The article reports on an exhibition at the Grand Palais in Paris dedicated to Hilma af Klint, the Swedish artist recognized as a pioneer of abstract art. The show presents her visionary works, which predate those of better-known male abstractionists like Kandinsky and Mondrian.
This exhibition matters because it continues the long-overdue re-evaluation of af Klint's place in art history, challenging the traditional male-dominated narrative of the origins of abstraction. By staging this show at a major institution like the Grand Palais, the article underscores the growing institutional and public recognition of af Klint's groundbreaking contributions to modern art.