Sara Flores, a Peruvian artist, is bringing her work to Venice, drawing on indigenous wisdom and visionary experiences. Her practice is rooted in the Amazonian tradition of using plant-based medicines and spiritual visions to create art that bridges the natural and spiritual worlds. The article highlights her upcoming exhibition in Venice, which aims to share these ancestral knowledge systems with a global audience.
This matters because Flores represents a growing recognition of Indigenous and non-Western art practices within the mainstream contemporary art world. By centering Peruvian wisdom and visionary traditions in a major international venue like Venice, her work challenges the dominance of Eurocentric narratives and expands the definition of what contemporary art can be. It also underscores the art world's increasing interest in spirituality, ecology, and decolonial perspectives.