Choreographer Michael Clark's 2003 work *Satie Studs* was revived as part of the live event programme for Peter Doig's exhibition *House of Music* at London's Serpentine Galleries. Dancer Jules Cunningham performed the minimalist solo, set to Erik Satie's piano preludes, showcasing controlled, precise movements that distilled ballet and yoga poses into a stark, deliberate sequence.
The performance provided a compelling counterpoint to Doig's paintings of spectral figures, grounding the exhibition's theme of cross-artform exchange in tangible, physical presence. While the exhibition explored music and art, Clark's choreography successfully fused the aural and visual through movement, offering a more integrated and visceral experience than the incidental musical elements elsewhere in the show.