Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.
This profile matters because it highlights an extraordinary, systematic approach to navigating one of the art world's largest and most overwhelming events. Park's method—booking a year in advance, forming a collaborative viewing group, and producing a comprehensive guide—offers a practical model for biennale-goers and underscores the value of deep, unhurried engagement with contemporary art. It also reflects the growing international interest in the Venice Biennale from Asian art professionals and the importance of accessible, multilingual resources for global audiences.