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The Interview: Steven Soderbergh

Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.

In The Christophers, an aging artist’s unfinished masterpieces are subjects of speculation and scheming

The Christophers is a new film starring Ian McKellen as Julian Sklar, a once-celebrated 1970s painter who has become a social pariah and reality TV villain. The plot follows a 'reverse art heist' where Sklar’s estranged children hire a restorer and former forger, played by Michaela Coel, to secretly finish a series of nine incomplete portraits of his former lover. The goal is to inflate the works' market value so they can be 'discovered' as masterpieces upon the aging artist's death.