What not to miss from the new edition of The Phair, the photography fair in Turin

Cosa non perdere della nuova edizione di The Phair, la fiera della fotografia di Torino

The seventh edition of The Phair, a photography fair in Turin, Italy, opened on Thursday, May 21, at the Sala Fucine of the Officine Grandi Riparazioni. Founded by Roberto Casiraghi and Paola Rampini, the fair features 42 national and international galleries. Highlights include a surprising automotive partnership at the entrance, and standout presentations from Red Lab Gallery (Ezio D’Agostino and Carlotta Valente), Alberto Damian Gallery (Paolo Gioli), Roccavintage (Costanza Gastaldi), Tucci Russo (Giulio Paolini), Raw Messina (Kri Babusci), and Galleria Umberto Benappi (Ugo Mulas). Other notable artists include Arnulf Rainer, Anton Corbijn, Luigi Ontani, and Simon Starling.

Contemporary art returns to center stage in Ascoli Piceno for the fifth edition of the Premio Sparti

L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti

The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.

Origami dragons and a story arcade! The joy of museums aimed at children

The article profiles the Story Museum in Oxford, a family-oriented museum designed to spark curiosity in arts and culture among children. It describes the museum's interactive galleries, including Small Worlds for under-fives, the Whispering Wood filled with fables, a temporary dragon-themed exhibition co-curated with author Cressida Cowell, and the Enchanted Library that takes visitors through the history of children's literature. The author recounts her toddler's joyful engagement with the hands-on exhibits, from playing digital Pooh sticks to exploring a Narnia-inspired wardrobe.

Widline Cadet brings first solo U.S. show to Milwaukee Art Museum

Widline Cadet presents her first solo U.S. museum exhibition, "Currents 40: Widline Cadet," at the Milwaukee Art Museum, on view through August 9. The show features her hypnotic triptych of photographs, her debut photography book "Seremoni Disparisyon (Ritual [Dis]Appearance)," and works across photography, installation, video, and ceramic that explore Black femininity, Haitian folklore, and the immigrant experience. Cadet, born in Haiti and raised in New York, has gained prominence through residencies at the Studio Museum in Harlem and publications in The New Yorker and Aperture Magazine.

WHAT IS SEAWORLD VENICE THE INSTALLATION AT THE BIENNALE THAT STAGES ECOLOGICAL AND SOCIAL COLLAPSE

Florentina Holzinger, an Austrian choreographer and performance artist, represents Austria at the 61st Venice Biennale with 'SEAWORLD VENICE,' an interdisciplinary installation curated by Nora-Swantje Almes. The work transforms the Austrian Pavilion into a hybrid space—part sacred building, underwater theme park, and sewage treatment plant—where visitors' bodily fluids flood the pavilion and sustain performers. Features include a jet ski as a monument to ecological catastrophe, robot dogs, a performer living in a water tank fed by urine, and a bell recovered from the lagoon that rings hourly to challenge patriarchal and religious authority. The installation runs through November 22 at the Giardini della Biennale.

Theodoros Papagiannis: Reusing Materials For Art’s Slow Arrow, As An Antidote To Barbarism

Theodoros Papagiannis, a Greek sculptor and professor, is the subject of a tribute exhibition titled "In Praise of Sculpture" at the Sianti Gallery in Athens. The show features works by eighteen artists, all graduates of the 1st Sculpture Workshop of the Athens School of Fine Arts, honoring Papagiannis as their teacher. In an interview, Papagiannis discusses his philosophy of reusing materials, the importance of memory in art, and his belief that art must remain rooted in tradition while engaging with the present. He also reflects on Greece's sculptural heritage, the influence of ancient works like the Elgin Marbles, and his ongoing project of drawing from Greece's archaeological museums.

The great Portuguese artist who reconstructs a Via Crucis for his exhibition in Venice

Il grande artista portoghese che per la sua mostra a Venezia ricostruisce una Via Crucis

Portuguese artist Pedro Cabrita Reis presents "XIV Steps" at the Magazzino del Sale 3 – Accademia di Belle Arti di Venezia during the 61st Venice Biennale. The exhibition features a new cycle of fourteen diptychs inspired by the structure of the Via Crucis (Stations of the Cross), arranged in a linear, processional path that emphasizes rhythm, distance, and repetition. Developed with Luca Berta and Michael Short, the works blend painting, materiality, and spatial construction, using dense layers of violet, dark red, black, and orange punctuated by large black diagonals that evoke architectural elements and tension.

