10 Artist-Run Galleries Around the World You Should Know

Artsy Editorial profiles ten artist-run galleries worldwide that are thriving despite the challenge of balancing gallery operations with active art practices. These spaces, founded and operated by working artists, leverage their founders' firsthand experience navigating the art world to curate distinctive programming and build meaningful client relationships. Examples include galleries in underserved neighborhoods in Thailand and other global locations, highlighting the diversity of this grassroots movement.

A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

Museum Rietberg in Zurich has opened "A Kind of Paradise," an exhibition featuring twenty international artists who rework and reclaim colonial-era photographs. The show is organized into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—each exploring different strategies for challenging the historical narratives embedded in colonial archives. Artists such as Wendy Red Star, Cédric Kouamé, Omar Victor Diop, and Sasha Huber use techniques like cutting, stitching, collage, and critical fabulation to transform photographs that once defined and distorted non-European cultures into new works about memory, identity, and resistance.

Come, let's play human

Komm, wir spielen Mensch

The Kunsthaus Zürich is presenting a retrospective of Venezuelan-American artist Marisol (1930–2016), whose playful yet formally sophisticated sculptures blend abstraction, figuration, and everyday objects. The exhibition traces her career from early shows at Leo Castelli's gallery through her participation in the 1961 and 1963 Museum of Modern Art group exhibitions, her 1968 'European year' representing Venezuela at the Venice Biennale and featuring on the 4th documenta, to her subsequent decades-long disappearance from the European art scene.

Wem die Glocke schlägt

The Kunsthalle Wien has revived its recurring exhibition format "Lebt und arbeitet in Wien" (Lives and Works in Vienna) for the fifth time since 2000, presenting 56 artists selected from a pool of 700 local practitioners. Curated by Daniel Baumann, Monika Georgieva, and Michelle Cotton, the show spans two venues—the Museumsquartier and Karlsplatz—featuring works in painting, sculpture, installation, film, and video that reflect the city's diverse artistic landscape. The exhibition marks a return after a decade-long hiatus, filling gaps left since the previous edition under the curatorial collective WHW.

The Pain Behind the Colors

Der Schmerz hinter den Farben

Henry Taylor is the subject of a major exhibition at the Musée Picasso in Paris, where his monumental paintings addressing racism, poverty, hope, and pain are displayed in dialogue with art history. The article describes a key work featuring Martin Luther King Jr. in a park scene, with small adult-faced figures and a limousine of white men watching, highlighting Taylor's narrative style.

Nancy Graves - En galerie

Nancy Graves (1939-1995), a major figure in American art who first gained recognition in 1969 at the Whitney Museum in New York, is the subject of a gallery exhibition presenting works from 1977 to 1990. Her multidisciplinary practice encompasses sculpture, painting, drawing, and film, drawing on scientific and cultural references. The featured works showcase an experimental approach based on layering, assemblage, and dynamic colors reminiscent of Abstract Expressionism, inspired by art history, archaeology, and her travels. Graves refused a fixed style, instead exploring the memory of forms and their reinterpretation in a free, layered visual language that is now being rediscovered.

François Morellet, mathematics and humor as guides

François Morellet, les mathématiques et l’humour pour guides

The article reports on the national centenary celebration of French artist François Morellet (1926–2016), titled "100 x Morellet," which includes exhibitions, conferences, and symposia across France. The centerpiece is the exhibition "100 pour cent" at the Centre Pompidou-Metz, curated by Michel Gauthier, featuring 100 works spanning Morellet's entire career from 1941 to 2016. The show extends beyond the museum onto a wall of a nearby SNCF technical center, reflecting Morellet's affinity for public space. The exhibition is structured around the artist's dual nature—oscillating between the rigorous geometric order inherited from Piet Mondrian and the irrational, humorous spirit of Francis Picabia—showcasing his evolution from self-taught adolescent paintings to concrete art, Op Art, monochromes, and neon works.

