filter_list Showing 266 results for "Hall" close Clear
dashboard All 396 museum exhibitions 266article news 33article local 31article culture 28rate_review review 13person people 9trending_up market 5article policy 4gavel restitution 4candle obituary 3
date_range Range Today This Week This Month All
Subscribe

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.

An Abandoned Shipyard in Venice Is Getting a New Life Thanks to This Congolese Choreographer

Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance in a 16th-century shipyard complex in Venice that has been inaccessible since World War II and never open to the public. Commissioned by the nonprofit Scuola Piccola Zattere, the work will bring up to 500 people into the 32,291-square-foot open-air ruin for two nights during the 2026 Venice Biennale preview week. The rental fee from the performance will help stabilize and restore the floors of the historic Galeazze site.

‘A daring flash of pubic hair’: the extraordinary, monumental nudes of Sylvia Sleigh

A small London gallery, Malarkey, is exhibiting eight paintings by Welsh-born artist Sylvia Sleigh (1916–2010), including her monumental 1963 work *The Bridge*, which is now for sale. The show, curated by Daniel Malarkey, features Sleigh's earliest-known self-portrait and her first commission, alongside other nudes that challenge traditional objectification by portraying both sexes with dignity. Sleigh, who studied at Brighton School of Art and moved to New York with her second husband, critic Lawrence Alloway, reimagined classical poses like Giorgione's *Sleeping Venus* in modern settings, notably including a daring flash of pubic hair in *The Bridge*.

Seen a ghost? The eeriest images from Fotografia Europea – in pictures

Fotografia Europea, the international photography festival in Reggio Emilia, Italy, has opened with 20 exhibitions and related events under the theme 'ghosts of the moment'. The festival features works by artists including Tania Franco Klein, Giulia Vanelli, Felipe Romero Beltrán, and Salvatore Vitale, exploring themes of memory, migration, identity, and the unseen forces shaping contemporary life. The festival runs until 14 June 2026.

Collaged Denim Sculptures by Nick Doyle Unravel American Mythology

Brooklyn-based artist Nick Doyle creates large-scale wall sculptures using layered and bleached denim, exploring American mythology and its contradictions. His solo exhibition "Collective Hallucinations" at Perrotin features works such as stylized cacti, landscapes, tarot cards, and a fortune teller's shop, all rendered in denim. Doyle's practice began after finding a discarded roll of denim in 2018, which he saw as a metaphor for the complexities of American history, including slavery, masculinity, and Manifest Destiny.

Musée d’Orsay opens gallery dedicated to still-unclaimed works stolen by Nazis in WWII

The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

Summer Exhibitions Coming to West Texas & the Panhandle

Art galleries and institutions across West Texas and the Panhandle have announced their summer exhibition schedules. Highlights include the El Paso Museum of Art's "From the Collection: Portraiture, 1903-2021," featuring works by César Martínez, Edward Curtis, and Andy Warhol; Ballroom Marfa's solo show "Raven Halfmoon: Flags of Our Mothers" with colossal stoneware sculptures; and The Grace Museum in Abilene's "Memory Painters: The Art of Memories," showcasing Texas intuitive painters. Other venues include the Rubin Center for the Visual Arts, the Louise Hopkins Underwood Center for the Arts in Lubbock, and the Museum of the Southwest in Midland, with exhibitions spanning portraiture, student art, memory painting, and immersive installations.

Met Gala guests arrive on carpet in dramatic works of art

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, featured celebrities arriving in dramatic, custom outfits adhering to the dress code 'Fashion is art.' Notable attendees included Naomi Osaka in a Robert Wun white sculptural dress with red feathers and dripping red paint, Emma Chamberlain in a hand-painted Mugler gown by Miguel Castro Freitas, and co-chair Anna Wintour in a mint ensemble by Matthieu Blazy for Chanel. The event celebrated the opening of the Costume Institute's exhibition 'Costume Art.'

History of soccer exhibition open at Arlington museum ahead of FIFA World Cup

The Arlington Museum of Art has opened "More Than a Match," a large-scale exhibition exploring the history of soccer through World Cup memorabilia, historic jerseys, maps, and contemporary art. The show features items on loan from the National Soccer Hall of Fame, the University of Texas at Arlington's Special Collections, and the National Football Museum in Manchester, England. Highlights include a replica of the 2006 FIFA World Cup Trophy, a jersey worn by Pelé, and artworks by Andy Warhol, Kehinde Wiley, and Darío Escobar, as well as a mural by Dallas-based artist Colton Canava depicting Lionel Messi, Jude Bellingham, and Virgil van Dijk as saint-like figures. The exhibition runs through August 2, 2026, and is located near AT&T Stadium, which will host nine World Cup matches.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

Steel And Shadows Converge in “Larry Kagan: Men”

Louis K. Meisel Gallery in New York City will present “Larry Kagan: Men,” an exhibition of steel and shadow sculptures by artist Larry Kagan, opening May 9 and running through June 20. Kagan, a former engineer turned sculptor, creates intricate steel assemblages that, when lit from a calculated angle, project remarkably detailed shadow images onto the wall, blending material and illusion. The show includes works like “Michelangelo's Adam” (2025) and highlights his career shift from acrylics to metal in the 1980s under the mentorship of Richard Stankiewicz.

Brendan Fernandes animates a century-old Chicago auditorium through dance

Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.

Dale Chihuly Is Synonymous With Seattle. But Venice Gave Him a Medium, a Career Blockbuster, and a Son.

