Opinion: In galleries across Canada, too much art is being hidden away

Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.

The mural project honouring the Black cultural heritage of Rio de Janeiro – photo essay

Two Black men, Pedro Rajão and Fernando Sawaya, created the NegroMuro (BlackWall) mural project in Rio de Janeiro in 2018 to address the severe underrepresentation of Black figures in the city's public monuments. Of Rio's roughly 360 statues and busts, fewer than 10% depict Black people. The project now comprises 80 murals across the city, portraying about 120 Black individuals—including writer Machado de Assis, activist Lélia Gonzalez, and musician Luiz Melodia—on walls of schools, museums, train stations, and private homes. The murals are concentrated in the less touristy north zone, deliberately focusing on underserved neighborhoods. The project was recently recognized by law as part of Rio's intangible cultural heritage.

Provincial Cosmos. Interview with Serena Fineschi, the artist who turned off all the lights of Siena

Provincia Cosmica. Intervista a Serena Fineschi, l’artista che ha spento tutte le luci di Siena

Serena Fineschi, an artist from Siena, Italy, discusses her return to her hometown after twelve years abroad, primarily in Brussels. She reflects on her public art projects, including one where she turned off all the city's lights for three minutes without warning, and another titled "Assistere il buio." The interview explores how her time in Belgium reshaped her artistic vision, shifting her perspective from the golden light of Siena to the sharp contrasts of northern light.