Dubravka Lošić, representing Croatia at the 61st Venice Biennale (2026), will present an exhibition titled *Compelled by Fright and Beauty* at the Palazzo Zorzi. Her works include series such as *Rains Paris* (2018), *Alba Albula* (2019), *Tondo* (2020–25), *Imago Anima* (1995–97/2012–13), *Sharks* (1986–89/2013), *Libertas Bells* (2014–26), and *The Rosary* (1987–2026), which explore themes of protection, vulnerability, silence, and quiet rebellion. In an interview with ArtReview, she discusses how her meditative, musical creative process aligns with the Biennale's theme, *In Minor Keys*, and emphasizes creating spaces for contemplation and healing.
This article matters because it offers a direct, personal insight into how a national pavilion artist interprets the Biennale's overarching theme, highlighting the role of national pavilions as sites of free artistic expression. Lošić's reflections on silence, emotion, and unconventional exhibition spaces underscore the Biennale's continued importance as a platform for cross-cultural dialogue and artistic visibility, even as she questions the notion of representing an entire nation through a single artist.