An anonymous artist collective known as the Secret Handshake has installed a 10-foot-tall golden toilet sculpture titled 'A Throne Fit for a King' near the Lincoln Memorial in Washington, D.C. The work is a satirical monument to former President Donald Trump's controversial renovation of the White House's Lincoln Bathroom, which he outfitted with gold fixtures during a government shutdown.
The article's main feature is a guide on creating effective protest signs for the upcoming No Kings protest, compiled by comic artist Steven Weinberg with input from artists, writers, and curators including Hyperallergic's Editor-at-Large Hrag Vartanian. It offers practical advice for crafting visually and rhetorically powerful signs that challenge authority.
Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto
Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.
British street artist Endless has installed a new public artwork on the corner wall of Bloomsbury Central Baptist Church in London. The piece depicts a rough sleeper in a sleeping bag with the text "210,000 Homeless today," creating a stark visual juxtaposition against the affluent backdrop of the nearby Oxford Street shopping district.
The article critiques the growing influence of wealthy tech entrepreneurs on public art commissions, arguing that their personal tastes and desire for monumental, often self-aggrandizing works are reshaping civic spaces. It highlights how this trend sidelines professional curatorial expertise and community input, replacing public dialogue with private patronage that prioritizes technological spectacle over artistic depth or social relevance.