The Musée d’Orsay in Paris has turned the yearlong restoration of Gustave Courbet’s monumental 22-foot painting 'A Burial at Ornans' into a public spectacle, allowing visitors to watch conservators at work. The museum demystifies art conservation by making the meticulous process transparent and accessible, inviting audiences to observe the cleaning, repair, and analysis of the 19th-century masterpiece in real time.
Anicka Yi, an artist known for exploring the intersection of biology and technology, has created a new installation at Storm King Art Center. The work features muck-filled columns that examine pond scum and other microscopic life-forms, using them as a lens to question humanity's role in the natural world. The installation is described as a kind of laboratory where Yi investigates the agency and intelligence of non-human organisms.
LA FUERTE PRESENCIA DE ARTISTAS INDÍGENAS GUATEMALTECOS EN LA BIENAL DE SYDNEY
The 25th Sydney Biennale, titled "Rememory" and curated by Hoor Al Qasimi, centers on colonialism and historical reparation, featuring a strong presence of Indigenous and First Nations artists. Notably, five Maya artists from Guatemala—Sandra Monterroso, Angélica Serech, Ángel Poyón, Fernando Poyón, and Edgar Calel—are participating, exploring ancestral knowledge, community practices, and tensions between Indigenous cosmologies and modernity. Their work engages with Australian debates on Indigenous sovereignty and colonial repair, challenging historical institutional representation.
Jonathas de Andrade's solo exhibition, titled "Ivresse d’une vie de bain de mer," is on view at Galleria Continua in Paris. The show brings together recent and never-before-seen works inspired by Brazilian Neo-Concretism and geometric abstraction. Andrade transforms vernacular forms into chromatic compositions, drawing from a project initiated after a 2025 commission from the Victoria and Albert Museum. The works engage with the materials and practices of maritime communities in northeastern Brazil, particularly canoeiros and jangadeiros (fishermen and raft sailors). The exhibition includes the film "Jangadeiros e Canoeiros" (2025), along with silkscreens, recycled sails, and paintings on wood, blending photography, abstraction, and readymade elements.
T Venkanna, an Indian painter known for his sexually explicit and mythologically-infused works, is the subject of his first institutional solo show. The exhibition features an altarpiece shaped like a juvenile phallus, populated with scenes of graphic copulation, including figures from Hindu mythology and Adam and Eve. Venkanna draws inspiration from ancient Indian temple sculptures, which he says depict similar acts, and his work challenges the disparity between puritanical religious doctrine and licentious reality. The artist, who grew up as the son of a Hindu priest, has faced death threats and accusations of blasphemy in India for his provocative imagery.
London Gallery Weekend 2026 will take place from June 5 to 7, featuring over 120 galleries across the city, including nine first-time participants and several with new or expanded spaces. The free, open-to-all event is organized by geographic focus days: Central London on Friday, South London on Saturday, and East London on Sunday, with participating galleries open from 11am to 6pm on Friday and Saturday, and 12pm to 5pm on Sunday. Highlights include Gagosian showing rare early works by Christo, Niru Ratnam presenting Keith Piper, Sadie Coles HQ screening new films by Helen Marten, and Victoria Miro debuting Shahzia Sikander's first exhibition since announcing representation.
Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.
The article follows the author's undercover experience during New York Art Week, focusing on the simultaneous openings of Frieze New York and TEFAF New York in May. Frieze, held at The Shed in Hudson Yards, features contemporary galleries from 28 countries, while TEFAF at the Park Avenue Armory offers a mix of contemporary art, antiques, and Old Masters. The author highlights standout works, including Kelly Sinnapah Mary's solo presentation at James Cohan and Aki Goto's dental installation at Gallery G, and notes the packed schedule of talks, gallery openings, and museum galas.
Fairfield University Art Museum will present "James Welling: Cento," a major exhibition of over 60 photographs by the renowned contemporary photographer, from September 25 to December 12, 2026. The show focuses on the classical world, featuring images of ancient Greek and Roman architecture and statuary, printed on plastic sheets and hand-altered with oil paint and pigment. It includes works from the Cento series (2019-2021) and the Personae series (2021-2022), alongside historic plaster casts from the museum's collection.
The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys" and curated by Artistic Director Koyo Kouoh, opened in Venice in 2026, running through November 22 at the Giardini, Arsenale, and various city locations. The main exhibition features 110 invited artists, collaborative duos, collectives, and artist-led organizations, realized by Kouoh's team after her passing in May 2025. Alongside 100 National Participations in historic pavilions, 31 Collateral Events and independent projects are on view. Art & Object highlights eight standout shows, including Lu Yang's immersive digital installation "DOKU The Illusion" at Espace Louis Vuitton, Oriol Vilanova's postcard-based "Los restos" at the Spanish Pavilion, and JR's photographic reinterpretation "Il Gesto" at The Venice Venice Hotel.
