Artist Jen DeLuna creates blurred paintings based on vintage found photographs, primarily of 1970s pin-up girls and aggressive dogs. Working at PLOP residency in East London, she uses a large brush to blur wet paint, creating a hazy, memory-like effect. Her works include portraits like *Rallying Sigh* (2024) and canine pieces like *Hounding* (2024), which she hangs together to create a dialogue between femininity and animal aggression.
This profile, part of ARTnews’ 2025 “New Talent” issue, highlights DeLuna’s rising prominence in contemporary painting. Her formalist, intuitive approach—developed independently of Gerhard Richter’s similar technique—and her exploration of commodified imagery and gendered violence make her a distinctive voice. The article matters because it signals an emerging artist whose work challenges viewers to reconsider how they look at women and animals, situating her within broader conversations about painting, memory, and the male gaze.