Two Growing London Galleries Launch Second Spaces—and More Art Industry News

The art world is seeing a wave of institutional shifts and physical expansions, headlined by the appointment of Melissa Chiu as the new director of the Guggenheim Museum in New York. In London, galleries Edel Assanti and Emalin are both expanding their footprints with new locations, while the National Gallery has selected Kengo Kuma for a massive £350 million extension project. Meanwhile, the European Commission has threatened to pull €2 million in funding from the Venice Biennale unless it reverses its stance on Russian participation.

Weekly News Roundup: April 16, 2026

The art landscape in Asia is undergoing significant shifts with Art Basel renewing its five-year commitment to Hong Kong and the Centre Pompidou announcing a June opening for its new Seoul branch. Meanwhile, the Ayala Foundation unveiled designs by architect Kulapat Yantrasast for Kontempo, a major new contemporary art center in Manila slated for 2028, and the Kochi-Muziris Biennale appointed Jitish Kallat as president following the resignation of cofounder Bose Krishnamachari.

Rirkrit Tiravanija to Assemble “A Gathering of Remarkable People” for Qatar Pavilion at Venice Biennale

Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.

First Details of the German Pavilion

Erste Details zum deutschen Pavillon

The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.

A Data Analysis of the 2026 Venice Biennale Signals a Shift to the Present

The 2026 Venice Biennale, titled "In Minor Keys," marks a significant pivot from the historical revisionism of recent editions toward a focus on contemporary, mid-career artists. Posthumously realized based on the vision of the late Koyo Kouoh, the exhibition features 111 participants, including a notable inclusion of artist-led organizations from Africa. Data analysis reveals a balanced demographic split between the Global North and South, moving away from the retrospective focus of predecessors like Adriano Pedrosa and Cecilia Alemani to prioritize living artists and subtler, emotional themes.

Brian Eno, FKA Twigs, Jim Jarmusch Among Sound Artists Commissioned for Vatican Pavilion at Venice Biennale

The Vatican has announced a star-studded lineup of musicians and artists for its pavilion at the 2026 Venice Biennale, titled "The Ear Is the Eye of the Soul." Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the exhibition features commissioned sound works from figures including Brian Eno, FKA Twigs, Patti Smith, and the late Alexander Kluge. The project is inspired by the 12th-century mystic Saint Hildegard of Bingen and will be staged across two historic Venetian locations: the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice.

Stasis field

Dublin’s Kerlin Gallery is hosting "Stasis field," a solo exhibition by Kathy Prendergast featuring sculpture, works on paper, and installations. The show highlights Prendergast’s long-standing fascination with cartography, where she subverts traditional maps using materials like textile, chalk, stone, and hand-applied pigments. Key works include hand-painted volcanic maps and a three-meter-high painted branch, all created through the artist's signature methodical and repetitive hand-crafting processes.

Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

Merike Estna on Representing Estonia at the 61st Venice Biennale

Artist Merike Estna will represent Estonia at the 61st Venice Biennale in 2026 with a project that transforms the national pavilion into an active, open studio. Eschewing the display of finished products, Estna plans to start with empty canvases and complete a series of 22 paintings over the course of the exhibition, allowing visitors to witness the "living" process of creation.

Genti Korini on Representing Albania at the 61st Venice Biennale

Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.

New exhibition ‘Personal Structures – Confluences’ to open in Venice in May 2026

The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.

untitled 2026 (a gathering of remarkable people)

The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.

Latin American Art: Structural Growth between Market and Institutions

Latin American Art: Structural Growth between Market and Institutions

Latin American contemporary art is experiencing structural growth and increased global visibility between 2024 and 2026, moving beyond speculative trends toward deep-seated institutional legitimacy. This shift is highlighted by the prominent inclusion of regional artists in major international platforms, most notably the 2026 Venice Biennale and the Pinault Collection. Key figures such as Rosanna Paulino, Adriana Varejão, and Paulo Nazareth are leading this movement, utilizing diverse media to explore themes of post-colonialism, racial violence, and ecological memory.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

Consonni Radziszewski Launches With a Three-City Footprint

Dealers Matteo Consonni and Dawid Radziszewski have merged their respective galleries, Madragoa in Lisbon and Galeria Dawid Radziszewski in Warsaw, to form a single entity: Consonni Radziszewski. The new gallery launched with a third physical space in Milan, timed to coincide with the city's art week and the Venice Biennale. This merger follows a three-year period of collaboration on art fair booths and joint artist representation, specifically for photographer Joanna Piotrowska.

FKA Twigs, Brian Eno and Dev Hynes to show in the Vatican Pavilion at the 2026 Venice Biennale.

