Get a taste of the beautiful game through art at exhibits across LA

The article highlights several art exhibitions and installations across Los Angeles that celebrate soccer and sports culture in anticipation of the World Cup. Featured works include Lyndon J. Barrois Sr.'s "Fútbol is Life" at LACMA, featuring miniature sculptures made from chewing gum wrappers depicting historic soccer moments; Pelle Cass's "Play!" at Union Station's Metro Art Passageway Gallery, showing densely layered timelapse photographs of athletes; and Mark Dean Veca's mural "Miracle of La Brea" at the new Wilshire/La Brea Metro Station, which traces the history of the Miracle Mile. The piece also notes the recent opening of the David Geffen Galleries at LACMA and upcoming museums like Refik Anadol's Dataland and the Lucas Museum of Narrative Art.

Block Museum exhibition features contemporary art by five MFA candidates

Northwestern University's Block Museum of Art is hosting the exhibition "We can make any two stories touch," featuring contemporary works by five second-year MFA candidates in the art theory and practice department: Lamia Abukhadra, Pegah Bahador, naakita f.k., Przemek Pyszczek, and Gabby Banks. The show, running through June 14, includes portraits, films, and mixed-media pieces. Gabby Banks presents three portraits of living Black figurative painters Kerry James Marshall, Jordan Casteel, and Amy Sherald, painted in their respective styles. Przemek Pyszczek explores legacy with works like "My Father Winning Gold at the 1984 Los Angeles Summer Olympics (No Boycott Version)" and a wooden Olivier salad sculpture. naakita f.k. addresses resource extraction in "Porous Bodies," using dust from deep-sea mining and copper mine samples from the Democratic Republic of the Congo.

Fashion and art of Africa conquer Paris: 3 exhibitions in a single museum

Moda e arte dell’Africa conquistano Parigi: 3 mostre in un unico museo

The Musée Quai Branly in Paris is hosting "Africa Fashion," an exhibition originally produced by the Victoria and Albert Museum in London in 2023. Adapted for the Parisian venue, the show draws on the museum's rich historical and photographic collections to explore African fashion from decolonization to the present, featuring clothing, textiles, music videos, and archival photography from across the continent.

A Como sta per arrivare una grande mostra su William Turner e il Romanticismo inglese

A major exhibition on William Turner and English Romanticism is set to open on May 29 at Palazzo del Broletto and the Pinacoteca Civica in Como, Italy. Titled "Turner. L’incanto del lago di Como e del paesaggio italiano," the show features seven precious watercolors inspired by Turner's travels to the Lake Como region, alongside an immersive film produced by Tate Digital. The exhibition traces Turner's stylistic evolution from his 1819 sketches to later chromatic studies from 1842-1843, and is organized by the City of Como in collaboration with the Tate in London.

Recensione, interviste e migliori stand della fiera d’arte contemporanea di Varsavia. Che cresce

Art Warsaw returns for its third edition, this time held in the historic Villa Róż, a former British embassy in Warsaw. The fair features 56 galleries, over 30 of which are international, and is co-founded by Joanna Witek-Lipka and Michał Kaczyński. The unconventional venue, with its blend of aristocratic luxury and Cold War-era bureaucratic spaces, is central to the fair's identity, offering an experience far removed from the typical white cube format. Galleries collaborated closely with organizers to adapt their presentations to the building's unique rooms, creating an atmosphere that balances a commercial fair with an exhibition project.

Rediscovering the Eternal City of the 1500s in the drawings of Maarten van Heemskerck. The exhibition in Rome

Riscoprire la Città Eterna del ‘500 nei disegni di Maarten van Heemskerck. La mostra a Roma

A major exhibition at Palazzo Poli in Rome, hosted by the Istituto Centrale per la Grafica, showcases a selection of drawings by Dutch artist Maarten van Heemskerck (1498–1574) from his so-called 'little sketchbook,' now held at the Kupferstichkabinett in Berlin. The show, titled 'Maarten van Heemskerck e il fascino di Roma' and running until June 7, presents the artist's meticulous studies of Roman antiquities made during his four-year stay in the city from 1532, offering a rare visual record of Renaissance Rome's ancient collections before and after the 1527 Sack of Rome.

