Luca De Michelis, chief executive of Marsilio Arte, on his favourite spots in Venice beyond the Biennale

Luca De Michelis, CEO of Marsilio Arte, shares his personal guide to Venice beyond the Biennale, highlighting historic sites, shopping, dining, and cultural venues. His recommendations include Palazzo Grimani, Micheluzzi Glass, the Gardens of the Church of the Redeemer on Giudecca, Antiche Carampane restaurant, the newly opened Dries Van Noten Foundation, San Giorgio Maggiore island, Codroma for spritz, and the upcoming exhibition 'Strange Rules' at Palazzo Diedo’s Berggruen Arts & Culture.

In Central Java, an Eco-Resort Aims to Build Sustainability Through Creativity

An Indonesian and Australian couple, Wiyoga Muhardanto and Hannah O’Flynn, have transformed a plot of land in Central Java into an eco-resort and creative hub called Yabbiekayu. The project includes a gallery, artist residencies, and workshops, aiming to foster a sustainable creative economy by connecting local artisans with international artists and designers.

Scandal in Florence's Skyline? After the Black Cube and the White Cylinder, the Prism That Impales Santa Croce Appears

Scandalo nello skyline di Firenze? Dopo il cubo nero e il cilindro bianco spunta il prisma che impalla Santa Croce

A cylindrical antenna installed by the telecom company Iliad in Florence has sparked controversy after it was reported that, from certain angles, it visually overlaps with iconic landmarks such as Brunelleschi's Dome and Giotto's Campanile. The article traces a pattern of periodic scandals in Florence, including a previous uproar over the so-called "Cubo Nero" (a new building replacing a decaying theater), and notes that the antenna has actually been in place since 2023 without earlier outcry. Local artist Giacomo Costa recently photographed another white prismatic antenna in Via Ghibellina, within the UNESCO zone, that obstructs the view of Santa Croce, fueling further debate.

Provincia Cosmica. A Foggia per scoprire la fotografia sociologica di Maria Palmieri

Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.