The article examines Giovanni Bellini's painting *The Feast of the Gods* (1514–29), a mythological scene depicting Roman deities at a feast, which was later reworked by Dosso Dossi and Titian. Commissioned by Duke Alfonso d'Este for his private gallery, the work is notable for including what is believed to be the earliest painted example of Chinese porcelain in European art. The painting draws from Ovid's 'Fasti' and was Bellini's last completed work, finished when he was in his 80s.
This painting matters because it exemplifies Renaissance collaboration among three major artists—Bellini, Dossi, and Titian—and marks the first major example of a multi-god feast scene, a subject that became popular in 16th-century Italy and Northern Europe. The article also highlights the complex patronage of Duke Alfonso d'Este, who commissioned a series of bacchanals, and the evolving artistic contributions that transformed the work over time, offering insight into Renaissance workshop practices and courtly art.