Brazil’s pavilion at the 61st Venice Art Biennale opened on May 7, 2026, with a ceremony attended by government officials, art-world figures, and corporate sponsors. The pavilion, originally built in 1964 by architect Henrique Mindlin, has been renovated to replace thick concrete walls with glass, improving natural light and sustainability. Curated by Diane Lima, the exhibition titled “Comigo Ninguém Pode” features works by artists Adriana Varejão and Rosana Paulino, exploring themes of beauty, danger, and Brazil’s colonial and African heritage through a juxtaposition of their artworks.
This participation matters because it underscores Brazil’s continued strong presence at the Venice Biennale, one of the world’s most prestigious art events. The renovation aligns with contemporary sustainability concerns, while the exhibition’s focus on two women artists—one of African ancestry and one of Portuguese ancestry—highlights Brazil’s complex cultural and racial dynamics. The curatorial approach, emphasizing coexistence rather than opposition, offers a nuanced reflection on national identity and historical legacies.