Indonesian artist Bagus Pandega has unveiled a site-specific installation at the Singapore Art Museum (SAM) that explores the complex movement of global commodities. The exhibition features kinetic sculptures and electronic components that track the flow of materials like nickel and rubber, transforming industrial data into a multi-sensory experience of light and sound.
This presentation highlights the growing trend of Southeast Asian artists using technology to critique global supply chains and environmental extraction. By hosting Pandega’s work, the Singapore Art Museum reinforces its role as a critical hub for contemporary discourse on the intersection of industrialization, digital surveillance, and regional ecology.