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Venice Biennale — Venice
2026 · In Minor Keys · curated by Koyo Kouoh
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Phaidon Press · 2024
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Hyperallergic's Books Newsletter highlights lesbian art novels and queer art books for Pride Month, featuring a conversation with Sarah Schulman about…
cultureJun 15, 2026
Hyperallergic has published a Pride Month reading list featuring seven art books that highlight queer and trans artists, past and present. The selecti…
cultureJun 9, 2026
The article reports on the upcoming opening of the Obama Presidential Center in Chicago's Jackson Park, a new $850 million campus designed to embody t…
newsJun 9, 2026
Andrew Durbin's new dual biography, *The Wonderful World That Almost Was: A Life of Peter Hujar and Paul Thek* (2026), explores the intertwined lives …
reviewJun 8, 2026
Andrew Durbin reviews national pavilions at a major art event, contrasting a vacuous US presentation with incisive and moving installations from Brita…
reviewMay 12, 2026
Frieze New York has drawn collectors, curators, and art enthusiasts to the city, but this article highlights 17 gallery shows across Manhattan that ar…
exhibitionsMay 11, 2026
Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations…
reviewMay 6, 2026
At the 2026 Venice Biennale's Arsenale, critic Andrew Durbin reviews national pavilions, finding the US presentation vacuous and lacking meaning, whil…
reviewMay 6, 2026
Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from…
reviewMay 6, 2026
Andrew Durbin reviews national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Bri…
reviewMay 6, 2026
This article is a critic's guide reviewing national pavilions during Frieze Week New York. Andrew Durbin contrasts a vacuous US presentation with inci…
reviewMay 6, 2026
The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britai…
reviewMay 6, 2026
Andrew Durbin reviews the national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from…
reviewMay 6, 2026
Andrew Durbin reviews the national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from…
reviewMay 6, 2026
Andrew Durbin reviews the national pavilions at Frieze New York 2026, contrasting a vacuous US presentation with incisive and moving installations fro…
reviewMay 6, 2026
Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations…
reviewMay 6, 2026
Andrew Durbin reviews national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Bri…
reviewMay 6, 2026
The article announces the winner of the Frieze New York 'Focus' stand prize, a dedicated award for emerging galleries at the fair. The prize recognize…
marketMay 6, 2026
Frieze New York opened with a flurry of activity, drawing collectors, curators, and art enthusiasts to the fair's latest edition. The event featured a…
exhibitionsMay 6, 2026
Andrew Durbin reviews national pavilions at the 2026 Venice Biennale, critiquing the US presentation as vacuous while praising incisive and moving ins…
reviewMay 6, 2026
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