A feature-length documentary about Baroque painter Caravaggio, directed by Phil Grabsky and David Bickerstaff, will premiere on the streaming platform Marquee TV on April 6. The film, part of the "Exhibition on Screen" series, was previously released in theaters last fall and focuses on the artist's innovative painting style rather than his notorious personal life.
Cristopher Canizares, a longtime partner at mega-gallery Hauser & Wirth, is departing after 16 years to launch his own venture, the Artist Legacy Bureau. This new agency will function as an artist management firm, with Canizares working directly for and being paid by a select group of five or six artists to advise on long-term career strategy across their gallery, institutional, and collector relationships.
The Metropolitan Museum of Art has acquired a recently rediscovered Renaissance painting, 'Madonna and Child with Saint John the Evangelist,' by Rosso Fiorentino. The work, believed lost for centuries, was identified after conservation removed layers of overpaint, revealing the figure of Saint John. The Met has already placed the painting on view in its European painting galleries.
During Singapore Art Week, the merger of the boutique fair S.E.A. Focus into the larger Art SG fair sparked quiet concern among some participants. Dealers worry the move is a precursor to S.E.A. Focus being absorbed entirely, potentially sidelining its regional focus and making participation more expensive for Southeast Asian galleries. The future of the Singapore Biennale was also debated after a local newspaper article called for its termination.
Pedro Friedeberg, the Mexico-based artist and designer famed for his iconic Mano Silla (Hand Chair) created in 1962, has died at age 90. A key figure in 20th-century Mexican art, his singular work blended intricate, fantastical architecture with ornament and irony, creating a unique visual universe that defied easy categorization within movements like Surrealism or geometric abstraction.
Millea Bros. auction house in New Jersey has sold artworks and furnishings from the estate of convicted sex offender Jeffrey Epstein, generating approximately $100,000 in sales so far. The items, which include a sculpture by Arnaud Kasper and a plaster work by Tom Otterness, were photographed in Epstein's Upper East Side mansion by federal authorities. Sales began in June 2024, with a second round starting last week, though auction descriptions omit any mention of Epstein's identity, meaning buyers may unknowingly acquire pieces linked to the notorious figure. Proceeds go toward administering the estate, which must pay $121 million to the Epstein Victims' Compensation Program and has already disbursed over $50 million in direct settlements.
The Gardiner Museum in Toronto has reopened after a 15-month, CA$15.5 million renovation of its ground floor spaces. The overhaul, led by Montgomery Sisam Architects and Andrew Jones Design with studio:indigenous, includes new collection galleries, a reworked entrance hall, a ceramics studio, and a community learning center. The renovation was funded by public and private gifts, including a CA$9 million donation from the Radlett Foundation that also added over 250 ceramic objects. A key addition is "Indigenous Immemorial," a permanent gallery dedicated to Indigenous clay art, developed by the museum's first curator of Indigenous ceramics, Franchesca Hebert-Spence, in collaboration with Indigenous artists and advisors.
Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.
Martin Scorsese will moderate a panel at New York Comic Con on Sunday, organized by the Lucas Museum of Narrative Art. The panel features street artist JR and fantasy painters Boris Vallejo and Julie Bell, offering a preview of the museum's renderings, artworks, and a prerecorded interview with founders George Lucas and Mellody Hobson. The museum, originally slated to open in 2023, has faced delays and is now expected to open in 2026, following a tumultuous year that included the departure of director Sandra Jackson-Dumont and staff layoffs.
An exhibition titled "Before the Americas," originally scheduled to open at the Art Museum of the Americas in Washington, D.C., was canceled after the Trump administration deemed it a DEI program and cut its funding. The show, which surveys work by Afro-Latino, Caribbean, and African American artists from the Greater Washington area, has now opened at Gillespie Gallery at George Mason University School of Art in Fairfax, Virginia, thanks to about 50 to 60 private donors who stepped in to fund it. Curated by Cheryl Edwards, the exhibition features 39 artists from 17 countries, including Amy Sherald, Renee Stout, Alma Thomas, Elizabeth Catlett, and Alonzo Davis, and runs through November 15 before traveling to the University of Maryland Global Campus.