ON THE IM-POSSIBILITY OF COMMUNICATING. “DICHO A MANO”, BY FELIPE PINEDA

SOBRE LA IM-POSIBILIDAD DE COMUNICARSE. “DICHO A MANO”, DE FELIPE PINEDA

The exhibition "Dicho a mano" by Chilean artist Felipe Pineda, curated by Ayelén Ruiz at the Museo de Arte Contemporáneo de Santiago, explores the difficulty of communication when words fail, turning to the body and hands as alternative languages. Pineda draws on his migratory experience in London and references mutilated classical sculptures from the British Museum, while a recent theft of one piece adds an unexpected dimension. The show reflects on barriers in art and human connection, proposing that even failed communication carries a desire to be understood.

Hubert Robert & Fragonard. Le sentiment de la nature

The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.

Take a Sneak Peek at Nick Cave and Marie Watt’s Obama Presidential Center Commission

Nick Cave and Marie Watt have collaborated on a multimedia textile installation commissioned for the Obama Presidential Center in Chicago's Jackson Park, set to open on Juneteenth. The piece, assembled in February, will be installed in the Center's lobby alongside works by Jenny Holzer, Jack Pierson, Kiki Smith, and Idris Khan. Virginia Shore, an independent advisor and curator, spearheaded the commissions, and Louise Bernard serves as the founding director of the Center's museum.

CLAUDIA JOSKOWICZ: “BOLIVIA IS A LANDSCAPE I UNDERSTAND INSTINCTIVELY”

CLAUDIA JOSKOWICZ: “BOLIVIA ES UN PAISAJE QUE COMPRENDO INSTINTIVAMENTE”

Claudia Joskowicz, a Bolivian visual artist with a 26-year career, discusses her recent exhibition "Artificios" at the Centro Cultural de España in La Paz. In this interview, she explores how myth, memory, and history intersect in the construction of the Santa Cruz imaginary, drawing on intimate memories, popular stories, and episodes linked to drug trafficking in 1980s tropical Bolivia. Joskowicz, who works across video and photography, describes her practice as a pedagogy of territory—a way to understand her country by revealing hidden tensions beneath official history.

“Paroles, Paroles” at Centre d’Art Contemporain—la synagogue de Delme

The article announces the group exhibition “Paroles, Paroles” at the Centre d’Art Contemporain—la synagogue de Delme, featuring six artists, performers, and poets (including one duo). The show examines how language—its words, accents, and expressions—reflects political, social, and technological shifts, and how linguistic hybridization, transformation, and adaptation reveal both freedoms and constraints.

L’artista multidisciplinare Francesco Impellizeri protagonista di un nuovo appuntamento de I Martedì Critici. Il video

Francesco Impellizeri, a multidisciplinary artist born in Trapani in 1958, is the subject of the third seasonal appointment of "I Martedì Critici," a series of meetings curated by Alberto Dambruoso and Loredana Rea. The article explores Impellizeri's career, which began in the mid-1980s and blends painting, music, photography, and performance into a distinctive, eccentric language. His work often uses paradox and sarcasm to critique contemporary stereotypes, as seen in performances like "Desfilè: mannequin per nient" and his series of "Pensierini"—childlike notebook pages that address political and social themes. His exhibitions span from the Fondazione Bevilacqua La Masa in Venice to the Museo Reina Sofía in Madrid and the Museo del Barrio in New York.

Five-Minute Tours: "FOUR, AFTER ALL" at Throughline, Houston

Glasstire's Five-Minute Tours series highlights "FOUR, AFTER ALL," an exhibition at Throughline in Houston running from April 4 to May 3, 2026. The show features four Venezuelan women artists—Luisa Duarte, Carolina Otero, Gabriela Gamboa, and Toña Vega—whose works span paper, video, sculpture, and mixed media. Their art collectively explores memory, territory, and the interconnectedness of shifting energies, treating materials as witnesses and archives of personal and collective histories.

“Quiet Intersections,” June 5 through July 31

Four Chicago-based artists—Allie Kushnir, Shalen Stephenson, Thérèse Mulgrew, and Noel Mercado—will present concurrent solo exhibitions at Dubuque's Voices Studios from June 5 through July 31, under the collective title "Quiet Intersections." Each artist explores themes of memory, materiality, and contemporary life through distinct media: Kushnir's organic paintings, Stephenson's layered abstractions, Mulgrew's figurative works, and Mercado's found-object sculptures. An opening reception with an artist talk is scheduled for June 5.

Upstate Art Weekend Founder Helen Toomer Curates “Earthen Plot” in Kingston

Upstate Art Weekend (UAW) founder Helen Toomer has curated her first group exhibition for the event, titled “Earthen Plot,” on view at UAW Headquarters in Kingston through June 29. The show features 37 artists selected from the 200 participants in UAW’s recent Open Studios, presenting works in painting, photography, sculpture, installation, and mixed media that explore connections to place. Notable pieces include Manju Shandler’s oversized turtle sculpture *Tiger Woods* (2025) and ceramic works by Kathy Ruttenberg, Ashley Lyon, and others. UAW 2026 runs from June 25 to June 29.

