The Cincinnati Art Museum (CAM) has opened "What, Me Worry? The Art and Humor of MAD Magazine," an exhibition exploring the seven-decade history and artistic impact of the iconic satirical publication. Originating from the Norman Rockwell Museum in Stockbridge, Massachusetts, the show features over 150 pieces, including original artwork from MAD artists, process drawings, and a spoof of Norman Rockwell's "Triple Self-Portrait" by Richard Williams placed alongside the original. The exhibition, curated by Stephanie Haboush Plunkett and Steve Brodner, runs through March 1 and was brought to CAM after director Cameron Kitchin visited the Rockwell Museum. Emily Agricola Holtrop, CAM's director of learning & interpretation, served as onsite curator.
This exhibition matters because it positions a popular satirical magazine—often dismissed as lowbrow—within the fine art context, highlighting the technical skill and cultural commentary behind MAD's illustrations. By examining how the magazine tackled major historical and social movements over 70 years, the show underscores the role of humor and satire in art as a vehicle for critical commentary. The multi-generational appeal also makes it a unique educational opportunity, bridging gaps between older and younger audiences and affirming that illustration and cartooning are legitimate artistic disciplines worthy of museum attention.