The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.
The second edition of Vima, Cyprus' emerging international art fair, took place in Limassol from May 15-17, 2026, drawing 5,200 visitors and featuring 26 invited galleries from over 20 countries. Artworks sold ranged from €550 to €90,000, reflecting increased sales from the inaugural 2025 edition. Highlights included a special exhibition curated by Kostas Stasinopoulos titled "The Crashing Waves," performances by Scottish choreographer Magnus Westwell, and notable presentations by galleries such as Cut Art Gallery (Riga) and Eins Gallery (Limassol). The fair also hosted 25 events including talks, live music, and off-site shows across Limassol and Nicosia.
Pace Gallery in London is presenting an exhibition by Japanese artist Kenjiro Okazaki titled 'Never could be any other way — anagnorisis'. The show features Okazaki's latest works, which explore themes of recognition and revelation through his distinctive blend of painting, drawing, and conceptual practice.
Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.
British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.
The High Museum of Art in Atlanta opens "Amy Sherald: American Sublime" on May 15, a mid-career retrospective featuring over 35 paintings from 2007 to 2024. The exhibition was originally scheduled to conclude at the National Portrait Gallery in Washington, D.C., but Sherald canceled that stop after a Trump administration executive order directed Smithsonian institutions to remove so-called "un-American content." The High Museum secured the final slot after the Baltimore Museum of Art, following months of coordination with SFMOMA, Sherald's studio, and Hauser & Wirth. The show includes Sherald's portrait of Breonna Taylor and her iconic Michelle Obama portrait, organized into five thematic sections.
Chicago-born artist Nathaniel Mary Quinn, now based in Brooklyn, is opening his first museum show in his hometown at the National Public Housing Museum. Titled “Nathaniel Mary Quinn: A Love Letter to My Mother,” the exhibition runs from May 21 to August 23, 2026, and features 10 artworks alongside a recreation of his childhood living room in the Robert Taylor Homes. The show is dedicated to his late mother, who encouraged his early drawing on the apartment walls. Quinn, known for his collage-like portraits, recently created the album cover for the Rolling Stones’ upcoming album “Foreign Tongues.” The museum will also host community conversations about the history of the Robert Taylor Homes.
Photographer Catherine Opie is experiencing an extraordinary year in 2026, with multiple major exhibitions opening simultaneously across Europe and Los Angeles. A career-spanning survey at London’s National Portrait Gallery will travel to Edinburgh’s Royal Scottish Academy, while other shows appear in Kassel, Germany, and Trondheim, Norway. In Los Angeles, her new exhibition “Holding Blue” opens May 28 at Regen Projects, featuring 44 images of Norwegian mountain landscapes shot over 20 days in early 2024, accompanied by nine ceramic sculptures. Her work also appears in group shows at the Autry Museum of the American West, Hauser & Wirth, and David Zwirner. Opie, who retired from UCLA after serving as chair of the art department and teaching photography for more than 20 years, describes this period as the “Catherine Opie World Tour 2026.”
The Mississippi Museum of Art in Jackson is presenting an exhibition titled "Photography and the Black Arts Movement, 1955-1985," running from July 25 to November 8. The show features over 100 photographs from more than 100 photographers, including works by Ralph Arnold, Ernest Withers, Ming Smith, Kwame Brathwaite, Doris Derby, Horace Ové, and Barkley L. Hendricks. The exhibition spans editorial images, personal portraits, and collages that document the Black experience during the mid-20th century, from protest movements to cultural expression.
Henie Onstad Kunstsenter in Oslo, Norway, is presenting a solo exhibition titled "Ombres" featuring Stockholm-based artist Lap-See Lam, the fourth recipient of The Lise Wilhelmsen Art Award. The exhibition showcases major works from Lam's career, including two shadow play installations brought together for the first time as a single immersive installation, alongside new glass-blown sculptures created during her residency at CIRVA in Marseille. Lam's work interprets traditional storytelling forms like Cantonese opera and shadow plays to explore the translation and mistranslation of cultural heritage, tracing histories from 18th-century Chinoiserie to Chinese restaurants in modern-day Sweden, reflecting her family's migration from Hong Kong.
Lisson Gallery in London presents "Lubaina Himid and Magda Stawarska: Zanzibar," an immersive installation running from June 4 to August 22, 2026. The exhibition features nine diptychs painted by Himid in 1999, paired with a 38-minute multi-layered sound composition by Stawarska created in 2023. The works explore themes of memory, displacement, and belonging, drawing on Himid's birthplace in Zanzibar and her family's migration to London. The installation includes Taraab music, opera, archival BBC clips, and Himid's own voice, creating a multi-dimensional experience that reflects both artists' sense of loss and connection to their native countries.
