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art charlie marder east hampton

Cultured magazine's Hamptons issue features an interview between designer Robin Standefer and Charlie Marder, the East End horticulturalist known as the 'tree whisperer.' Marder, who co-founded an eponymous Bridgehampton nursery with his wife Kathleen—dubbed 'a horticultural MoMA' by the New York Times—has assembled a sprawling field of massive geological specimens across from the nursery. The rocks, some weighing 10 tons, are salvaged from development sites and quarries. Standefer, who purchased one of Marder's boulders for her birthday, discusses with Marder the ethics of placement, the personalities of stones, and the human urge to give new life to ancient matter.

burton the meeting on the turret stairs

The article explores Frederic William Burton's iconic Victorian watercolor *Hellelil and Hildebrand, the Meeting on the Turret Stairs* (1864), held at the National Gallery of Ireland. It recounts the tragic medieval Danish ballad that inspired the painting, in which the noblewoman Hellelil and her guard Heldebrand are doomed lovers. Burton, an Irish painter influenced by the Pre-Raphaelite Brotherhood, worked exclusively in watercolor and gouache, making this delicate piece a technical marvel. The museum displays it only one hour twice weekly to protect it from light damage.

leonardo da vinci existing paintings ranked

Artnet News has published a ranking of Leonardo da Vinci's surviving paintings, focusing on completed, stand-alone works and excluding frescos like *The Last Supper* and unfinished pieces. The article evaluates paintings such as *Annunciation* (c. 1472–76), *Madonna of the Carnation* (1478–80), and *Ginevra de' Benci* (c. 1474–78), considering factors like attribution certainty, historical context, and unique traits—for instance, *Ginevra de' Benci* is the only Leonardo painting in a public collection in the Americas.

How to see every painting by Leonardo da Vinci

This article guides readers on a global tour to see every surviving painting by Leonardo da Vinci, numbering around 16 works predominantly by the master himself, plus a few with his intervention. It traces his career through Florence, Milan, Rome, and France, highlighting key locations such as the Louvre, the National Gallery in London, the Alte Pinakothek in Munich, the Hermitage in St. Petersburg, the National Gallery of Scotland in Edinburgh, and museums in Washington, D.C., and Krakow. The piece also notes the disputed attribution and unknown whereabouts of the $450m Salvator Mundi.

Art on Location

The article introduces 'Art on Location,' a curated focus on outdoor art experiences, covering public art, sculpture parks, urban and rural artist trails, and location-specific technology. It highlights examples such as Caravaggio's Rome, John Constable's Dedham Vale, and public sculptures from the Colossus of Rhodes to Anish Kapoor's Cloud Gate. The piece also features a guide to all existing paintings by Leonardo da Vinci by expert Martin Kemp, a Vincent van Gogh artist trail by Martin Bailey, and discussions of exo-architecture, memorial art, land art, and virtual repatriation through location-specific technology.