This article from MPR News highlights upcoming arts events in Minnesota, including a new professional concert band, a plein air art event, and two artists featured at the Vine Arts Center. The piece serves as a community-focused roundup, encouraging local engagement with the arts through performances and exhibitions.
The Women’s Art Registry of Minnesota (WARM), one of the oldest feminist art collectives in the United States, is celebrating its 50th anniversary. Founded in 1973 in Minneapolis, the collective emerged as a grassroots response to the systemic exclusion of women from mainstream galleries and museums, eventually establishing its own gallery space and a robust mentorship program that continues to support female-identifying artists today.
Lakota artist Dyani White Hawk is presenting a solo exhibition that bridges the gap between traditional Indigenous art forms and contemporary abstraction. The showcase features a range of media, including painting, photography, and video, all centered on the enduring power of Lakota storytelling and the preservation of cultural heritage through visual language.
The article highlights a curated selection of art events and exhibitions in Minnesota for the week of April 3–9, focusing on artists who are exploring new methods of storytelling through their work. It lists specific shows, performances, and installations across various local venues where artists are experimenting with form and narrative.
A group exhibition titled 'A Family Reunion of Artists' features works by Minnesota Anishinaabe artists, currently on display in Detroit and traveling to other venues. The show brings together multiple generations of Indigenous artists from the Anishinaabe community, highlighting their diverse practices and shared cultural heritage.
The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.
The article discusses artworks that were rejected from the Fine Arts Competition at the State Fair, highlighting the pieces that did not make the cut. It provides insight into the selection process and the criteria used by judges, as well as showcasing some of the rejected works and the artists behind them.
A new exhibition at the Smithsonian Institution spotlights the history and artistry of American state and county fairs, featuring unusual exhibits such as crop art and butter sculptures from Minnesota. The show explores how these community events have long served as platforms for creative expression, agricultural pride, and local tradition.