Back on its home soil after 375 years, the Venus of Arles magnetizes artists in an unprecedented exhibition

De retour sur ses terres après 375 ans, la Vénus d’Arles magnétise les artistes dans une expo inédite

The Venus of Arles, a Roman statue from the 1st century BCE and a copy of a work attributed to the Greek sculptor Praxiteles, has returned to Arles after 375 years for a temporary exhibition titled "Le Passage de Vénus" at the Musée Départemental Arles Antique. Discovered in 1651 in the ancient theater of Arles, the statue was gifted to Louis XIV, restored by François Girardon, and later displayed at the Louvre. The exhibition, co-curated by Ludovic Laugier and Romy Wyche, presents the goddess's journey from her mythical birth to her triumph, featuring eight thematic sections that blend ancient sculptures with works by 16 modern and contemporary artists, including Niki de Saint Phalle, Annette Messager, and Man Ray.

In Venice, the Punta della Dogana tells the striking trajectory of activist artist Paulo Nazareth

À Venise, la Punta della Dogana raconte la trajectoire saisissante de l’artiste activiste Paulo Nazareth

Brazilian artist Paulo Nazareth (b. 1977) has mounted a major exhibition at the Punta della Dogana in Venice, working remotely to honor his pledge not to set foot in Europe until he has walked through all 54 African countries. The show includes a striking new installation: a line of salt tracing the shape of a slave ship (tumbeiro) on the first floor, evoking the hundreds of enslaved people who died in such vessels. Other works range from embroidered dishcloths and spontaneous photographic self-portraits to cardboard signs and resin-encased packaging critiquing racist marketing, alongside fragile handmade boat models that echo refugee crossings. The exhibition, titled "Algebra," was curated by Fernanda Brenner and runs through 2026.

For the 9th edition of Printemps Asiatique Paris, K-art in the spotlight

Pour la 9e édition du Printemps Asiatique Paris, le K-art à l’honneur

The 9th edition of Printemps Asiatique Paris, running from June 3 to 12, 2026, places Korean art (K-art) at center stage, celebrating Franco-Korean friendship. The event moves from its previous location to the refined spaces of Galerie Charpentier and includes a "Parcours galeries" route featuring around twenty Parisian galleries. Participating galleries include Louis & Sack with Lee Hyun Joung's memorial landscapes, Magna Gallery with Hoon Moreau's oak sculptures, and Françoise Livinec with works by Bang Hai Ja. Other highlights include Jean-François Cazeau gallery showing major Asian artists like Zao Wou-Ki, Léonard Tsuguharu Foujita, and Yayoi Kusama; Mingei gallery presenting Japanese bamboo basketry from the 8th century to today; Sinapango gallery with lacquer objects including a Ming-dynasty erotic incense box; and Jacques Barrère gallery with a large Goryeo-dynasty bodhisattva sculpture. The Musée national des Arts asiatiques – Guimet mounts complementary exhibitions on Silla civilization treasures and K-beauty.

Lee Miller at the Musée d'Art moderne de Paris: A Photographer Between War, Beauty and Chaos

Lee Miller au musée d’Art moderne de Paris : une photographe entre guerre, beauté et chaos

Lee Miller, the American photographer who transitioned from fashion modeling and surrealist experimentation to war photography, is the subject of a major retrospective at the Musée d'Art moderne de Paris. The exhibition covers her career from 1929 to 1955, highlighting her early work as a model for designers like Patou, Chanel, and Schiaparelli, her collaboration and romantic relationship with Man Ray, and her harrowing experiences documenting World War II. After the war, Miller abandoned photography and lived in obscurity until her death in 1977, when her archive was rediscovered and her significance to both history and art history was fully recognized.