Interview with Wallace Chan, the artist who created a bridge between Venice and Shanghai through water

Intervista a Wallace Chan, l’artista che attraverso l’acqua ha creato un ponte tra Venezia e Shanghai

Wallace Chan, the Hong Kong-born artist turning 70, has launched a dual-exhibition project titled "Vessels of Other Worlds" between Venice and Shanghai, curated by James Putnam. In Venice, the show runs concurrently with the Biennale at the Cappella di Santa Maria della Pietà (Vivaldi's church), featuring three titanium sculptures inspired by Catholic holy oils, surrounded by smaller works evoking water droplets. In Shanghai, the same sculptures appear at the Long Museum (West Bund) starting July 18, 2026, on a monumental scale—seven, eight, and ten meters tall—with a kaleidoscopic interior accessible through a door in the central piece. The exhibitions also include sound compositions by Brian Eno and reference Chan's earlier Venice shows (Titans, Totem, Transcendence).

8 Mind-Bending Digital and Art Exhibitions To Visit

LUXUO highlights eight immersive exhibitions that integrate digital technologies, AI, and sensory engagement to redefine contemporary art experiences. Featured venues include DATALAND in Los Angeles, the world's first museum dedicated to AI-generated art, opening in June 2026 with its inaugural show "Machine Dreams: Rainforest"; the Museum of the Future in Dubai, which uses narrative simulations to explore speculative futures; and Moco Museum Amsterdam's "Digital & Immersive Art" by Studio Irma, focusing on interactive light-based installations. Other exhibitions blend projection mapping, 3D environments, and data-driven installations to transform how audiences perceive and interact with art.

'The future of art': A first look at the video installation that'll light up LACMA's Wilshire bridge

Artist Diana Thater is creating a new permanent large-scale video installation titled "Oo Fifi, Five Days In Claude Monet’s Garden, Part 3" for the bridge over Wilshire Boulevard at LACMA's David Geffen Galleries. The piece, expected to debut in September, will run nightly from sundown to sunrise and features 6K footage Thater shot in 2025 of Claude Monet's garden in Giverny, France, projected onto a 59-foot-wide wall and part of the bridge ceiling. It will be the largest work of Thater's career and the first permanent outdoor video installation by an artist in a public space.

To Paint is to Love Again at Crèvecoeur, rive droite

Crèvecoeur gallery in Paris presents "To Paint is to Love Again," a group exhibition curated by artist Louise Sartor running from April 9 to May 27, 2026. The show brings together works by eleven artists: Geneviève Asse, Sadie Benning, Whitney Claflin, Anne-Lise Coste (Uruk), Jean Dubuffet, Jean Hugo, Ulalai Imai, Françoise Lapeyre, Louise Sartor, Li Shan, and Naoki Sutter-Shudo. The exhibition is documented with 49 images on Contemporary Art Daily.

Ukrainian art resists war

An exhibition titled "Still Joy" opened in Venice during the preview days of the Biennale, organized by the Pinchuk Art Center in Kiev, showcasing Ukrainian art that responds to the ongoing war with Russia. The show features works by artists including Kateryna Aliinyk, Piotr Armianovski, Roman Khimei and Yarema Malashchuk, Zhanna Kadyrova, Alevtina Kakhidze, and Nikita Kadan, addressing themes of resilience, memory, and resistance. The Ukrainian Pavilion at the Biennale also centers on the conflict, with Kadyrova's work referencing the Budapest Memorandum. Many of these artists have chosen to remain in Ukraine despite the dangers, keeping the cultural scene alive.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

The Whitney Museum Raised $6.3 Million Last Night

The Whitney Museum of American Art raised $6.3 million at its annual benefit gala on Tuesday night, honoring artist Julie Mehretu, Board Chair Fern Kaye Tessler, and Director Emeritus Adam D. Weinberg. The event drew a crowd of artists, actors, musicians, and arts leaders, with a performance by Grammy winner Shaggy and a seated dinner at the museum's downtown flagship.

When Shells Become Weapons

Wenn Muscheln zu Waffen werden

Swedish artist Lotta Antonsson, born in 1963, presents her exhibition "I am Everything" at Fotografiska in Stockholm, featuring around 50 works that repurpose found black-and-white photographs from 1960s and 1970s fashion and lifestyle magazines. She overlays these images of women in objectifying poses with shells, stones, and crystals, creating assemblages that obscure faces or add threatening details like crystal vampire teeth on actresses Ali MacGraw and Jane Fonda. The show opened during the Stockholm Art Fair and draws on Antonsson's extensive archive, including East German erotic magazines sourced from Berlin flea markets.

