The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.
The exhibition matters because it engages with the theoretical framework of postmodernist sculpture, referencing Rosalind Krauss's influential 1979 essay on the subject. By juxtaposing historical works from the late 1950s and 1960s with contemporary pieces, the show demonstrates how artists continue to challenge traditional sculptural conventions and explore the "conditions of possibility" that define the medium. This curatorial approach offers visitors a lucid, thought-provoking survey of sculpture's evolution over six decades.