In London, Churchill's astonishing talent as a painter celebrated by an unprecedented retrospective

À Londres, l’étonnant talent de peintre de Churchill célébré par une rétrospective inédite

The Wallace Collection in London is hosting the first major posthumous retrospective of Winston Churchill's paintings, titled "Winston Churchill: The Painter." Running until November 29, 2026, the exhibition features nearly 60 still lifes and landscapes, many from private collections rarely shown publicly. Churchill took up painting in 1915 after the Dardanelles disaster and used art as a therapeutic escape from the pressures of politics and war, producing luminous, impressionistic works inspired by Monet, Cézanne, and Renoir.

JR: 'Reflecting on the cave is to look at our deep humanity, our origins, art in general'

JR : « Réfléchir à la caverne, c’est se pencher sur notre humanité profonde, sur nos origines, sur l’art en général »

French artist JR is transforming the Pont-Neuf in Paris into a giant inflatable cave structure, titled "La Caverne du Pont-Neuf," set to debut on May 23, 2026. The project, conceived with producer Vladimir Yavachev, pays homage to Christo and Jeanne-Claude's 1985 wrapped Pont-Neuf, using inflatable techniques inspired by Christo's unrealized designs. JR's team built a prototype in a hangar at Orly, and the work involves complex permissions from the French president, the Paris mayor, and local authorities.

On Île Seguin, the new art center Large unveils its spectacular building and a first exhibition focused on Renault's history

Sur l’île Seguin, le nouveau centre d’art Large dévoile son bâtiment spectaculaire et une première expo tournée vers l’histoire de Renault

On Île Seguin, the new contemporary art center Large unveiled its spectacular building designed by Catalan firm RCR Arquitectes during a press preview on May 21. The center, backed by real estate developer Emerige and its president Laurent Dumas, will open to the public on October 17. Its inaugural exhibition, curated by Cecilia Alemani, explores the history of the automobile and the island's industrial past as the site of Renault factories from 1929 to 1992, featuring works by 55 contemporary artists including Julio Le Parc, Nina Beier, Thomas Bayrle, Mohamed El Khatib, and Giulia Andreani.

Frida Kahlo and Diego Rivera at MoMA in New York in a Passionate Theatrical Dialogue

Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur

The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).

In Basel, a Dive into the Great Bath of Colors of Helen Frankenthaler

À Bâle, plongée dans le grand bain de couleurs d’Helen Frankenthaler

The Kunstmuseum Basel has opened a major retrospective of American painter Helen Frankenthaler (1928–2011), a key figure in Color Field painting who is less known in Europe than her contemporaries Jackson Pollock and Mark Rothko. The exhibition was sparked by a 2024 donation of Frankenthaler's 1963 painting "Riverhead" from the Helen Frankenthaler Foundation, and features around fifty works showcasing her signature soak-stain technique, in which she applied thinned paint to unprimed canvas using sponges, brooms, and scrapers. The show traces her career chronologically, highlighting influences from Old Masters and her physical approach to painting on the floor.

Ornament & Information at Chicago Cultural Center

The Chicago Cultural Center is presenting 'Ornament & Information,' an exhibition featuring 62 images and no videos, as documented by Contemporary Art Daily. The show explores the interplay between decorative ornamentation and informational content in contemporary art, though specific artists, dates, and curatorial details are not provided in the available text.

Raque Ford ”The only one willing to to the hard part” at Fridericianum, Kassel

The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.

Art Basel Qatar Announces Artistic Director and Theme for 2027 Edition

Art Basel Qatar has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for its second edition, scheduled for January 28–30, 2027, in Doha. The fair will be themed “between / بين,” exploring states of betweenness and fluid cultural encounters, and will feature a scaled-up Special Projects sector with large-scale, site-specific works, alongside solo gallery presentations. Al-Khudhairi, a specialist in modern and contemporary Arab art, previously served as founding director of Mathaf: Arab Museum of Modern Art in Doha and held curatorial roles at the Contemporary Art Museum St. Louis.

