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Review | These images reveal the terrible cost we still pay to mine natural resources

The article reviews a photography exhibition that documents the environmental and human toll of mining natural resources. Through stark, large-format images, the photographer captures devastated landscapes, polluted waterways, and communities living in the shadow of extraction industries, from open-pit mines to tailings ponds. The review highlights specific works that show the scale of destruction and the resilience of those affected.

Column | The Smithsonian’s most contested exhibition is back on view, mostly intact

Columnist Philip Kennicott reports that the Smithsonian's most contested exhibition has returned to public view, largely intact, despite ongoing culture war attacks from the Trump administration. Since Donald Trump returned to office in January 2025, the Smithsonian has been a primary target for the administration's campaign against diversity and inclusion initiatives, as well as historical narratives that address slavery, Native American genocide, and the struggles of marginalized communities.

Pussy Riot and Topless Activists Rally Against Russian Pavilion at Venice Biennale

On May 6, 2026, the art collective Pussy Riot and the Ukrainian feminist group FEMEN staged a protest outside the Russian Pavilion at the 61st Venice Biennale. Approximately 50 activists released pink smoke and blue-and-yellow flares evoking the Ukrainian flag, while FEMEN members staged a topless protest with anti-war slogans like “RUSSIA KILLS, BIENNALE EXHIBITS.” Italian police and Biennale security blocked access to the pavilion, and some Pussy Riot activists were tackled after entering. The protest targeted Russia’s participation in the Biennale for the first time since its full-scale invasion of Ukraine in 2022, with activists condemning the event for lending legitimacy to Russian officials and artists aligned with the government.

Review | An abruptly postponed Smithsonian show of African LGBTQ+ art is now open

The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ artists. The show, which was abruptly postponed earlier, features works that celebrate queer life through themes of joy, family, and belonging, while also addressing the darkness and loss faced by LGBTQ+ communities globally.

Review | Raphael, a master of serenity, is the artist we need right now

Art critic Philip Kennicott reflects on the profound psychological impact of Raphael’s Renaissance masterpieces, specifically citing the 'Madonna of the Meadow' in Vienna and the 'Alba Madonna' in Washington, D.C. He describes how these works possess a unique ability to cure 'museum fatigue' and mental clutter, offering a sense of serenity and clarity that feels particularly necessary in the current cultural climate.

Review | Women are trailblazers in abstract art. These 6 works show their vision.

The National Museum of Women in the Arts is hosting "Making Their Mark: Works From the Shah Garg Collection," a comprehensive exhibition featuring eight decades of abstract art created by women. The show includes approximately 80 pieces by nearly 70 artists, spanning a diverse range of media including painting, sculpture, ceramics, and textiles. By showcasing works that often blur the lines between figuration and abstraction, the exhibition highlights how female artists have consistently acted as trailblazers in a genre historically associated with men.

Guest column | At the nation’s galleries, celebrations of selfhood, joy and renewal

Major American art institutions are undergoing a significant shift in perspective, prioritizing themes of diversity, selfhood, and renewal in their programming. This evolution is evidenced by the Los Angeles County Museum of Art’s total re-evaluation of its permanent collection display in anticipation of its new building, alongside a wave of exhibitions featuring contemporary voices like Derrick Adams and Nick Cave, and retrospectives for historical figures such as Edmonia Lewis and Isamu Noguchi.

Best Art of 2025

The New York Times has published its annual roundup titled "Best Art of 2025," highlighting the most significant artworks, exhibitions, and artistic achievements of the year. The article curates a selection of standout pieces and shows that defined the visual art landscape in 2025, as chosen by the newspaper's critics and editors.

Phillips Collection sells O’Keeffe and other masterpieces amid outcry from supporters

The Phillips Collection in Washington, D.C., sold three masterworks from its permanent collection at auction on Thursday evening for a combined $13,413,000. The deaccessioned works were by Georgia O’Keeffe, Arthur Dove, and Georges Seurat. The sale proceeded despite strong outcry from some of the museum's influential supporters, who viewed the decision as a betrayal of the founders' vision and accused the director and board of prioritizing financial gain over the institution's mission.