The San Francisco Museum of Modern Art (SFMOMA) has announced a new exhibition titled “RM x SFMOMA,” featuring around 200 works from both the museum’s permanent collection and the personal collection of K-pop star RM, a member of BTS. RM will serve as lead curator, alongside assistant curator Hyoeun Kim and curatorial project manager América Castillo. The exhibition, running from October 2026 to February 2027, will pair Korean artists—including historical figures like Yun Hyong-keun, Park Rehyun, Chang Ucchin, and Kwon Okyon, as well as contemporary artists such as To Sangbong and Kim Yun Shin—with Western masters like Mark Rothko, Agnes Martin, Henri Matisse, Georgia O’Keeffe, and Paul Klee. A key highlight is Kim Whanki’s 26-I-70 (1979), owned by SFMOMA.
Protests erupted outside White Cube's London gallery last Thursday over a fireworks piece by Chinese artist Cai Guo-Qiang. The artwork, titled *The Rising Dragon*, was staged on September 19 at a high-altitude plateau in Shigatse, Tibet, and sparked online backlash over environmental concerns. Two UK-based groups, Tibetan Community in Britain and Free Tibet, led the protest, accusing Cai of committing "cultural violence." White Cube acknowledged the groups' concerns but continues to host Cai's exhibition, which opened in June and runs through early November.
Tanya Bonakdar Gallery is closing its Los Angeles location after seven years, with the final exhibition being a solo show for Ben Hyunjin that ends on August 29. The gallery, which opened on Highland Avenue in 2018, decided not to renew its lease, citing a natural pause to assess its accomplishments in the city. The closure follows recent shutdowns of other LA galleries, including Blum and Clearing.
Susan Fisher Sterling, director of the National Museum of Women in the Arts (NMWA) in Washington, D.C., will retire at the end of 2024 after 18 years in the role and nearly four decades at the institution. Sterling joined NMWA as an associate curator in 1988, rose through the ranks to become director in 2008, and oversaw a $67.5 million renovation completed in 2023, expansion of the collection to over 6,000 works, and partnerships with the Louvre, the State Hermitage Museum, and Tate Modern. The board of trustees has begun a search for her successor with executive search firm Howe-Lewis International.
Refik Anadol's Dataland, billed as the world's first A.I. art museum, will open on June 20 in Los Angeles after more than two and a half years of planning. Founded by Anadol and his partner Efsun Erkiliç, the museum is housed inside the Frank Gehry-designed Grand L.A. complex and features five galleries. Its debut exhibition, "Machine Dreams: Rainforest," uses ecological data processed through Anadol's Large Nature Model to create digital sculptures simulating possible rainforests. The museum, designed by Gensler, dedicates nearly a third of its 35,000 square feet to operational hardware and runs on 87 percent carbon-free energy.
The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.
Two cars painted by Keith Haring in the 1980s are being exhibited together in New York for the first time. The 1963 Buick Special and 1971 Land Rover are on display at the new West Village gallery Free Parking, operated by the platform CART Dept., from April 9 to 19. The exhibition, "Keith Haring: In The Street," coincides with the release of the book *Keith Haring in 3D* and is owned by collector Larry Warsh.
A major retrospective of Tracey Emin's work, "A Second Life," is on view at Tate Modern in London. The exhibition presents the artist's deeply personal and confessional body of work, including iconic pieces like "My Bed" and "Exorcism of the Last Painting I Ever Made," which chronicle intimate experiences of love, trauma, and self-exploration through text, objects, and raw imagery.
Giovanni Bellini's monumental 15th-century altarpiece, the San Giobbe altarpiece, is undergoing its most extensive restoration in over 500 years at the Gallerie dell'Accademia in Venice. Deemed too fragile to move, the two-year, €500,000 project will stabilize the cracked wood panel and analyze pigments using advanced imaging, all performed behind glass in full public view.
A rare 1875 letter from Claude Monet, up for auction on March 25, reveals the artist secured a 1,000-franc loan by pledging 35 of his paintings as collateral. The document details his agreement to repay the loan from the proceeds of a future sale, listing specific works including the later-famous 'La Japonaise,' and highlights his persistent financial desperation during this period.
