The New York Times reports on a new museum exhibition that centers on disability, posing the provocative question 'Who’s Sorry Now?' The show challenges conventional narratives around disability, moving beyond pity or inspiration to explore themes of agency, identity, and societal attitudes. It features works by disabled artists and aims to reframe how disability is represented in cultural institutions.
This exhibition matters because it marks a significant shift in how museums address disability, moving from token inclusion to a more critical, artist-led perspective. By centering disabled voices and questioning ableist assumptions, the show contributes to broader conversations about accessibility, representation, and institutional accountability in the art world. It also reflects a growing movement to dismantle stereotypes and demand structural change within museums and galleries.