Milan's beloved bull mosaic in the Galleria Vittorio Emanuele II, a 19th-century shopping arcade, has been restored after decades of wear from tourists spinning their heels on the bull's testicles for good luck. Professional restorer Gianluca Galli replaced damaged tiles with hand-cut stone and used epoxy resin for durability, completing the work between May 27 and 30 in full view of the public. However, the restoration sparked backlash on social media, with commenters criticizing the tile colors, messy joints, anatomical inaccuracy, and the €30,000 cost.
The controversy highlights the tension between preserving living heritage and public expectations for historical accuracy in Italy's iconic landmarks. The bull mosaic is not just a decorative feature but a cultural touchstone tied to local tradition and the city's identity, making any alteration deeply personal to residents. The pushback also reflects broader debates about restoration practices and public spending on heritage sites, as seen in recent opposition to the Borghese Gallery's expansion plans.