The article highlights several must-see exhibitions in Seoul during Frieze week. Adrián Villar Rojas transforms Art Sonje Center with his immersive exhibition "The Language of the Enemy," featuring large-scale installations from his ongoing series "The End of Imagination" that strip the museum to a primordial state. At Gallery Hyundai, Kang Seung Lee and Candice Lin present a two-person show "Not I, not I, but the wind that blows through me," exploring queer histories and colonial legacies through drawing, embroidery, and experimental materials. Meanwhile, sculptor Hyun Nahm debuts a new body of work at Whistle in "Nest in the Field," moving away from his signature tower forms to angular iron-powder sculptures shaped by magnetic fields.
These exhibitions matter because they showcase the vibrant contemporary art scene in Seoul during one of the art world's most anticipated events, Frieze Seoul. The shows reflect global themes—post-Anthropocene futures, diasporic queer memory, and the anxieties of hyper-connectivity—while highlighting both established international artists like Villar Rojas and rising local talents like Hyun Nahm. For collectors, curators, and art enthusiasts visiting the fair, this guide offers essential context on the city's parallel gallery programming, underscoring Seoul's growing status as a major art capital in Asia.