The article reviews the newly opened David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), designed by Swiss architect Peter Zumthor and opened in April 2026 after six years of construction at a cost of roughly $724 million. The galleries break from traditional museum organization by mixing artworks from different time periods and cultures side by side, aiming to encourage visitors to make their own connections rather than following a chronological or regional narrative. However, the reviewer—an art historian with a PhD from UCLA—finds the experience confusing at times, noting that the lack of clear structure can feel disorienting, and that behind-the-scenes practical needs still impose a quiet organization. The building itself is visually striking and photogenic, but inside, many galleries are dimly lit to protect artworks, creating a contradiction between the open exterior and the enclosed interior. The architecture sometimes competes with the art, raising questions about whether the building enhances or overshadows the collection.
This review matters because it critically examines a major, high-profile museum expansion that represents a bold curatorial and architectural experiment. LACMA’s new approach to mixing objects across cultures and eras challenges long-standing museum conventions, and the article highlights both the potential and the pitfalls of such a radical rethinking. As museums increasingly prioritize immersive, Instagrammable experiences, the Geffen Galleries serve as a case study in balancing architectural spectacle with art-focused engagement. The review also touches on broader trends in museum design, where buildings are designed to be experienced and photographed, sometimes at the expense of the art itself. For art professionals, museum-goers, and cultural commentators, this analysis offers a nuanced perspective on whether the new galleries succeed in their mission or simply create confusion.