The Vatican has unveiled the roster for its Pavilion of the Holy See at the 2026 Venice Biennale, featuring a high-profile multidisciplinary lineup. Curated by Hans Ulrich Obrist and Ben Vickers, the exhibition titled “The Ear is the Eye of the Soul” will showcase new works from 24 contributors, including FKA Twigs, Brian Eno, Devonté Hynes, Patti Smith, and Precious Okoyomon. The presentation aims to bridge the gap between contemporary art, music, and spirituality through a diverse array of creative mediums.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

European Commission Tells Venice Biennale to ‘Clear Its Name’ Regarding Russian Pavilion or Risk Losing $2.3 M. Grant for 2028

The European Commission has issued a 30-day ultimatum to the Venice Biennale, threatening to withdraw a €2 million ($2.3 million) grant for the 2028 edition unless the organization addresses concerns regarding the Russian Pavilion's inclusion in 2026. The Commission alleges that hosting a government-funded delegation violates EU sanctions and provides a cultural platform for Russian state interests amidst the ongoing war in Ukraine. The Biennale's president, Pietrangelo Buttafuoco, must respond by May 11, just two days after the exhibition's public opening.

New York’s Newest Triennial Lines Up 39 Artists for Star-Studded First Edition Along the Erie Canal

The Medina Triennial has announced the artist lineup for its inaugural edition, set to open on June 6 in the Western New York village of Medina. Curated by co-artistic directors Kari Conte and Karin Laansoo, the exhibition features 39 international and local artists, including Venice Biennale winner Lina Lapelytė, Taysir Batniji, and Tania Candiani. The event is centered around the Erie Canal and explores the theme "All That Sustains Us," focusing on ecology, sustainability, and community exchange.

Ukraine Sanctions Russian Culture Figures Linked to Country’s Participation in Venice Biennale

Ukrainian President Volodymyr Zelenskyy has issued a decree imposing sanctions on five Russian cultural figures involved in the Russian Pavilion for the 2026 Venice Biennale. The sanctioned individuals include pavilion commissioner Anastasia Karneeva, former culture minister Mikhail Shvydkoy, and three performers from the Intrada Ensemble. Ukrainian officials argue that these figures use international art platforms to legitimize Russian aggression and spread state propaganda, specifically citing past activities in occupied territories like Crimea and Donetsk.

The Politics of Russia’s Return to the Venice Biennale

Russia has announced its intention to return to the Venice Biennale in 2026, marking its first participation since the full-scale invasion of Ukraine in 2022. The proposed pavilion, titled "The Tree is Rooted in the Sky," plans to feature 38 participants from Russia and several Global South nations. The announcement has sparked intense backlash from the European Commission and culture ministers across 22 countries, who argue that Russia’s presence undermines democratic values and serves as a tool for "dark cultural diplomacy."

Biennale Jogja 18 Review: Occasional Moments of Brilliance

The 18th edition of Biennale Jogja, titled 'KAWRUH: Land of Rooted Practices,' explores Javanese concepts of lived knowledge and alternative epistemologies to challenge Western, human-centric frameworks. The exhibition is split into two phases: a process-driven residency in Boro Hamlet and a larger presentation featuring 60 artists across 11 venues in Yogyakarta. While the show features standout works like Faisal Kamadobat’s mythological illustrations and Yuta Niwa’s cross-cultural mandalas, the physical experience is marred by unfinished venues and logistical hurdles.

Thailand Biennale 2025 Review: Beyond the Tropical Paradise

The fourth Thailand Biennale, titled 'Eternal [Kalpa]', has launched across 19 venues in Phuket, aiming to challenge the island's reputation as a mere tropical leisure destination. Curated by a team including Hera Chan, the exhibition utilizes diverse locations—from municipal gymnasiums to mangrove forests—to explore themes of subjective time and local history. Despite logistical delays that saw some artists still installing works during the press preview, the biennial presents a series of site-specific commissions that engage with Phuket’s ecological and social complexities.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

European Commission Tells Venice Biennale to Ditch Russian Pavilion

The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.

In Venice, Su Xiaobai will fill a historic palazzo with works crafted in natural lacquer

Artist Su Xiaobai will present a major solo exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel as an official Collateral Event of the 61st Venice Biennale. Curated by Stephen Little of LACMA, the show features 35 works spanning two decades, highlighting Su’s transition from oil painting to the mastery of natural lacquer. The exhibition includes his latest series, "Niao Niao," which utilizes mineral and metallic powders to create monochromatic, ethereal surfaces that emphasize material spontaneity over rigid artistic control.

The Milan fair dedicating an entire day to reflecting on the state of Italian art: 8 straight hours of conversations

A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni

The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.

MAYA WATANABE IN A GROUP EXHIBITION AT THE HOSPEDALETTO COMPLEX IN VENICE

The In Between Art Film Foundation has announced "Canicula," the final installment of its "Trilogy of Uncertainties," set to open at the Ospedaletto Complex during the 2026 Venice Biennale. Curated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition features eight international artists, including Peruvian video artist Maya Watanabe, whose work investigates memory and the politics of representation. The show utilizes the unique architecture of the Ospedaletto’s church and music hall to create immersive environments exploring themes of environmental and political pressure.

Whitney Biennial Between Cuteness and Panic

Whitney-Biennale zwischen Niedlichkeit und Panik

The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.

OSCAR SANTILLAN TO REPRESENT ECUADOR AT THE 61ST VENICE BIENNALE

Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.