Dale Chihuly returns to Venice with "Chihuly: Venice 2026," a public exhibition marking the 30th anniversary of his landmark 1996 project "Chihuly Over Venice." The new show features three large-scale glass sculptures installed along the Grand Canal, viewable from the Accademia Bridge, at Palazzo Franchetti, Palazzo Querini alla Carità, and Palazzo Balbi-Valier Sammartini. The article also recounts Chihuly's 1968 Fulbright-funded study at Venini, where he learned Murano glassblowing and embraced glass as his primary medium, and reveals that his son Jackson Chihuly was conceived in Venice after a party hosted by the late Paul Allen.

‘Your homes will be destroyed, your family killed’: the US has dropped millions of war propaganda leaflets – but do they work?

The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.

Realms of the Dharma

The Los Angeles County Museum of Art (LACMA) has opened "Realms of the Dharma: Buddhist Art Across Asia," an exhibition on view through July 12, 2026, that brings together approximately 180 Buddhist artworks from its permanent collection for the first time in a single space. Curated by Stephen Little and Tushara Bindu Gude, the show features paintings, sculptures, ritual objects, and sacred texts spanning Asia, including a notable gray schist bodhisattva Avalokiteshvara from Gandhara (c. 200 CE). The exhibition highlights the transformative work of curator Pratapaditya Pal, who from 1970 built LACMA's Indian, Himalayan, and Islamic collections into one of the nation's premier repositories.

‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

Campbell River Art Gallery presents Sacred in All Forms

The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.

Exhibition commemorates Frederic Church 200th

The Olana Partnership opens "Frederic Church: Global Artist" on May 17 at Olana State Historic Site in Hudson, New York, commemorating the 200th anniversary of Frederic Church's birth (1826–1900). The exhibition brings together monumental oil paintings, drawings, oil sketches, and photographs from Church's global travels, with loans from major institutions including the Cooper Hewitt, Smithsonian Design Museum, The New York Historical, and the Terra Foundation for American Art. It is organized by Elizabeth Kornhauser, Tim Barringer, and Jennifer Raab, and is part of the broader Frederic Church 200 initiative.

BlackBook Art Gallery Rewrites the Rules

BlackBook Art Gallery announces its 2026 season in Southampton, featuring two major exhibitions: "The Lost Generation: Then and Now," which pairs New York School legends like Jackson Pollock and Lee Krasner with contemporary artists Julie Mehretu and Rashid Johnson, and "Summer Figuration," showcasing Amy Sherald, Kerry James Marshall, and Toyin Ojih Odutola. Founder Evanly Schindler frames the season around the concept of "urgency," drawing parallels between the postwar abstract expressionist era and today's climate of war, digital saturation, and political polarization. The gallery also plans to open a new location in Detroit's Eastern Market in fall 2026, with the Detroit Salon following in 2028.

5 exhibitions across the globe celebrating women who shaped art and culture

Five museums across the globe are opening exhibitions this month that celebrate women who have shaped art and culture. The shows include Björk's multidisciplinary "Echolalia" at the National Gallery of Iceland in Reykjavík, Iris van Herpen's New York exhibition, Marina Abramović's historic showing at Venice's Gallerie dell'Accademia, the Tate Modern's first major Frida Kahlo retrospective, and centenary tributes to Marilyn Monroe. The article notes that despite women making up 51% of visual artists worldwide, their work remains underrepresented in public institutions, with 78% of London galleries showing more male than female artists.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

Spring brings two new exhibits to Banff's Whyte Museum

Two new exhibitions have opened at the Whyte Museum of the Canadian Rockies in Banff: "Thick as Thieves," a touring show from the MacKenzie Art Gallery in Regina, and "When our eyes touch," drawn from the museum's own collection. "Thick as Thieves" explores themes of power, secrecy, and trust through works spanning from Auguste Rodin sculptures to contemporary pieces by August Klintberg and Amanda Strong, curated by Crystal Mowry. "When our eyes touch" focuses on portraiture by museum founders Peter Whyte and Catharine Robb Whyte, featuring paintings from their time at art school in Boston and later portraits of Stoney Nakoda community members, curated by Dagny Dubois and Christina Cuthbertson. Both exhibitions run until November 8.

High Museum opens sweeping Isamu Noguchi exhibition with an Atlanta connection

The High Museum of Art in Atlanta is presenting a major exhibition titled "Isamu Noguchi: 'I am not a designer'" running from April 10 to August 2, 2026. The show spans Noguchi's career across sculpture, design, and functional objects, and includes a model of Piedmont Park's Playscapes—the only playground Noguchi saw built in the U.S. during his lifetime, giving the exhibition a direct Atlanta connection. Curator Monica Obniski organized the landmark display.

Brandywine Conservancy Unites Global Partners for $100 Million, 325-Acre Expansion

The Brandywine Conservancy & Museum of Art has announced a $100 million, 325-acre expansion project that will add new art galleries, classroom spaces, walking trails, and a nature preserve. The redesign, led by Tokyo-based Kengo Kuma & Associates and Philadelphia-founded Field Operations, will connect the museum to the historic homes and studios of Andrew and N.C. Wyeth, creating a unified campus. Construction is set to begin in spring 2027, with completion expected in fall 2029, and includes flood prevention measures following damage from Hurricane Ida in 2021.

An exhibition of an artist who brought post-impressionism to England

The Museum of Somerset is hosting "A Life in Art: Roger Fry," an exhibition dedicated to the painter, critic, and curator Roger Fry, who introduced post-impressionism to England. The show features nearly 40 of Fry's paintings from a recent Charleston exhibition, alongside works by his wife, Arts & Crafts artist Helen Coombe, whose career and life have been largely overlooked. Through artwork, archival photos, and a film, the exhibition explores Fry's complex personal life, including Coombe's institutionalization for mental illness, and his role within the Bloomsbury Group.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.