<us venice biennale plans collapse gagosian and wes anderson join forces for joseph cornell show and more morning links for november 6 2025 1234760347 — Art News
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article news calendar_today Thursday, November 6, 2025

us venice biennale plans collapse gagosian and wes anderson join forces for joseph cornell show and more morning links for november 6 2025 1234760347

The US government selected artist Robert Lazzarini and curator John Ravenal to represent the United States at the 2026 Venice Biennale, coinciding with the 250th anniversary of America's founding. However, negotiations with a partner institution collapsed within three weeks, and the commission was withdrawn before any public announcement, leaving the international art world questioning who will ultimately represent the country. In other news, the original cover photograph for David Bowie's album *Aladdin Sane* sold for £381,400 at Bonhams London, setting a new auction record. Gagosian has teamed up with filmmaker Wes Anderson to recreate Joseph Cornell's New York studio in Paris for an exhibition titled "The House of Utopia Parkway: Joseph Cornell's Studio Reimagined by Wes Anderson." The long-anticipated opening of the Grand Egyptian Museum has reignited calls for the British Museum to repatriate the Rosetta Stone, and a Denver-based cryptocurrency entrepreneur has unveiled a plan to build a 450-foot-tall statue of Prometheus on Alcatraz Island.

The collapse of the US Venice Biennale plans highlights ongoing diplomatic and logistical challenges facing the Trump administration's cultural representation on the global stage, especially given the Biennale's significance during America's 250th anniversary. The record-breaking sale of the *Aladdin Sane* photograph underscores the enduring market value of iconic pop culture imagery. Gagosian's collaboration with Wes Anderson signals a continued trend of跨界 partnerships between commercial galleries and film directors to create immersive, museum-like experiences. The renewed calls for repatriation of the Rosetta Stone reflect persistent debates over colonial-era artifacts, while the proposed Prometheus statue raises questions about public art, private funding, and the commercialization of national landmarks.