Harmony Hammond, the 82-year-old artist and writer, is preparing for her seventh solo exhibition with Alexander Gray Associates, titled "Rust Never Sleeps," opening June 5 in the gallery's new Tribeca space. A new volume dedicated to her writings, *Still Dangerous! The Harmony Hammond Reader*, will be published this fall by Duke University Press. In an interview, Hammond discusses her ongoing textile-based abstraction practice, her frustration with being pigeonholed to the 1970s, and the recent surge of interest in textile art as seen in exhibitions like "Woven Histories" and "Unravel."
This matters because Hammond is a pivotal figure who helped define both lesbian art history and feminist art criticism through her landmark book *Lesbian Art in America: A Contemporary History* and her essays in *Wrappings*. Her continued productivity and the forthcoming reader demonstrate that her influence extends far beyond the 1970s, shaping contemporary conversations around identity, materiality, and abstraction. The article also highlights how institutions are finally catching up to the textile-based practices Hammond championed decades ago, validating her long-overdue recognition.