The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.
The article is a first-person diary entry from an unnamed narrator visiting Paris and Brussels. The narrator recounts working in the studio of painter Camila Oliveira Fairclough, attending a public dialogue at Almine Rech gallery in Brussels with artist Erik Lindman, and viewing an exhibition pairing Lindman's paintings with works by Robert Motherwell and two Picassos chosen by Bernard Picasso. The narrator also visits a posthumous exhibition of Didier Demozay at Galerie Bernard Jordan and sees a temporary mural by Marielle Paul in a Paris housing complex, later visiting her studio in a historic 19th-century artist building once occupied by Eugène Carrière.
La letteratura oggi: la crisi del romanzo come sintomo di un cambiamento sociale
The article examines the perceived crisis of the novel as a literary form, tracing its historical rise alongside the bourgeoisie in the 17th and 18th centuries. It argues the novel functioned as a mirror for a coherent social class with shared values, serving as a device for collective representation. The form's foundational premise of a recognizable community began to fracture in the 20th century, particularly after World War II, as societies atomized and grand ideological narratives collapsed.
Siamo stati al concerto di Torino dove i Marlene Kuntz festeggiavano i 30 anni del loro indimenticabile disco “Il vile”
Italian alternative rock band Marlene Kuntz recently performed two sold-out shows at the Hiroshima Mon Amour venue in Turin to celebrate the 30th anniversary of their seminal album, *Il vile*. The concert featured a near-complete performance of the 1996 record, which is widely regarded as a cornerstone of Italian noise rock. The anniversary celebration also includes a nationwide tour and a special vinyl reissue featuring new artwork by renowned illustrator Alessandro Baronciani.