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spike lee art collection highest 2 lowest

Spike Lee's new film *Highest 2 Lowest*, an English-language reinterpretation of Akira Kurosawa's *High and Low*, prominently features artworks from Lee's personal collection—or replicas of them—as set decoration. Production designer Mark Friedberg used Lee's collection, previously surveyed at the Brooklyn Museum in 2023, as a reference to establish the character of music tycoon David King, played by Denzel Washington. Works by Jean-Michel Basquiat, Kehinde Wiley, Deborah Roberts, Gordon Parks, Henry Taylor, and others appear in the film, including Basquiat's *Horn Players* (1983) and *Now's the Time* (1985), Tim Okamura's portrait of Toni Morrison, and pieces from Andy Warhol's 'Muhammed Ali' series.

pope francis art artists

Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.

kamala culture failure

Ben Davis, an art critic, analyzes the failure of Kamala Harris's 2024 presidential campaign through the lens of its visual culture, particularly a MoveOn.org poster in Brooklyn that renders Harris's face entirely from emojis—smiley eyes, fist-bump skin, octopus lips, and coconut necklace. He argues this poster epitomizes the campaign's reliance on incoherent internet vibes and substance-free memes, contrasting it with Shepard Fairey's uninspired "FORWARD" poster and the self-parody of "Brat Summer" aesthetics. Davis blames Democratic Party consultants for wasting over $1 billion on a campaign that failed to connect with voters on economic anger, instead offering wonkish proposals and appeals to nonexistent Liz Cheney Republicans.