Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.
This profile matters because it captures the trajectory of an artist whose work addresses urgent themes of ideology, psychic life, and the environment of violence and risk faced by Black communities, using glass as a metaphor for fragility and resilience. Weston's growing influence—marked by major gallery representation, fellowships, and international exhibitions—signals her emergence as a significant contemporary voice, bridging material experimentation with deep conceptual frameworks. The article underscores how her art, both cerebral and viscerally appealing, resonates in a crowded art-fair landscape, offering a counterpoint to commercial trends.