Los Angeles’s new Hospital of Emotions pop-up gives artists keys to the asylum

The Hospital of Emotions, a new pop-up exhibition in Los Angeles, has transformed the defunct St Vincent Medical Center into a sprawling art experience. Curator Yaara Sachs, founder of House of Art and Dreams, selected around 70 artists through an open call to take over 80 spaces—including examination rooms and operating chambers—in the building, which is slated for renovation into a behavioral health center. Each artist received $4,000 for their project and up to $10,000 for materials. The exhibition is organized into thematic "departments" dedicated to emotional states such as joy, fear, anger, and sadness, aiming to guide visitors toward catharsis. Featured artists include Kamil Cazpiga (Cosmodernism), Guy "Dioz" Bloom, Pablo Thomas, and Napo, among others.

Interview with Ramuntcho Matta: Brion Gysin: The Last Museum Musée d’Art Moderne de Paris

The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.

A Napoli torna il Gallery Weekend tra Chiaia e centro storico: tante mostre e una nuova associazione di galleristi

The third edition of the Napoli Gallery Weekend is scheduled for May 22–24, 2026, spanning the Chiaia district and the historic center of Naples. This year’s key development is the formation of an association of organizing galleries—Acappella, Alfonso Artiaco, Andrea Ingenito Contemporary Art, Galleria Fonti, Gallerie Riunite, Galleria Tiziana Di Caro, Studio Trisorio, and Umberto Di Marino—aiming to coordinate openings, exhibitions, and special visits while strengthening the city’s contemporary art scene. Highlights include shows by Valentina Artone, Adam Pendleton and Antoni Tàpies, David Bowes, Edoardo Aruta, Martin Kippenberger at Galerie Gisela Capitain’s Naples space, Salvatore Emblema and Luisa Lambri, and a geopolitical group exhibition titled "Global Folklore."

Sophie Von Hellerman “After a Dream” at Greene Naftali, New York

Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.

First contemporary Indian art exhibition at State Hermitage Museum in Russia to begin June 4

The State Hermitage Museum in St. Petersburg, Russia, will host its first-ever exhibition dedicated to contemporary Indian art, titled "Sediments of Becoming: Fossilised Present, Summoned Pasts," opening June 4 and running through October 4. The show features 11 Indian artists—including Manjunath Kamath, Afrah Shafiq, Gargi Raina, Lakshmi Madhavan, V Ramesh, Anindita Bhattacharya, Debashish Mukherjee, Maya Krishna Rao, Pushpamala N, Ravinder Reddy, and Sumakshi Singh—and is presented in collaboration with Threshold Art Gallery, curated by Marina Schulz and Tunty Chauhan. The artists created new works during a 2025 residency at the Hermitage, supported by collectors Ekaterina and Andrey Terebenin, and the pieces are displayed in dialogue with historical objects from the museum's collections and other Russian institutions.

Russian Museum to host an exhibition with eleven Indian artists

The State Hermitage Museum in St. Petersburg will host its first contemporary Indian art exhibition, 'Sediments of Becoming: Fossilised Present, Summoned Pasts', opening June 4. Curated by Marina Schulz and Tunty Chauhan in collaboration with Delhi's Threshold Art Gallery, the four-month show features eleven Indian artists—including Afrah Shafiq, Ravinder Reddy, and Pushpamala N.—who have created new works responding to the museum's collections and architectural context.

Shenzhen International Museum of Art to open Saturday

The Shenzhen International Museum of Art (SIMoA) will officially open to the public on Saturday in the Guangming Science City district. The museum, covering approximately 135,000 square meters, features two hull-shaped structures symbolizing Eastern and Western cultures. Its opening day presents seven themed exhibitions, including 'Return of National Treasures' showcasing bronze animal heads from the Old Summer Palace, 'Realm of Masters' with European paintings from Budapest, and 'Neo Link — The Future of Art' featuring works by Anish Kapoor and Olafur Eliasson. Other exhibitions include a Xu Bing interactive space, the first Shenzhen Art and Technology Biennale, and selections from the CAFA Art Museum.

