arrow_back Back to all stories

person Mpls.St.Paul Magazine

newspaper Google News article 4 articles

Indigenous Artist Honors Grandmothers at All My Relations Arts

Danielle SeeWalker, a Húŋkpapȟa Lakȟóta artist from the Standing Rock Sioux Nation, presents her solo exhibition *Uŋči Said So* at All My Relations Arts in Minneapolis, running through June 6. The show features vibrant expressionist portraits of grandmothers and matriarchs, neon signs with Lakȟóta words, and painted buffalo-hide drum heads, all inspired by memories, stories, and the artist's own heritage. SeeWalker incorporates distinctive motifs such as obscured faces with one realistic eye, braided hair symbolizing Native identity, and censored sections representing the repression of Native voices.

New Kickernick Gallery Exhibition Celebrates 50 Years of a Women’s Art Collective

The article reports on a new exhibition at the Kickernick Gallery in Minneapolis celebrating the 50th anniversary of WARM (Women's Art Registry of Minnesota), a pioneering women's art collective founded in 1976. The show features works by founding members including Harriet Bart, whose textile piece "Concrete Poem" (1985) is made from discarded garment labels she collected from her studio floor. The exhibition is curated by Christy Frank and runs until mid-June, highlighting the collective's history of mentorship, activism, and advocacy for gender equity in the arts.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

Abstract Thinking at the Cafesjian Art Trust Museum

The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.

Never Spoken Again Exhibition at the Weisman Challenges Museum Norms

The Weisman Art Museum is hosting "Never Spoken Again: Rogue Stories of Science and Collections," a traveling exhibition produced by Independent Curators International (ICI). Curated by David Ayala-Alfonso, the show features works by over a dozen artists that challenge traditional museum practices, such as the use of pre-Hispanic ceramics as speaker stands to give them a literal voice. The exhibition uses diverse media—from cinefoil sculptures to tapestries from Las Vegas casinos—to critique how institutions collect, classify, and display artifacts.

Goldstein Museum of Design Explores Power, Resistance, and Community in Denim-Focused Exhibit

The Goldstein Museum of Design at the University of Minnesota has opened a new exhibition titled 'Resist and Reclaim,' which explores design as a tool of both oppression and liberation. The show focuses on denim as a material linked to labor, exploitation, and resistance, featuring 20 custom denim jackets created by local Black and Indigenous women and femme artists, alongside faculty research on architecture and visual culture.

Weisman Explores What Makes a City in New Exhibition

The Weisman Art Museum in Minneapolis has opened a new exhibition titled "Imagining Future Cities: Global and Minnesota Visions, Past and Present," running through September 14. Curated by Dingliang Yang, an urban designer and McKnight Land-Grant Professor at the University of Minnesota, the show features architectural drawings, diagrams, and models that examine the history and meaning of cities over the past 150 years. Yang collaborated with faculty members Thomas Fisher and Jennifer Yoos, research fellow Michael Keller, and 17 student research assistants over three years to create the exhibition, which is organized into three galleries exploring theoretical, experimental, and perceptual approaches to urban design.

Now Open: Prospect Refuge Gallery

A new art gallery concept, Prospect Refuge Gallery, opens in Northeast Minneapolis, led by Victoria Sass of Prospect Refuge Studio. The gallery's inaugural exhibition, "Homecoming: Objects of Origin," features works by New York-based ceramicist Jeremy Anderson, a Twin Cities native, showcasing ceramic vessels, lighting, and bronze-cast furniture that draw influence from Midwest rural architecture. The gallery aims to rotate regional talent through exhibitions focused on collectable design.

Interact Center Opens New Gallery Space

Interact Center, a nonprofit arts organization supporting artists with disabilities, has opened a new gallery space in St. Paul, Minnesota. The inaugural exhibition features a solo show and career retrospective for artist Andy Seymour, who has been with Interact since 2002 and whose "Summer" series of colorful, circle-filled works is on display. Two additional shows run concurrently: a portrait-themed exhibit and a multimedia collection titled "Collect Our Dream Branches Into a Pile," curated by advocates. The 4,000-square-foot gallery, located on Minnehaha Avenue, is more than double the size of Interact's former space and includes three distinct exhibition areas, accessible amenities, and free parking.

Collected Gallery Brings Affordable Art to Northeast

LJ Bergren has opened Collected Gallery in Northeast Minneapolis, a small house-turned-gallery that prioritizes affordability and accessibility. The gallery sells a range of mediums including prints, ceramics, jewelry, and lithography, with artists on six-month contracts to ensure a rotating selection. Bergren, an artist and collector herself, aims to make art available to all budgets, offering shipping nationwide and planning extended summer hours as many employees are students at Minneapolis College of Art and Design. The grand opening in April drew a wide community response, with visitors praising the approachable atmosphere and accessible prices.