Zohran Mamdani Visited MoMA PS1’s Greater New York—and Loved It

New York Mayor Zohran Mamdani visited MoMA PS1's recurring survey exhibition "Greater New York" alongside New York State Representative Claire Valdez. PS1 director Connie Butler shared the news on Instagram, posting images of the politicians smiling and raising their arms near an installation by Palestinian American photographer Dean Majd. Majd's work features photographs of communities in New York and the West Bank, including a portrait of Mahmoud Khalil, an Algerian Palestinian activist detained by ICE. The exhibition, which runs through August 17, includes 53 artists and focuses on themes of urban decay, infrastructural failure, and survival.

Venice show brings together two leading figures from the Polish avant-garde

A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.

Kiki Smith - En galerie

Kiki Smith, a multidisciplinary artist born in 1954, is the subject of an exhibition titled "Flight" at Galerie Lelong. The show features bronzes, stained glass, and drawings in which birds and nature reflect human emotions, continuing her 40-year exploration of the unity of living things—human, animal, and plant—from the microscopic to the cosmic. The article, published in L'ŒIL no. 796 on June 1, 2026, is behind a paywall.

Au Mémorial de Caen, les artistes africains font face à l’histoire de la colonisation

The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.

Flash back: The artists creating new stories from archival photos

Nanina Guyer, curator of photography at Zurich's Museum Rietberg, has organized the exhibition "A Kind of Paradise: Colonial-Era Photography in Contemporary Art," which examines how contemporary artists repurpose archival colonial-era photographs. The show features 20 artists, including Sammy Baloji, Rosana Paulino, Sasha Huber, Dinh Q. Lê, Wendy Red Star, Omar Victor Diop, and Zenaéca Singh, who transform these historical images into sculptures, films, and recontextualized works. The exhibition is divided into four sections: artists as archivists, confronting stereotypes, healing, and a final section on repair.

Mark Manders at Tanya Bonakdar Gallery, New York

Mark Manders presents his sixth solo exhibition at Tanya Bonakdar Gallery in New York, featuring new works that include monumental bronze busts, abstract sculptural landscapes, and discrete paintings and works on paper. The pieces are described as dreamlike and fragmented, populating the gallery like a series of thoughts given form and frozen in time.

Evelyn Taocheng Wang ”Sweet Landscape” at MUSEION, Bolzano

Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.

“Melting Glaciers, Water Futures from the Alps to the Nile” photo exhibition by Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis is a must see - Exhibitions - Al-Ahram Weekly

The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.

Indian Art In London: Sakshi Gallery Marks 40 Years With Landmark Show By Contemporary Indian Artists This June

Sakshi Gallery, a Mumbai-based gallery founded in 1986 by Geetha Mehra, is presenting a contemporary art show titled 'Unfolding Narratives: Perspectives in Contemporary Indian Art' at London's Mall Galleries from June 30 to July 8, 2026, marking its 40th anniversary. The exhibition features works by six artists—Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan, and Surendran Nair—with several pieces created specifically for the show. It serves as a prelude to a larger institutional exhibition planned for 2027 in London.

San Diego Museum of Art is Celebrating 100 Years With its Most Ambitious Exhibition Yet

The San Diego Museum of Art is marking its 100th anniversary with what it describes as its most ambitious exhibition to date. The show brings together a wide range of works from the museum's collection and loans, aiming to celebrate a century of artistic achievement and institutional history.

Nick Doyle’s AI Oracle at Perrotin is Part Influencer, Part Therapist, Part Snake Oil Salesman

Nick Doyle's exhibition "Collective Hallucinations" at Perrotin New York features an AI oracle named Ava, an interactive chatbot that offers therapy-like advice in the style of a Gen Z influencer. The installation, centered around a structure called Mirror, Mirror that resembles a psychic storefront, uses ChatGPT, ElevenLabs voice software, and the HeyGen avatar platform. Doyle developed Ava's persona to sound like a blend of Cher from Clueless, a life coach, and a reality-TV confessional, complete with an accidentally acquired Australian accent. The show closes on May 30.