2026 Busan Biennale 'Dissident Chorus' turns its attention to sound amid an overexposure to the visual

The 2026 Busan Biennale, titled "Dissident Chorus," will open on August 29 across three venues on two of Busan's islands, featuring 44 artists and teams from 23 countries. Conceived as a "polyphonic score" in three movements, the biennale will take place at the Busan Museum of Contemporary Art on Eulsukdo Island, a former ship-equipment warehouse on Yeongdo Island, and the former Busan Nam High School. Co-directed by Evelyn Simons and Amal Khalaf, the exhibition deliberately emphasizes sound, performance, choreography, and club culture over traditional visual art objects, with artists including Joshua Serafin, Natasha Tontey, Eric Baudelaire, and Korean participants Park Hyun-sung, Suki Seo-kyeong Kang, and Lim Min-ouk.

Pilar Zeta Navigates the Beautiful Absurdity of Venice Biennale

Pilar Zeta navigates the Venice Biennale, offering her perspective on several standout exhibitions. She praises Anish Kapoor's show at Palazzo Manfrin as the strongest at the Biennale, describing it as a psychological distortion of space through mirrors and voids. She also highlights Antonio Canova's tomb at the Frari Basilica as a quiet counterpoint to Biennale excess, Marina Abramović's participatory exhibition at the Gallerie dell'Accademia, Jan Fabre's theatrical installation at the Scuola Grande di San Rocco, and an unnamed Dadaist performance blurring art and reality in the streets.

Iris van Herpen’s Sculptural Couture Responds to Nature at the Brooklyn Museum

The article covers the exhibition "Iris van Herpen: Sculpting the Senses" at the Brooklyn Museum, the Dutch couturier's first major American show. It features 140 haute couture creations alongside works from the museum's collection, fossils from the American Museum of Natural History, and specimens from the Yale Peabody Museum and Staten Island Museum. The exhibition is organized into eleven themed chapters, from water to cosmos, and includes new works like the aerial sculpture "Weightlessness of the Unknown" (2024) and the living algae piece "Living Algae look" (2025). Van Herpen pushed for close proximity between viewers and garments, emphasizing an immersive experience.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

At the Grand Palais, Hilma af Klint, a pioneer of abstraction

The article reports on an exhibition at the Grand Palais in Paris dedicated to Hilma af Klint, the Swedish artist recognized as a pioneer of abstract art. The show presents her visionary works, which predate those of better-known male abstractionists like Kandinsky and Mondrian.

Giorgio Vasari beyond the Lives: what the exhibition at the Capitoline Museums in Rome looks like

An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.

The Carnegie International Tests What “We” Still Means in a Fractured World

The 59th edition of the Carnegie International, the oldest survey of contemporary art in the United States, opens at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists and collectives from around the world and 36 newly commissioned works. Curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, the exhibition is titled “If the word we,” developed in collaboration with writer Haytham el-Wardany, and for the first time partners with local institutions including the Children’s Museum of Pittsburgh, Kamin Science Center, Mattress Factory, and the Thelma Lovette YMCA to engage different segments of the city’s community.

South London Gallery marks its 135th anniversary with SLG Forever exhibition at Christie’s

The South London Gallery (SLG) is celebrating its 135th anniversary with 'SLG Forever,' a special fundraising exhibition in partnership with Christie’s. Open to the public in London from 5–25 June 2026, with an online component until 30 September, the show features donated works by over 25 major British and international artists, including Tracey Emin, Antony Gormley, Edmund de Waal, Yinka Shonibare, and Firelei Báez. The exhibition launches alongside the SLG Forever campaign, which aims to raise £2 million to support building upgrades, new commissions, and the expansion of the gallery’s Communities & Learning programmes.

The Kiran Nadar Museum of Art and Christie's Unveil 'The Meeting Ground: Scenes from the KNMA Collection' - Christie's

The Kiran Nadar Museum of Art (KNMA) in New Delhi and Christie's London have announced a major institutional exhibition titled 'The Meeting Ground: Scenes from the KNMA Collection,' running from 16 July to 21 August 2026 at Christie's King Street. The show brings together modern and contemporary works alongside folk and indigenous art from South Asia, curated by Akansha Rastogi with a team of curators. It features artists such as M.F. Husain, S.H. Raza, Zarina Hashmi, and Jangarh Singh Shyam, and is part of KNMA's ongoing international programme.