Khaled Sabsabi, a Lebanese Australian artist, explores the intersection of spirituality and perception through video and mixed-media installations rooted in Sufism. His work, such as the 18-minute video *Lefke Morning* (2012–18), captures the Naqshbandi-Haqqani Sufi Order's dawn meditations, using blurred imagery and soundscapes to challenge Islamophobic media tropes and evoke a sense of unity. Sabsabi's practice also draws on hip-hop, which he performed as "Peacefender" in the 1980s, using music to address social issues and support marginalized communities in Western Sydney.
This article matters because it highlights how contemporary art can bridge spiritual inquiry and political critique, offering a counter-narrative to mainstream portrayals of Islam. Sabsabi's nearly 40-year career demonstrates the enduring relevance of Sufi philosophy in art, while his hip-hop background underscores the role of music as a tool for activism and community building. The piece also reflects broader trends in art that engage with diaspora experiences and cultural hybridity.