ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.
Valentina Castellani, a veteran of Sotheby’s and Gagosian, is releasing a new book titled 'Trading Beauty: Art Market Histories from the Altar to the Gallery'. The publication aims to fill a pedagogical gap Castellani discovered while teaching at New York University, providing a comprehensive chronological overview of the art market from the Renaissance to the post-pandemic era. Published by Gagosian and distributed by Rizzoli, the book features a cover by Maurizio Cattelan and an introduction by Massimiliano Gioni.
Artnet News editors and journalists compiled their annual roundup of the best artworks seen in 2025, highlighting standout pieces from around the world. Among the featured works are Richard Serra's monumental steel sculpture "East-West/West-East" (2014) in the Qatari desert, Emma Ferrer's painting "You Will Return the Evil to Its Steppe (Homage to Josefa de Óbidos)" (2024) shown at New York's Sapar Contemporary, and Kerry James Marshall's "The White Queens of Africa: Colette" (2025) from his retrospective at the Royal Academy of Art. Each artwork is accompanied by a personal reflection from the journalist who encountered it.
The article provides a comprehensive guide to essential acronyms used in the art world, explaining what each abbreviation stands for and its significance. It covers organizations like AAM (American Alliance of Museums), AAMD (Association of Art Museum Directors), and ADAA (Art Dealers Association of America), as well as art fairs such as ABMB (Art Basel Miami Beach) and ARCO (Arte Contemporáneo in Madrid). It also includes advisories like AIG (Art Intelligence Global), historical galleries like AIR (Artists in Residence), and defunct fairs like FIAC (Foire Internationale d'Art Contemporain), offering context on their origins and current relevance.
The article examines the revival of Yasmina Reza's play "Art" on Broadway, which centers on three men arguing over a seemingly blank canvas purchased for a high price. The new production updates the painting's cost from 200,000 francs (about $60,000) to $300,000, reflecting today's inflated art market. The play's themes of aesthetics versus market value resonate with current debates about speculative hype and irrational pricing in contemporary art.
Artnet News re-airs a podcast episode exploring the hidden stories of the Louvre, prompted by a recent daylight heist in which thieves stole eight pieces of royal jewelry from the Paris museum. The episode features Elaine Sciolino, a former Paris bureau chief for the New York Times, who discusses her book *Adventures in the Louvre: How to Fall in Love with the World’s Greatest Museum*, based on unprecedented access to the museum's guards, curators, and hidden rooms.
Filippo Lorenzin, an independent curator at London's Victoria and Albert Museum, and artist Marianna Benetti built a miniature art museum for their pet gerbils, Pandoro and Tiramisu, during lockdown. The couple spent four hours constructing the tiny gallery from cardboard, paper, and wood, featuring rodent-themed parodies of famous artworks including Gustav Klimt's *The Kiss*, Johannes Vermeer's *The Girl With the Pearl Earring*, Leonardo da Vinci's *Mona Lisa*, and Edvard Munch's *The Scream*. They filmed the gerbils exploring the space and shared the footage on Reddit, where it quickly went viral.
The article presents a curated list of 13 seminal Western artworks featuring the nude form, highlighting how each piece shifted artistic conventions and cultural perceptions. It begins with the Paleolithic Venus of Willendorf and moves chronologically through works by artists including Sandro Botticelli, Leonardo da Vinci, Lavinia Fontana, and Édouard Manet, analyzing their groundbreaking approaches to depicting the human body.
The inaugural Making Their Mark forum convened 350 art world professionals at the National Museum of Women in the Arts to address systemic gender inequity. Organized by collector Komal Shah and the Making Their Mark Foundation, the event featured panels with artists, curators, and public figures like Chelsea Clinton and Ava DuVernay. The forum served as a call to action to dismantle the male-dominated art historical canon and reform the systems governing visibility and valuation.
Marcel Duchamp’s legacy continues to shape contemporary art through his pioneering use of readymades, conceptual rigor, and institutional critique. This analysis identifies eight modern and contemporary artists whose practices echo Duchamp’s subversion of traditional aesthetics, ranging from his early experiments with found objects to his later explorations of gender and mechanical desire.
A reproduction of Rembrandt's stolen masterpiece, *Christ in the Storm on the Sea of Galilee* (1633), appears in the new Netflix film *Knives Out: Wake Up Dead Man*. The painting, one of 13 works stolen from Boston's Isabella Stewart Gardner Museum in 1990, is seen briefly in a character's study. The museum confirmed the use was not a collaboration, noting the image was used without permission.
