research and fieldwork. The work was produced through the Han Nefkens Foundation – Southeast Asian Video Art Production Grant 2024, dedicated to the memory of artist Dinh Q. Lê.
Camden Art Centre in London announces a major new exhibition by London-based composer, artist, and DJ Ain Bailey, featuring a new commission in Gallery 3. The commission is the latest installment of a film trilogy begun in 2021, rooted in Bailey's biography and centered on her personal history.
Gasworks in London is presenting "Bardo Loops," the first UK solo exhibition by artist and filmmaker Gabriel Abrantes. The installation spans four screens and features two animated ghosts who argue, reconcile, and sing laments, blending ironic humor with melodrama. The dialogue incorporates autobiographical elements from Abrantes's life alongside broader themes like climate change.
The article announces the group exhibition “Paroles, Paroles” at the Centre d’Art Contemporain—la synagogue de Delme, featuring six artists, performers, and poets (including one duo). The show examines how language—its words, accents, and expressions—reflects political, social, and technological shifts, and how linguistic hybridization, transformation, and adaptation reveal both freedoms and constraints.
Mosaic Rooms in London has reopened with "Circles and Storytellers," the first public UK solo exhibition by French-Moroccan multidisciplinary artist and educator Bouchra Khalili. The show features interconnected works including *The Circle Project* (2023), a mixed media installation that explores themes of civic imagination and alternative forms of community and belonging.
Mousse Magazine reports on Catharine MacTavish's exhibition "High-Speed Eternity" at Shmorévaz, Paris. The show spans six decades of the Canadian artist's work from 1974 to 2026, featuring drawings, prints, videos, holograms, three-dimensional paintings, and dollhouses brought together for the first time.
Beijing Oomph 2026 is a curated guide to the best contemporary art exhibitions across galleries and institutions in Beijing, timed to coincide with the Beijing Dangdai art fair and Gallery Weekend at the end of May. The article highlights Zhi Wei's exhibition "Folly" at Beijing Commune as a key show, reflecting the city's vibrant art scene during this concentrated period of gallery openings and events.
Artist Ieva Lygnugarytė presents "Carmen: Utopias of Belonging," a video installation at Oratorio dei Crociferi in Venice. The work reactivates a little-known story from 1523, when poet Nicolaus Hussovianus wrote "Carmen de Statura, Feritate ac Venatione Bisontis" as a diplomatic gesture for the Grand Duchy of Lithuania, intended to accompany a straw-stuffed European bison.
Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.
Mark Manders presents his sixth solo exhibition at Tanya Bonakdar Gallery in New York, featuring new works that include monumental bronze busts, abstract sculptural landscapes, and discrete paintings and works on paper. The pieces are described as dreamlike and fragmented, populating the gallery like a series of thoughts given form and frozen in time.
Gedi Sibony presents "The Invisible Point" at Greene Naftali in New York, an exhibition featuring sculptures made from remnants and castoffs that aggregate toward the center of the gallery. The artist describes the process as adaptive, driven by intuitive momentum and organized through allegorical structure, with background landscapes depicting interacting beings that emerge from and create their own conditions.
Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.
Romane de Watteville's exhibition "I'll miss you when I scroll away" opens at Istituto Svizzero in Milan, featuring an environmental installation designed specifically for the venue. Her figurative paintings explore the tension between aesthetic saturation and the disorienting experience of digital consumption, drawing from online imagery and personal archives.
The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.
Kunsthaus Glarus presents "Bildersaal," the first institutional solo exhibition by Swiss artist Nolan Lucidi (b. 2000, based in Basel). The installation combines videos and objects to explore male homosexual desire drawn from literature, art history, and personal experience, while also interrogating formal language and claims to authority.
From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.
Finland-based artist researcher Sheung Yiu presents his long-term project "(Inter)faces of Predictions" at C/O Berlin, exploring how faces have been used across cultures and the implications of facial reading technologies. The exhibition examines the shift from spiritual to economic imperatives in facial interpretation, highlighting the progressive deterioration of human agency.
From February 7 to June 7, 2026, MARTa Herford presents a dual exhibition dedicated to Lois Weinberger (1947–2020) and Katinka Bock (born 1976). The show explores poetic phenomena beyond human control, where materials react, spaces shift, and natural forces leave their traces both inside the museum and beyond.
SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.
Brook Hsu's exhibition "The Barcelona Pavilion (including work by Georg Kolbe)" at Kraupa-Tuskany Zeidler in Berlin presents a series of works that interweave references to architecture, film, literature, and animal carcasses. The show's title alludes to Mies van der Rohe's iconic Barcelona Pavilion and the sculptor Georg Kolbe, whose work was originally installed there, while the list of pieces—ranging from paintings like "Daybreak:Orange Tree" to works dedicated to figures such as Anne Wiazemsky and Pasolini—creates a dense, associative network of cultural and personal memory.
Poppy Jones presents "Frozen Sun," a solo exhibition at Towner Eastbourne featuring her signature still lifes on repurposed textiles. The show includes a concise selection of her aluminum-framed works that blur the line between painting and object, alongside several new, larger pieces she has been developing in her studio.
From February 20 to May 31, 2026, Villa Arson art center in Nice presents "Mechanical Kurds," a video installation by German artist Hito Steyerl. The work blends fiction, documentary, and critical speculation to examine invisible micro-labor chains, the geopolitics of images, and the delegation mechanisms behind so-called autonomous technologies.
Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.
Eric N. Mack has created a site-responsive installation titled "A Whole New Thing" for the lobby commission at the Wexner Center for the Arts in Columbus. The work continues his exploration of abstraction, foregrounding fabric as an expressive, atmospheric, structural, and social medium that reveals a painterly sensibility.
Matt Browning's exhibition "All Woodcarvings Remain Slow Motion Mobiles" at Kunstverein München presents a decade of his carved Douglas fir sculptures. Each piece is a chain-link form cut from a single block of wood, revealing interior voids and grids without any assembly, showcasing his meticulous technique since 2013.
Paula Rego's exhibition "Story Line" is on view at Victoria Miro in London, featuring works that explore narrative through drawing and painting. The show highlights Rego's organic, hand-driven creative process, where drawings evolve into unexpected forms, as described in her own words.
Mousse Magazine reports on the two-person exhibition "Adam Pendleton + Antoni Tàpies" at Alfonso Artiaco in Naples, which pairs the contemporary American artist Adam Pendleton with the late Spanish master Antoni Tàpies. The show explores how both artists use painting as a site where language, materiality, and history converge, highlighting Tàpies's textured, sign-laden surfaces and Pendleton's conceptual engagement with abstraction and text.
Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.
The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.
Jack Goldstein (1945–2003), a Canadian-born artist and CalArts graduate, is the subject of the exhibition "Pictures, Sounds and Movies" at Kunst Museum Winterthur. The show highlights his role in the Pictures Generation, a group that in the 1970s rejected traditional art forms by appropriating images from advertising, television, and popular culture, while Goldstein also explored the autonomy of Minimal Art objects.
Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.
MoMA's Kravis Studio is presenting Naufus Ramírez-Figueroa's multimedia work "Lugar de Consuelo (Place of Solace)" (2020), marking the artist's first solo presentation at the museum. The work, jointly acquired in 2022 through MoMA's Latin American and Caribbean Fund and Fund for the Twenty-First Century, includes prints, drawings, costumes, sculptures, videos, and a related performance that explore political and personal histories of Guatemala.
The National Portrait Gallery in London is hosting "Catherine Opie: To Be Seen," the first major UK museum exhibition dedicated to the American photographer. The show brings together over 80 photographs spanning 30 years of Opie's career, exploring themes of social, political, and individual identity through studio portraiture, environmental studies, and documentary images.
The Bell Gallery at Brown University is presenting "Prisoners of Love: Until the Sun of Freedom," a new exhibition by internationally renowned sound, video, and installation artists Basel Abbas and Ruanne Abou-Rahme. The show is co-curated by Kate Kraczon, Director of Exhibitions and Chief Curator of the Brown Arts Institute (BAI) / The Bell, and Thea Quiray.
P·P·O·W gallery in New York is presenting "Martin Wong: Popeye," the gallery's sixth solo exhibition of the artist's work and his first solo show in New York in over a decade. Co-curated by Mark Dean Johnson and Anneliis Beadnell, the exhibition explores Wong's lifelong fascination with artistic subcultures, particularly comic book illustration and early tattoo imagery.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.
Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.