These exhibits took years to plan. They’re gathering dust during the shutdown.

Daniel Soma sat alone in a pop-up art gallery in downtown Washington, D.C., surrounded by Australian Indigenous artworks that had been planned for years but remained unseen due to a government shutdown. The gallery, wedged between a bank and a men's workwear store, was fully installed but empty of visitors, highlighting the immediate impact of the shutdown on cultural programming.

where to go what to expect amid us government shutdown 2025

The United States government shutdown, which began on October 1 after Congress failed to reach a funding agreement, has forced the closure of numerous federally operated museums, historic sites, and national parks. While some outdoor monuments and parks remain accessible, many are understaffed and operating with limited services. In Washington, D.C., sites like the Library of Congress, National Archives Museum, and Washington Monument are closed, while Smithsonian-run institutions remain open only through October 11 using prior funds. In New York, the Statue of Liberty and Ellis Island remain open, but the lack of uniformity across agencies has created confusion for visitors.

Review | A sprawling survey highlights the women making art around D.C.

A survey exhibition titled "Women Artists of the DMV: A Survey Exhibition" at the American University Museum in Washington, D.C., showcases 63 works by women artists from the region. The show, reviewed by Mark Jenkins, features depictions of women as everyday people, archetypes, allegorical figures, and goddesses, alongside some abstract pieces, with a preference for representational art.

Column | 9 fascinating art shows to see this fall

Columnist Sebastian Smee highlights nine art exhibitions opening this fall, noting that museum curators plan major shows two to five years in advance, and the cultural mood can shift dramatically between conception and execution. The article reflects on how exhibitions that once felt timely may now feel dissonant or precarious upon opening.

Review | An entrancing show of dreamscapes and half-seen worlds

The Museum of Contemporary Art Arlington presents 'Portals,' an exhibition curated by Donna Honarpisheh featuring three rising female artists—Aryana Minai, Shyama Golden, and Aiza Ahmed—who explore the concept of liminality through dreamscapes and half-seen worlds. Minai’s works use handmade paper, bricks, and skeleton leaves to create tactile portals and altars; Golden’s oil and acrylic paintings depict a surreal journey into a subconscious dream world inspired by 'Alice in Wonderland' and Sri Lankan folklore.

Column | I road-tripped the Midwest’s best art museums. It was anything but an escape.

Art critic Sebastian Smee embarked on a summer road trip to visit seven major art museums across five Midwestern cities over five days. The column reflects on how the rapid succession of artworks and ideas from these institutions—ranging from the Art Institute of Chicago to the Cleveland Museum of Art—creates oblique connections and correspondences, both among the works themselves and between art and the outside world. Smee describes the experience as anything but an escape, as the art continually mirrors real-world events and emotions.

Review | Walters Museum unveils 4,000-year tour of Latin American art

The Walters Art Museum has unveiled new Latin American galleries, opening with a work by Peruvian-born artist Kukuli Velarde titled "Wak'a del Agua" (2022-2023). The ceramic piece, inspired by the Inca tradition of stacking stones to mark sacred spaces, features five stacked forms painted in diverse styles that reflect different periods of Peruvian history, from ancient textile patterns to neon-colored figures.

Review | Johns Hopkins exhibit elevates the artists of its city

Kriston Capps reviews a Johns Hopkins exhibition that highlights Baltimore-based artists, focusing on Derrick Adams's 2019 series "Deconstruction Worker." The series features portraits with skewed geometric forms and rich fabrics, referencing Dada, cubism, and contemporary Black artists like Mickalene Thomas and Lorna Simpson. The review positions Adams as a leading figure in contemporary painting.

Smithsonian National Museum of African Art delays LGBTQ Pride exhibit

The Smithsonian National Museum of African Art has postponed an upcoming exhibition featuring LGBTQ+ African artists until 2026, citing its "current budgetary situation." The delay comes amid heightened scrutiny of the Smithsonian by the Trump administration, raising concerns about political pressure on cultural institutions.