Jean-Michel Basquiat’s monumental 1983 painting, 'Museum Security (Broadway Meltdown)', is set to headline Sotheby’s marquee contemporary evening auction this May with an estimate of $45 million. The seven-foot canvas was created during the artist's pivotal year in Los Angeles and features his signature blend of text and symbols, including wry commentaries on the institutionalization and commercial value of art. The work previously sold at Christie’s in 2013 for $14.5 million.
The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its annual New York art fair, The Art Show, which was scheduled to open at the Park Avenue Armory on October 28. The decision was communicated to members via email and confirmed by ADAA president Susan Sheehan, with the board citing a strategic pause to reimagine the fair for long-term sustainability. The fair has been a staple of the New York social calendar, with its VIP opening night serving as a fundraiser for the Henry Street Settlement, raising over $38 million for the nonprofit over three decades.
"Man muss der Jury keine Träne nachweinen"
The entire jury of the Venice Biennale resigned shortly before the opening, prompting criticism of Biennale President Pietrangelo Buttafuoco. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a misguided "pacificist fantasy" by readmitting Russia to the six-month exhibition, calling it failed "side foreign policy." Commentators in German media, including Niklas Maak (FAZ) and Marcus Woeller (Die Welt), see the resignation as a symptom of a crisis in the art world, with the jury having acted as a "political tribunal" by pre-judging artists based on nationality, particularly regarding Israel. The Biennale leadership defended inclusion, but the standoff has caused significant "image damage." Separately, Dirk Knipphals (wochentaz) delivers a scathing review of Wolfram Weimer's first year as cultural policy commissioner, accusing him of empty rhetoric and failing to counter right-wing cultural politics. Juliane von Mittelstaedt (Der Spiegel) reports on Saudi Arabia's use of a spectacular new art museum in Riyadh as a stability narrative amid regional conflict.
A new exhibition at the Frick Collection in New York has assembled 25 portraits by the 18th-century British painter Thomas Gainsborough. The show focuses on his depictions of the era's elite, showcasing the powdered wigs, lavish fabrics, and social stature of his sitters.
Hurvin Anderson is preparing for a major retrospective of his work at Tate Britain, a significant milestone in his career. Despite this achievement, the artist expresses a complex and uncertain relationship with his own success, reflecting on his journey and the meaning of recognition.
Nos 5 expos coups de cœur à voir en galeries ce printemps à Paris
Paris is experiencing a vibrant gallery season this spring, marked by the arrival of major international players and the rediscovery of overlooked artists. Highlights include the opening of Singapore’s Cuturi Gallery at the Palais-Royal with a cross-disciplinary show on decadence, and the London-based Waddington Custot establishing a new space in Saint-Germain-des-Prés with an exhibition bridging Nabis masters and contemporary painters. Other notable shows include a first-ever public look at the surrealist collages of Roland Sig and a dialogue between neo-impressionism and contemporary art at Galerie Pavec.
The 16th Gwangju Biennale has revealed its theme, 'You must change your life,' a line from Rainer Maria Rilke's poem 'Archaic Torso of Apollo.' Artistic director Ho Tzu Nyen and curators Che Kyongfa, Park Gahee, and Brian Kuan Wood will lead an edition focused on art's transformative power during a time of multiple crises. The exhibition, running from September 5 to November 15, will feature the smallest number of artists in the biennale's history, emphasizing intensity over accumulation and tracking the evolution of individual artistic practices.
MOMENTA Biennale d’art contemporain in Montreal has appointed curator and educator Toleen Touq to organize its 20th edition, scheduled for 2027. The biennial will be titled 'The Long Now' and will focus on interrogating concepts of time and duration.
Jeamin Cha wins Hermès Foundation Missulsang
Korean media artist Jeamin Cha has been awarded the 21st Missulsang prize by the Hermès Foundation. She will receive KRW 30 million and production support for a solo exhibition at Atelier Hermès in Seoul, opening in May 2027.