There’s no place like Dome

Oakland's The Dome Center for Art, Music and Dance, a live/work community founded in 1976 by sculptor Peter Voulkos and ceramicist Marilyn Levine, is the subject of its first major museum exhibition. Titled "The Dome Show," the exhibition is on view at San Francisco's di Rosa Center through September 12, featuring works by Voulkos, Levine, Bella Feldman, Tom Holland, and other artists from the complex's four generations of Bay Area artists. The show was co-curated by di Rosa executive director Kate Eilertsen and curator Twyla Ruby after a visit to The Dome inspired them.

From art school to soccer pitch: Peter Robinson's six-decade career celebrated in new exhibition in Glen Ellyn

The Daily Herald reports on a new exhibition in Glen Ellyn celebrating the six-decade career of artist Peter Robinson, whose work spans from his art school training to unexpected subjects like soccer pitches. The show highlights the breadth of his practice and his enduring creative output over sixty years.

A fairy-tale exhibition in Milan: the paintings look like Disney film sets

A Milano una mostra da fiaba: i quadri sembrano scenografie da film Disney

The Galleria Gaburro in Milan is presenting a solo exhibition of British artist Iain Andrews, titled "Whispers from the Red Room." The show features over 30 paintings and a handcrafted diorama, the "Diorama del Leviatano," which Andrews uses as a source of inspiration. His work blends fairy-tale and nightmare imagery, drawing on his background as a psychotherapist specializing in childhood trauma. The paintings evoke the visual language of Disney films and Rococo art, with oil and acrylic works that range from large immersive canvases to small, intricate panels.

Meet Three of the Artists in the Emmanuel Art Gallery’s 150th Anniversary Exhibition

The Emmanuel Art Gallery on Denver's Auraria Campus is celebrating its 150th anniversary with the exhibition “Come Together: 150 Years of the Emmanuel.” The gallery, originally built as an episcopal chapel in 1876, has served as a synagogue and an artist's studio before becoming a gallery in 1973. The article profiles three local artists featured in the show: Isabella Briganti, a former student worker at the gallery now showing her drawings; Carlos Frésquez, who had his first professional show there in 1976 and has since become an internationally exhibited artist; and Max Kauffman, a Denver-based painter whose work explores folk imagery and the history of the building.

The Women of Grigory Gluckmann on Display at the Archaeological Museum of Aosta

Le donne di Grigory Gluckmann in mostra al Museo Archeologico di Aosta

The Museo Archeologico Regionale di Aosta is hosting the first Italian exhibition dedicated to Grigory Gluckmann (1898–1973), a Belarusian-born American painter. Curated by Daria Jorioz and Valeria Gorbova, the show, titled "Grigory Gluckmann. Tra luce e grazia," runs until June 2, 2026, and features works centered on the female figure. Gluckmann's career spanned Russia, Berlin, Florence, Paris, and the United States, and his style blends Renaissance techniques with modern sensibility.

“Pedagogies of War” at Museo Nacional Thyssen-Bornemisza, Madrid

The TBA21 Foundation and the Museo Nacional Thyssen-Bornemisza in Madrid present "Pedagogies of War," the first solo exhibition in Spain by Ukrainian artists Roman Khimei and Yarema Malashchuk. Curated by Chus Martínez, the show runs from March 3 to June 21 and features four audiovisual works.

A MENTAL GARDEN HAITI AT THE VENICE BIENNALE 2026

Haiti presents Yelena’s Garden, an installation by artist Enock Placide, at the 61st Venice Biennale in 2026. Curated by Mario Savini and commissioned by Ambassador Gandy Thomas, the work combines canvases, a double-sided panel, a glass sphere, and a video within an open hexagonal structure, exploring themes of perception, time, and space. Placide, a Haitian-born artist with a background in physics and mathematics, uses the installation to create a mental garden that invites viewers to generate ever-changing configurations.

Daura Museum of Art exhibits work of local artists this summer

The Daura Museum of Art at the University of Lynchburg is exhibiting works by local artists Laura Reed Howell and the late Georgia Weston Morgan through July 17. Morgan, a pioneering female painter from Lynchburg who studied in Paris and had her portrait accepted into the Paris Salon, is honored in Gallery I with a curated exhibition by museum assistant Thomas Canard. Howell’s award-winning plein air paintings are displayed in Gallery II, and she will give an artist talk on May 22.