MUNCH in Oslo presents "Paula Rego: Dance Among Thorns," the first comprehensive museum survey of the Portuguese-British artist in the Nordic region and her largest since the 2021 Tate Britain retrospective. The exhibition brings together over 140 works spanning seven decades, from early abstract political collages to the grotesque papier-mâché tableaux of her final years. A central section traces previously undocumented links between Rego and Edvard Munch, including the discovery of a never-before-exhibited work by Rego's son, Nick Willing. Highlights include Rego's monumental "Oratorio" (2008-09) and "The Dance" (1988), which curator Kari J. Brandtzæg connects to Munch's "Dance of Life" (1898-1899).
Sophie Calle's latest exhibition, 'Something Missing?' at the Louisiana Museum of Modern Art in Copenhagen, explores themes of absence, loss, and disappearance through works spanning 1979 to 2023. The show features series such as 'Because' (2018-2023), where embroidered felt sheets hide photographs; a response to Picasso's works swaddled during Covid lockdowns; 'The Blind' (1986), in which people born without sight describe beauty; and 'Voir la mer' (2011), capturing Istanbul residents seeing the sea for the first time. Calle's characteristic wit and emotional depth turn voids into vantage points, inviting viewers to confront what is missing.
The Dallas Museum of Art (DMA) will present "X Marks the Spot: Contemporary Screenprinting at Brand X Editions," an exhibition exploring the expressive possibilities of screenprinting through the work of the legendary New York City-based workshop Brand X Editions. Featuring over 70 works created over four decades, the show highlights collaborations between Brand X's master screenprinters and artists including KAWS, Rashid Johnson, Deborah Kass, Robert Indiana, Glenn Ligon, and Tschabalala Self. The exhibition opens on May 24, 2026, and runs through November 8, 2026, following its debut at the Philadelphia Museum of Art. It includes proofs, video, and interpretive materials to demystify the printmaking process, as well as new works created since the Philadelphia presentation.
The article presents a guide to 11 current museum and gallery exhibitions across the UAE, following the conclusion of Art Dubai 2026. Highlights include "Picasso, The Figure" at Louvre Abu Dhabi, which examines Pablo Picasso's reinvention of the human body through works from the Musée National Picasso–Paris; "From the Perspective of Language" at The Third Line, featuring Sara Naim's paintings and video work; and "Move, pause, return" at Gallery Isabelle, marking its 20th anniversary with daily unveilings by artists including Hassan Sharif and Mohammed Kazem. Other notable shows include "Reflections: Modern and Contemporary Art from the Villain Collection" at Bassam Freiha Art Foundation.
Judith Murray's solo exhibition 'Pure Pleasure' is on view at Sundaram Tagore Gallery in New York. The show presents a selection of the artist's vibrant, abstract paintings that explore color, form, and sensory experience.
The article announces four upcoming art exhibitions in the Berkshires region of Massachusetts. At The Mount in Lenox, the 2026 Sculpture at The Mount exhibition titled "Flourish" runs from May 24 to October 24, featuring outdoor sculptures exploring growth, resilience, and connection. In Great Barrington, Childs + Clark Gallery opens "Glass Half Full: Hope, Happiness & Resilience" on May 23, inviting artists to respond to contemporary overwhelm. Also in Great Barrington, Lauren Clark Fine Art presents "In Celebration of the Fine Art Print" from May 23 to July 12, showcasing 18 artists working in print media. At Gallerie 271 in Monterey, "Two to Tango" features works by Jaye Alison and Bill Carlson from May 22 to July 4.
The Vancouver Art Gallery (VAG) has opened 'Future Geographies: Art in the Century of Climate Change,' an exhibition curated by Eva Respini that brings together artists from British Columbia, Canada, and beyond to imagine futures shaped by the climate crisis. The show features dozens of works created within the last 25 years, including large sculptures from repurposed waste like Liz Larner's 'Meerschaum Drift' and Brian Jungen's whale skeleton 'Cetology' made from plastic patio chairs, as well as John Akomfrah's three-channel film 'Vertigo Sea.' The exhibition runs at the VAG until January 10 before traveling to the Art Gallery of Ontario in March.
Jack White, frontman of the White Stripes, is opening a sculpture exhibition at Damien Hirst’s Newport Street Gallery in London. Titled “Jack White: THESE THOUGHTS MAY DISAPPEAR,” the show runs from May 29 to September 13 and features found-object sculptures, furniture designs, notebooks, and photography. White and Hirst first met in 2021 when White was opening a Third Man Records store near Hirst’s studio, and Hirst encouraged White to mount a show after seeing his artwork.
Artsy Editorial profiles ten artist-run galleries worldwide that are thriving despite the challenge of balancing gallery operations with active art practices. These spaces, founded and operated by working artists, leverage their founders' firsthand experience navigating the art world to curate distinctive programming and build meaningful client relationships. Examples include galleries in underserved neighborhoods in Thailand and other global locations, highlighting the diversity of this grassroots movement.