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The Artists Who Put Their Bodies Into the Work

This article from Google News, dated May 3, 2026, profiles a selection of artists who have used their own bodies as central elements in their work. It draws a connection to the Metropolitan Museum of Art's spring Costume Institute exhibition, "Costume Art," which places fashion in dialogue with other artworks. The roundup includes Marina Abramović, known for her 2010 MoMA performance "The Artist Is Present"; Chris Burden, who staged dangerous works like "Shoot" (1971); David Hammons, creator of the "Body Prints" series; Frida Kahlo, whose painting "The Broken Column" (1944) depicts her own physical pain; Ana Mendieta, whose "Silueta" series used her figure in the landscape; and Yoko Ono, a conceptual artist with a significant body-based practice.

Beyond the Needle: Chilean Artist Felipe Abel on Chiaroscuro, Symbolism, and the Evolution of Modern Tattooing

Chilean tattoo artist Felipe Abel (born Felipe Arriagada), who has a background in graphic design and a decade of experience in black-and-grey micro-realism, is preparing to join Noble Art Studio in Brooklyn. He is also developing a new series of oil paintings focused on mythology, theology, and esotericism, expected to debut in a formal exhibition around 2027. Abel, who has held guest spots in over 20 cities across 10 countries including studios like Sasha Tattooing in Paris and The White Whale in Milan, uses chiaroscuro and a recurring floating orb motif in his work, drawing influence from photographer Sebastião Salgado and painter Guillermo Lorca.

The business of body art

The article explores the evolving economic landscape of the professional tattooing industry, shifting from a counter-culture fringe to a sophisticated global business sector. It details how artists and studio owners are adopting traditional corporate structures, including brand licensing, specialized retail products, and digital marketing strategies to capitalize on the increasing mainstream acceptance of body art.

Would You Pay $15,000 for a Fine-Art Tattoo?

The Wall Street Journal explores the growing trend of high-end, fine-art tattoos that command prices up to $15,000, driven by renowned visual artists and specialized tattooists who treat skin as a canvas. The article profiles collectors and artists who elevate tattooing from a subculture to a legitimate art form, with some pieces commissioned from gallery-represented painters and sculptors.