Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.
The exhibition is significant for its critical engagement with the material history of colonialism and extractive capitalism, particularly through the lens of Hispanic ironwork and everyday objects. By blending bodily metaphors with architectural structures, Salazar Rosales challenges viewers to reconsider the meaning of belonging and the scars left by historical exclusion. The show marks a major institutional moment for the young artist, positioning her practice as a vital voice in contemporary dialogues regarding the intersection of personal identity and global history.