Vittore Carpaccio #2,679Established

huile sur toile

bois (peuplier)

encre brune à la plume

Restauré en 2005

Plume et encre brune, lavis gris. Encadrement à la plume et encre brune.; Annotation manuscrite à la pierre noire à droite de l'encadrement : Bellini = / Collections :/ Sir Josua Reynols / Th Hudson / William Esdaile / Thomas Lawrence / Richardson / Lamberts / Lord Simmers / Van Gottlob'.

encre brune à la plume; lavis (gris)

Pierre noire, plume, encre brune et lavis brun sur papier

encre noire à la plume; lavis (gris); pierre noire; rehauts de blanc

encre brune à la plume

encre brune à la plume; lavis (brun); papier bleu; rehauts de blanc

Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins

Pen and gray ink, brush and gray wash, over faint traces of black chalk

Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)

Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper

Oil and tempera on wood

pen and brown ink with gray wash over charcoal on laid paper

ink heightened with white

pen and black ink on laid paper

red chalk with pen and brown ink on laid paper

red chalk on laid paper, with unrelated short pen strokes

pen and brown ink (iron gall) with brown wash over black chalk on laid paper (cut vertically at center and reattached, laid on nineteenth century mount)

oil on poplar panel

oil on panel transferred to canvas

pen and brown ink

Oil on wood (spruce, identified)