Aline Bouvy on Representing Luxembourg at the 61st Venice Biennale

Aline Bouvy, representing Luxembourg at the 61st Venice Biennale, will present an audiovisual essay titled *La Merde* in the Arsenale. The work explores the symbolic, political, and affective power of waste, using humor and abjection to reflect on contemporary conditions. Bouvy discusses the project's connection to the Biennale's theme, "In Minor Keys," and its focus on bodily processes, circulation, and societal repression. She also recalls the 1995 pavilion *Potemkin Lock* by Bert Theis, which marked Luxembourg's first Biennale participation.

Antonio José Guzmán and Iva Jankovic on Representing Panama at the 61st Venice Biennale

Antonio José Guzmán and Iva Jankovic, working as the duo Messengers of the Sun, will represent Panama at the 61st Venice Biennale in 2026. Their project, titled *Tropical Hyperstition*, is an installation and performance piece that explores the forced displacement and segregation of Panamanians and immigrants during and after the construction of the Panama Canal. The work features a 20-meter-long handwoven indigo-dyed hammock and patchwork textiles combining archival photographs with genetic and geometric motifs, all housed in the Panama Pavilion at the Arsenale. The artists draw on personal and collective experiences of structural injustice rooted in Panama’s Canal Zone history, addressing colonial legacies, racialized progress, and imperial extractive logics.

À la Biennale de Venise, le pavillon de l’Ouzbékistan fait revivre la mer d’Aral

The Uzbekistan Pavilion at the 61st Venice Biennale, curated around the figure of author Allayar Darmenov, brings together artists including Vyacheslav Akhunov, Zi Kakhramonova, A. A. Murakami, Zulfiya Spowart, and Nguyen Phuong Linh to explore the ecological disaster of the Aral Sea. Once the world's fourth-largest lake, it was drained by Soviet irrigation projects for cotton farming; the pavilion's installations—such as Kakhramonova's participatory salt-fish molding piece and Spowart's cradle-like sculpture—imaginatively revive the vanished sea and its endemic species.

Between memory and myth: inside WITH MY ROOTS Iranian Contemporary Art Biennale

The sixth edition of the Iranian Contemporary Art Biennale, titled WITH MY ROOTS, has opened at Mall Galleries in London, featuring works by Iranian and diaspora artists across painting, photography, sculpture, installation, and video. The exhibition explores themes of identity, displacement, and cultural continuity against a backdrop of ongoing conflict and political uncertainty, with standout pieces by Soheila Golestani, Paria Shahverdi, Sahaar (Sahar-Khosrojerdi), Negin Baghery, Mohammaz Reza Zabihi, and Dina Abdose.

On the Pistoia Apennines, OCA - Oasy Contemporary Art opens the new season with Arne Quinze

OCA - Oasy Contemporary Art and Architecture in the Pistoia Apennines has opened its 2026 season, featuring Belgian artist Arne Quinze. Quinze presents the outdoor installation *Ceramorphia* (previously shown at the 2024 Venice Biennale) and the solo exhibition *I'm a Gardener*, which includes paintings and works on canvas. The installation, made of ceramic forms, reinterprets nature rather than copying it, while the exhibition explores the relationship between humans and biodiversity. The season began on April 25, 2026, under the artistic direction of Emanuele Montibeller.

Exhibitions to See: Agenda for 25–29 May 2026

The article presents a curated agenda of art exhibitions to visit from 25 to 29 May 2026, listing shows across multiple cities. It is published by an Italian online magazine registered in Naples, with Lorenzo Crea as director and Visio Adv as publisher.

World-renowned photographer Roger Ballen will visit Latvia with a lecture at ISSP and a retrospective exhibition at the Mark Rothko Art Centre

World-renowned photographer Roger Ballen will visit Latvia in June 2025 for a public lecture at the contemporary photography platform ISSP in Riga, followed by a major retrospective exhibition titled "The Other Mind: Roger Ballen. Retrospective" at the Mark Rothko Art Centre in Daugavpils. The lecture, held on June 6, offers a rare opportunity to hear Ballen discuss his creative process and over fifty years of work, while the exhibition, running from June 5 to August 30, spans his career from early documentary works to his signature "documentary fiction" and recent color photography.

The ECC Italy’s Venice Exhibition Demonstrates the Power of ‘Conscious Intermingling’

The ECC Italy has opened a new exhibition in Venice titled 'Conscious Intermingling,' showcasing works that explore cross-cultural dialogue and artistic exchange. The show brings together contemporary artists from diverse backgrounds, emphasizing collaborative and hybrid creative practices that transcend national and cultural boundaries.

24 Hours with Jewel at the 2026 Venice Biennale Festival

Singer-songwriter Jewel has transformed into a multimedia artist, presenting a solo exhibition titled '24 Hours with Jewel' at the 2026 Venice Biennale. The show features 34 new works, including paintings, sculptures, and kinetic installations, with the centerpiece 'Heart of the Ocean'—an eight-foot kinetic sculpture created in collaboration with scientists from NASA, NOAA, Stanford, and UC Berkeley that translates real-time oceanographic data into light and sound. V Magazine followed Jewel for 24 hours as she prepared for her Biennale debut, documenting her day from rooftop meditations and water taxi rides with her son to private patron tours and an opening night performance in a custom Schiaparelli dress.