The article reveals the little-known friendship and correspondence between Japanese artist Yayoi Kusama and American modernist Georgia O'Keeffe. In 1955, a 26-year-old Kusama, inspired by O'Keeffe's work, wrote to her from Japan seeking guidance. O'Keeffe replied within 20 days, offering advice and encouragement, including urging Kusama to move to the United States and show her art widely. Their decades-long correspondence helped Kusama make her career-defining move to America, though the two met only once, in New York, six years after their first exchange.
The Art Newspaper has published its 2025 Christmas gift guide, featuring a curated selection of art-related presents. Suggestions include art supplies from London's historic L. Cornelissen & Son, Japanese Irojiten color pencils, and cookbooks like "The Kitchen Studio: Culinary Creations by Artists" and the out-of-print "The Museum of Modern Art Artists' Cookbook." The guide also includes fantasy gift lists from Frieze and Art UK, with items such as Alexander Calder playing cards and a Tom of Finland cushion from House of Voltaire, alongside more unusual ideas like a sponsorship deal for a Victorian loo or a Lego Louvre heist set.
Researchers and art historians are examining how weight-loss drugs like Wegovy and Mounjaro are reshaping ideals of beauty in art. Prof. Rosalind Gill and Dr. Michael Yafi argue that the rapid fat loss caused by GLP-1 medications produces a distinctive gaunt facial appearance—dubbed 'GLP-1 face'—which could become a new aesthetic standard reflected in contemporary art, similar to 'heroin chic' in the 1990s. Yafi presented his findings at the European Congress on Obesity, noting that while artists like Fernando Botero continue to celebrate fuller figures, future artworks may increasingly depict thin individuals with hollowed features.
Renowned composer Andrew Lloyd Webber has announced he is developing a new musical centered on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and hid it for two years before it was recovered in Italy. Lloyd Webber revealed the project following the Broadway opening of Cats: The Jellicle Ball, noting that he is beginning the writing process immediately.
its time to give annibale carracci some of rembrandts spotlight
This article advocates for a critical re-evaluation of the Italian Baroque painter Annibale Carracci, arguing that his historical significance and artistic influence rival that of the more widely celebrated Rembrandt van Rijn. While Rembrandt has dominated recent museum headlines and auction records, the author highlights Carracci’s foundational role in establishing the Accademia degli Incamminati in Bologna, which revolutionized art education by prioritizing life drawing and elevating the social status of artists from mere craftsmen to intellectual creators.
On International Lego Day, the article ranks Lego Art sets inspired by famous artworks, including Vincent van Gogh's *Sunflowers* and *Starry Night*, Hokusai's *The Great Wave*, and others. The ranking is done by the author and their brother, an Adult Fan of Lego, who rate each set from both an art critic and a Lego builder perspective.
Thomas Schlesser's novel *Mona's Eyes* has been named Barnes & Noble's book of the year for 2025, but its cover has sparked controversy online. The cover features Johannes Vermeer's *The Girl with the Pearl Earring*, even though the story is about a girl named Mona who visits Paris museums with her grandfather, and the painting is not held in Paris—it resides at the Mauritshuis in The Hague. A viral Reddit thread on an art history subreddit accused the publisher of "ragebait," noting the mismatch between the cover image and the book's content. Schlesser, an art historian who teaches at the École Polytechnique and runs the Hartung Bergman Foundation, defended the choice, saying he wanted an iconic work symbolizing light and darkness rather than highlighting any of the 52 artworks featured in the story.
On October 19, 2025, thieves disguised as construction workers stole $102 million in French crown jewels from the Louvre, but the article contrasts this with the far more infamous 1911 heist of Leonardo da Vinci's *Mona Lisa*. The 1911 theft was carried out by Vincenzo Peruggia, an Italian handyman and museum employee who hid in a supply closet, removed the painting's glass casing (which he had installed), and fled with two accomplices via subway. The theft went unnoticed for 28 hours, and the French press sensationalized the story, even accusing figures like J.P. Morgan and Pablo Picasso.
The article explores Frederic William Burton's iconic Victorian watercolor *Hellelil and Hildebrand, the Meeting on the Turret Stairs* (1864), held at the National Gallery of Ireland. It recounts the tragic medieval Danish ballad that inspired the painting, in which the noblewoman Hellelil and her guard Heldebrand are doomed lovers. Burton, an Irish painter influenced by the Pre-Raphaelite Brotherhood, worked exclusively in watercolor and gouache, making this delicate piece a technical marvel. The museum displays it only one hour twice weekly to protect it from light damage.
Artnet News offers a lighthearted holiday guide with seven art-historical conversation starters designed to deflect awkward family small talk. The article reveals quirky facts such as a secret apartment atop the Eiffel Tower, the Surrealists' party game 'Exquisite Corpse,' Leonardo da Vinci's role as a wedding planner for Milan's nobility, Marcel Duchamp paying his dentist with a fake check, and Frank Lloyd Wright inspiring Lincoln Logs.
