person The News Pakistan

The art of unlearning

Quddus Mirza’s latest exhibition, "New Works" at Canvas Gallery in Karachi, marks a significant stylistic shift as the veteran artist, critic, and educator embraces the concept of "unlearning." Drawing inspiration from the raw honesty of children's drawings, Mirza presents twelve striking paintings that shed academic discipline in favor of blunt expression and intuitive mark-making. The works frequently utilize a dominant red palette to signal urgency, revolution, and bloodshed, juxtaposing domestic imagery with symbols of global unrest.

First and final

The COMO Museum of Art is hosting "Traces: Drawing Practices Now," a major group exhibition curated by Hassan Sheikh featuring 19 artists. The show explores the evolution of drawing from a preparatory medium into an independent, sophisticated art form. Notable participants include Ali Kazim, Muhammad Ali Talpur, and Ghulam Mohammad, whose works range from meticulous mark-making and subverted scripts to expressive, intuitive compositions that challenge traditional linguistic and visual codes.

Beyond the white walls

The creative initiative Roadside, founded by artist Ali Arshad, is challenging the traditional gallery model in Pakistan by hosting pop-up exhibitions in unconventional public spaces. Their latest show, "Anighst Preeminent Prosaics," transformed Iqbal House, a pre-partition bungalow in Lahore, into a multi-sensory art experience featuring 14 artists. By placing works in sites ranging from barber shops to parking lots, the initiative seeks to dismantle the elitist barriers of the "white cube" and engage a broader demographic, including the working class and Gen Z.