JUNKANOO IN VENICE ART MEMORY AND POSTHUMOUS COLLABORATION AT THE BAHAMAS PAVILION

The Bahamas Pavilion at the 2026 Venice Biennale presents "In Another Man's Yard," an intergenerational exhibition curated by Dr. Krista Thompson featuring works by the late John Beadle (1964–2024) and Lavar Munroe. The show explores Junkanoo, the biannual Bahamian festival, through collaborative artmaking, discarded materials, and posthumous collaboration—including Munroe's monumental 11-panel painting based on photographs by Jackson Petit and works incorporating materials from Beadle's studio.

JUNKANOO EN VENECIA ARTE MEMORIA Y COLABORACION POSTUMA EN EL PABELLON DE BAHAMAS

The Bahamas presents its second pavilion at the Venice Biennale after a 13-year hiatus, featuring the exhibition "In Another Man's Yard" curated by Dr. Krista Thompson. The show brings together the late John Beadle (1964–2024) and Lavar Munroe in an intergenerational dialogue rooted in the Junkanoo festival tradition, exploring themes of collaboration, commemoration, and material transformation through discarded materials like cardboard and salvaged objects.

At the 2026 Biennale, the Bulgarian Pavilion Transforms into a Political Laboratory to Explore the Present

Alla Biennale 2026 il Padiglione della Bulgaria si trasforma in laboratorio politico per esplorare il presente

The Bulgarian Pavilion at the 2026 Venice Biennale, housed in the Sala Tiziano of the Centro Culturale Don Orione Artigianelli, has been transformed into a speculative political laboratory by The Federation of Minor Practices. Curated by Martina Yordanova, the project features an all-female group of artists—Veneta Androva, Gery Georgieva, Maria Nalbantova, and Rayna Teneva—whose four films serve as "signals" exploring tensions around ecology, media systems, disinformation, and collective responsibility. The pavilion is conceived as a research headquarters from the near future, open until November 22, 2026.

Ieva Lygnugarytė “Carmen: Utopias of Belonging” at Oratorio dei Crociferi, Venice

Artist Ieva Lygnugarytė presents "Carmen: Utopias of Belonging," a video installation at Oratorio dei Crociferi in Venice. The work reactivates a little-known story from 1523, when poet Nicolaus Hussovianus wrote "Carmen de Statura, Feritate ac Venatione Bisontis" as a diplomatic gesture for the Grand Duchy of Lithuania, intended to accompany a straw-stuffed European bison.

Joy Machine’s Feel Free Examines Order, Change, and the Limits of Control

Joy Machine's exhibition 'Feel Free' explores themes of order, change, and the limits of control through a series of artworks. The show presents a visual dialogue between structured systems and the unpredictable forces that disrupt them, inviting viewers to reflect on the tension between stability and transformation.

Resonating with the past: 3 Macau artists on ‘Jacone’s Polyphony’ at Venice Biennale

Three Macau artists—Fok Hoi Seng, O Chi Wai, and Lei Fung Ieng—are presenting works in the exhibition “Jacone’s Polyphony” at the 61st Venice Biennale. The show, curated by Feng Yan and Ng Sio Ieng, draws inspiration from the 17th-century Jesuit painter Wu Li (known in Portuguese as Jacone), whose unfulfilled journey to Rome mirrors Macau’s complex cultural identity. Fok contributes a large-scale screen tracing Wu Li’s intended route; O offers a multimedia installation linking past and present spiritual seeking; and Lei creates a sculpture exploring migration and emotional texture.

Lucia Pietroiusti and Filipa Ramos Named Convenors for Norway’s Bergen Assembly

Bergen Assembly, the triennial art platform in Bergen, Norway, has named Lucia Pietroiusti and Filipa Ramos as convenors for its 2028 edition. The duo, known for their collaborative project “The Shape of a Circle in the Mind of a Fish,” will conduct part of their research publicly and work closely with the city. Pietroiusti is curator of the Sixth Autostrada Biennale and founder of Serpentine Gallery’s General Ecology initiative; Ramos teaches at FHNW Academy of Art and Design and is curator of the 2027 Lofoten International Art Festival. A “Prelude” event begins September 12, 2025.

A MENTAL GARDEN HAITI AT THE VENICE BIENNALE 2026

Haiti presents Yelena’s Garden, an installation by artist Enock Placide, at the 61st Venice Biennale in 2026. Curated by Mario Savini and commissioned by Ambassador Gandy Thomas, the work combines canvases, a double-sided panel, a glass sphere, and a video within an open hexagonal structure, exploring themes of perception, time, and space. Placide, a Haitian-born artist with a background in physics and mathematics, uses the installation to create a mental garden that invites viewers to generate ever-changing configurations.