This article explores the rediscovery of Roman sculpture during the Renaissance and its profound influence on artists like Raphael, Donatello, Michelangelo, and Leonardo da Vinci. It details how Roman sculptors, inspired by Greek methods after the conquest of Greece in 146 B.C.E., created highly realistic works that served both artistic and political purposes, glorifying emperors and reinforcing imperial power. The piece highlights six iconic Roman sculptures—including the Equestrian Statue of Marcus Aurelius, the Colossus of Constantine, Trajan's Column, and the Augustus of Prima Porta—describing their historical context, artistic features, and enduring legacy.
Norman Rockwell's iconic painting "Freedom From Want" (1943), known as the quintessential Thanksgiving image, is examined through three lesser-known facts. The painting was part of a series responding to FDR's "Four Freedoms" speech, initially rejected by the military's Office of War Information before being embraced for a war bond campaign that raised over $132 million. Rockwell used friends and family as models, including his wife and the family cook, who actually prepared the turkey depicted. The work has recently returned to the spotlight: a four-panel Rockwell suite sold for $7.2 million at Heritage Auctions to the White House Historical Association, while Rockwell's family criticized the Department of Homeland Security for using his art in divisive social media posts.
Diego Velázquez's 1656 painting *Las Meninas* is examined as one of the most conceptually complex works in Western art history. The article explores how the painting subverts Renaissance artistic conventions by playing with perspective, illusion, and the relationship between viewer and subject, depicting Infanta Margaret Theresa surrounded by her entourage in the Royal Alcázar of Madrid.
The article explores the artistic friendship between Renaissance masters Raphael and Albrecht Dürer, who never met but exchanged letters and artworks across 600 miles. Initiated when both were at the height of their careers, the correspondence began with Dürer sending Raphael a gouache self-portrait, to which Raphael responded with drawings, including "Two male nude studies" (1515) and "Three Standing Men" (1514-16). The friendship lasted only five years, ending with Raphael's death in 1520 at age 37. The exchange is documented by Giorgio Vasari in "The Lives of the Artists," and one surviving drawing bears an inscription by Dürer acknowledging Raphael's gift.
Artnet News highlights the enduring public fascination with Vincent van Gogh, 135 years after his death, by compiling 10 recent stories that demonstrate "Van Gogh Mania." Examples include the National Gallery in London's major exhibition "Van Gogh: Poets and Lovers," the Museum of Fine Arts in Boston's "Van Gogh: The Roulin Family Portraits," and a legal dispute over the garden that inspired his final painting, Tree Roots (1890). Other stories cover a van Gogh portrait kept in a chicken coop for over a decade and Lego's release of a Sunflowers-themed building set in collaboration with the Van Gogh Museum.
Marcel Duchamp paid his dentist, Daniel Tzanck, with a hand-painted forged check in 1919, titled *Tzanck Check*. The work mimics a real bank check made out for $115, drawn on the fictitious “The Teeth’s Loan & Trust Company Consolidated.” Duchamp meticulously painted each letter to look printed, and the dentist—who was also a major art collector—never cashed it, recognizing its artistic value. The check is now a promised gift to the Israel Museum in Jerusalem, with a 1938 reproduction held by M+ museum in Hong Kong.
Artnet News has published a ranking of Leonardo da Vinci's surviving paintings, focusing on completed, stand-alone works and excluding frescos like *The Last Supper* and unfinished pieces. The article evaluates paintings such as *Annunciation* (c. 1472–76), *Madonna of the Carnation* (1478–80), and *Ginevra de' Benci* (c. 1474–78), considering factors like attribution certainty, historical context, and unique traits—for instance, *Ginevra de' Benci* is the only Leonardo painting in a public collection in the Americas.
Artnet News rounds up recent headlines involving Renaissance master Michelangelo di Lodovico Buonarroti Simoni as institutions prepare to celebrate his 550th birthday in 2025. The article highlights three stories: a scene in HBO's *The White Lotus* season three finale that echoes Michelangelo's *Pietà*; the ongoing scholarly debate over whether Michelangelo himself forged the ancient sculpture *Laocoön and His Sons*; and the restoration of Michelangelo's family tomb at the Basilica of Santa Croce in Florence ahead of his birthday.
The article debunks the long-held myth that Flemish painter Jan van Eyck invented oil painting, tracing the origin of the technique back to 7th-century Afghanistan. It recounts how Giorgio Vasari's 1550 biography "Lives of the Artists" falsely credited van Eyck with the invention after a story about the artist seeking a sun-proof medium. In reality, oil-based paints were used by Buddhist artists in the Bamiyan valley caves centuries earlier, and ancient Egyptians also combined oils with pigments for cosmetics.